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" As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters. "
Barry Jenkins
Voice
Characters
Carry
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" There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently. "
Barry Jenkins
Work
Nothing
Think
" I just came back from my hometown, making a movie about a kid who grew up just like me, and it was financed by white people in New York. Personally, I can't be angry. In my personal experience, the support was there. "
Barry Jenkins
Experience
Me
New York
" Because I'm so in the eye of the hurricane, I don't have a really good perception of what's happening. I'm in a room talking to people, and that's all I know. But sometimes I go out of these rooms - I live in L.A., and every now and then, maybe twice a week, I'll be somewhere, and someone will say, 'Hey, are you the guy that made Moonlight?' "
Barry Jenkins
People
Good
Live
" Filmmaking is a very privileged art form. It costs a lot of money to make these things. "
Barry Jenkins
Art
Costs
Filmmaking
" To me, no matter who you're casting for what role, if something's authentic, usually you can mine something good there. "
Barry Jenkins
Good
Mine
Me
" 'Moonlight' is a story that hasn't been told. Whether placed as queer black cinema or urban male cinema, the lack of coming-of-age films featuring people like Chiron and set in places like inner-city Miami is pronounced and unfortunate. "
Barry Jenkins
Miami
Black
Story
" Not all my work features black actors. I mean, it's funny: someone was reading back to me all the languages that have appeared in my films, whether they were shorts or features. They span Arabic, French, Mandarin, Cantonese - all kinds of languages. I think it's really cool. "
Barry Jenkins
Cool
Reading
Black
" It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema. "
Barry Jenkins
Cinema
Flying
Think
" It's interesting because I think class is a heavy, heavy part of 'Moonlight,' and I think, in a certain way, through the sum of all these parts, it's become a commentary on the black experience in America. "
Barry Jenkins
America
Experience
Black
" In hip-hop, sometimes that pace is so fast that you miss things. I don't mean literally miss lyrics; I just think there's an emotion in what these cats are saying that gets by you. When you slow things down, there's this emotion, this yearning. "
Barry Jenkins
Think
Slow
Saying
" My first job was cutting grass. In Miami, this grass grows everywhere. You just get the lawn mower out, walk down the neighborhood, cut grass. "
Barry Jenkins
Down
Miami
Job
" Art is inherently political. Even trying to make a film that has nothing to do with politics is, in and of itself, a political act. "
Barry Jenkins
Politics
Political
Trying
" I didn't really want to be a filmmaker, growing up. Other than Spike Lee's movies, I would think, 'Where is a place for me?' We were so damn poor that it just seemed too far beyond. "
Barry Jenkins
Movies
Growing Up
Place
" 'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it. "
Barry Jenkins
Know
Worth
People
" The way I work, things are very nuanced; not everything is explained. "
Barry Jenkins
Explained
Things
Way
" Sometimes, how you ingest this idea of masculinity as projected onto you by the world could be the difference of life and death. "
Barry Jenkins
You
World
Life And Death
" At school, film-making had been the most beautiful thing that ever happened to me. Then I get to L.A., and it's this whole other thing. I checked out. "
Barry Jenkins
School
Beautiful
Me
" I'm always about, 'What is the most productive version of what I'm putting into the world?' Something that can be engaged by all folks. I don't have to change everyone. "
Barry Jenkins
Change
World
Most
" As a filmmaker whose first film was made with the DIY tools of digital cinema, I love how the democratization of the filmmaking process and platforms like YouTube enables people to tell stories that in previous generations simply could not be told. "
Barry Jenkins
Love
Tools
Process
" I think everybody can identify, you know, with this sort of struggle to decide for yourself who you are, you know, and what your place in life is. "
Barry Jenkins
Place
Yourself
Think
" We are carrying these images out into the world, and we can't control how people contextualize those images no matter how virtuous our aspirations and our intentions are. "
Barry Jenkins
Matter
World
Control
" Cinema is a little over 100 years old, and a lot of what we do is built around film emulsion. Those things were calibrated for white skin. We've always placed powder on skin to dull the light. But my memory of growing up in Miami is this moist, beautiful black skin. "
Barry Jenkins
Growing Up
Light
Beautiful
" I got into film school. I went and didn't know anything about it. Over the course of two years, I kind of got kind of good at it. You know, I had a brief moment where I wasn't sure if I could do it. I didn't know you needed light to expose film. "
Barry Jenkins
Good
Know
Light
" Growing up, I wasn't the most vocal kid in the world. I feel like I learned through observation, and usually, when you're watching things, you're not speaking. That sort of metastasized in a way that I began to participate less and less in the world. "
Barry Jenkins
You
Growing Up
World