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All Quotes by author - Andrew O'Hagan
" A good nationalism has to depend on a principle of the common people, on myths of a struggling commonality. "
People
Nationalism
Myths
" As an old creative industry full of cruelty and moral sense, British journalism once flourished on the imperative that people required the truth in order to survive. But people don't require that now. They want sensation and they want it for nothing. "
Now
Journalism
Creative
" A theatre is not a blank page for editorial, it is not a soapbox or a Tannoy system: it is a conscience that wakes with what is happening in the space, and wakes further still in response to what people are making of it. "
Page
Space
Theatre
" Events in America show the extent to which democracy there is fuelled by populism - Barack Obama's victory is a manifestation not of Washington's need for change, but of America's. That is not how democracy works in England. "
America
Victory
How
" Everybody has an idea of the kind of society they'd like to live in, and I would like to live in one where our senior politicians were spirited and original and possibly even good at what they do. "
Politicians
Good
Kind
" Every literary culture has among its first bearings the 'blether' of animals who seek to make sense of human existence. "
Seek
Human
Existence
" High culture isn't what it used to be. "
Culture
Used
High
" I always knew I would come to London. I loved Glasgow, but it seemed filled with echoes of my parents' lives, and sometimes you just want a city of your own. "
Parents
Loved
City
" I had always been literary, in the sense of loving poetry and discovering novels, but I found my voice, as they say, in an office full of elderly people who looked after blind ex-servicemen. "
People
Loving
Blind
" In Britain, the great hidden secret of talking animals and children's literature is how political it was in its bones, beneath the obvious cuteness. "
Political
Children
Great
" Interviewing is not a democratic art. "
Art
Interviewing
Democratic
" I probably owe my political dismay to New Labour, but also my growing sense that the satirical shape of human affairs is international and historical, not glued to the tawdry ambitions of a team of politicians who represent nothing but themselves. "
Political
Growing
Team
" I think I am becoming obsessive-compulsive. David Beckham apparently turns all the Diet Coke cans in his fridge to face the same way every morning, and I nerdily sharpen all the pencils in my pot before sitting down to work. "
Diet
Think
Work
" Like children all over the world, by the age of 10 I'd come to believe that most of the really humane creatures were not really human at all. "
Human
Children
World
" Long before I was a writer, when I was just a haphazard reader and a dreamer of stories, I learnt about an influential book by Harold Bloom. 'The Anxiety of Influence', published in 1973 when I was five years old, is taken up with the terrifying influence of poets on each other. "
Anxiety
Influence
Long
" Long before the arrival of reality TV - before speed cameras, before recording angels on buses and lampposts - I felt I was living in a country that already knew how to watch itself. It was journalism that held the responsibility for seeing who we were and noticing what we did. "
Responsibility
Reality
Journalism
" Novelists are no more moral or certain than anybody else; we are ideologically adrift, and if we are any good then our writing will live in several places at once. That is both our curse and our charm. "
Moral
Will
Places
" Once upon a time, I thought that politics was the name we gave to our higher instincts. That was before Margaret Thatcher, who came to power when I was 11 years old. "
Name
Politics
Time
" The working class of England take their deracination completely for granted. Disenchantment is the happy code that informs every byway of the underclass: service jobs, celebrity dreams, Lotto wins, leisured poverty on pre-crunch credit cards, it's all there, part of the story of an English people whose grandparents never had it so good. "
People
Service
Dreams
" The working class of England today have no vision of society beyond the acquisitive - no version of themselves or their habits as anything other than transitional, on their way up or on their way out. The working class, at best, is a waiting room for people who aim to become middle class if possible. "
Vision
Waiting
Best
" We sometimes forget that human invention can also be a subject of human invention: that might seem a modern notion, or a postmodern one, but novelists have taken time - sometimes time out from their realist fixations - to source and satirise the speech and power we rely on. "
Forget
Time
Speech
" When I was growing up, my idea of a writer was someone like Sven Hassel, that mysterious Danish author who wrote thrillers about men clambering over walls and getting tangled in barbed wire. "
Growing
Walls
Someone
" When I was very young, I thought the theatre was a place where higher beings went about their celestial business, as if they knew nothing of ordinary life and its political mysteries. "
Business
Life
Theatre
" When you grow up by the sea, you spend a good deal of time looking at the horizon. You wonder what on Earth the waves might bring - and where the sea might deposit you - until one day you know you have lived between two places, the scene of arrival and the point of departure. "
Day
Time
Sea
" Writing a novel is an act of self-annihilation as much as self-discovery. You can kill whole appetites and flood whole depths while plumbing them, but if you are serious about it you also get to put something into the world that wasn't quite there before. "
You
Act
Serious
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