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All Quotes by author - Billy Collins
" A lasting marriage, they say, is one where the two reach for different sections of the Sunday paper. Me, I go right for the obituaries, just like those very elderly characters in Muriel Spark's spooky novel, 'Memento Mori.' "
Spooky
Me
Say
" Attempts to put my poems to music have had disastrous results in all cases. And the poem, if it's written with the ear, already has been set to its own verbal music as it was composed. "
Music
Own
Poem
" Humor, for me, is really a gate of departure. It's a way of enticing a reader into a poem so that less funny things can take place later. It really is not an end in itself, but a means to an end. "
Place
Funny
End
" I don't write for an auditorium full of people. I don't write for the microphone; I write for the page. "
People
Write
Full
" If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context. "
Purpose
Responsibility
Art
" I find that my reading, particularly nonfiction, can inspire a poem as well as anything else. "
Reading
Else
Find
" I have a stack of those plastic card hotel room keys that I picked up on this latest book tour. It's about a yard tall. Ah yes, a stack of lonely nights. "
Plastic
Lonely
Book
" I learned snails don't have ears. They live in silence. They go slowly. Slowly, slowly in silence. "
Learned
Silence
Go
" I think my poems are slightly underrated by the word 'accessible.' "
Accessible
Underrated
Think
" I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing. "
Think
Sometimes
Momentum
" I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door. "
Door
Company
Out
" Listeners are kind of ambushed... if a poem just happens to be said when they're listening to the radio. The listener doesn't have time to deploy what I call their 'poetry deflector shields' that were installed in high school - there's little time to resist the poem. "
Poetry
School
Time
" Often people, when they're confronted with a poem, it's like someone who keep saying 'what is the meaning of this? What is the meaning of this?' And that dulls us to the other pleasures poetry offers. "
Someone
Meaning
People
" Poems, for me, begin as a social engagement. I want to establish a kind of sociability or even hospitality at the beginning of a poem. The title and the first few lines are a kind of welcome mat where I am inviting the reader inside. "
Me
Welcome
Want
" Poetry can do a lot of things to people. I mean it can improve your imagination. It can take you to new places. It can give you this incredible form of verbal pleasure. "
You
Imagination
New
" Poetry is my cheap means of transportation. By the end of the poem the reader should be in a different place from where he started. I would like him to be slightly disoriented at the end, like I drove him outside of town at night and dropped him off in a cornfield. "
Cheap
Poetry
Place
" Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction. "
Poetry
Voice
Visual
" The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation. "
Expectation
Improvement
Like
" The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme. "
Line
Rest
Signature
" The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you're simply using a pen to record what you have thought out. "
Thought
Pen
Instrument
" The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing. "
Poetry
Think
Writing
" The public is probably more suspicious of poets than women, and maybe for good reason. "
Women
More
Public
" There are interesting forms of difficulty, and there are unprofitable forms of difficulty. I mean, I enjoy some difficult poetry, but some of it is impenetrable and I actually wouldn't want to penetrate it if I could, perhaps. "
Mean
Interesting
Want
" There's something very authentic about humor, when you think about it. Anybody can pretend to be serious. But you can't pretend to be funny. "
Humor
About
Serious
" We love, you know, children love the ingredients of poetry. And then they go into this tunnel that we call adolescence, and when they come out of it, they hate poetry. "
You
Children
Hate
" When I write, I'm not trying to be funny. It's the way I look at the world. "
Write
Look
Funny
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