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All Quotes by author - Charlie Haden
" As long as there are musicians who have a passion for spontaneity, for creating something that's never been before, the art form of jazz will flourish. "
Passion
Art
Jazz
" Bluegrass is in my blood and in my ears. "
Ears
Bluegrass
Blood
" I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. "
Friends
Wrong
I Was Born
" I always told the people at Cal Arts that if they wanted me to do Jazz studies, first of all, there couldn't be a big band within 500 miles and that I could do what I wanted to do. And they said I could. "
Always
People
Said
" I have a very clear picture of what I want to do and what I feel is important as far as my contribution or my appreciation and respect for this life that we're living, and to try to make it better. I can't feel that I'm making it better playing commercial music, and I never could, and I never will. "
Respect
Music
Life
" I have music inside me and I'm very lucky to be able to play music and that's the way that I try to do it. "
Me
Way
Try
" I just see myself as a human being that's concerned about life. "
Myself
Human Being
Human
" I just sit down at the piano and rattle it off. "
Just
Piano
Rattle
" I just try to play music from my heart and bring as much beauty as I can to as many people as I can. Just give them other alternatives, especially people who aren't exposed to creative music. "
Beauty
People
Music
" I'm always searching. It's the reason I'm here. It's not really about music: it's about searching for meaning. "
Here
Music
Searching
" In L.A., I played with Joe Pass and Gabor Szabo. Mick Goodrick plays guitar in the Liberation Music Orchestra, and he's a real special player. Then I did a duet concert with Jim Hall at the 1990 Montreal Festival. "
Concert
Music
Real
" I think it's very important to live in the present. One of the great things that improvising teaches you is the magic of the moment that you're in because, when you improvise, you're in right now. You're not in yesterday or tomorrow - you're right in the moment. "
Live
Tomorrow
Think
" It used to be that creative music was most of the music that you heard back in the '30s and '40s, and now it's like 3 percent. So, its kind of a struggle getttin' it out there. "
Struggle
Back
Creative
" I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect. "
Got
Done
Respect
" I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records. "
Beautiful
Music
People
" I want them to come away with discovering the music inside them. And not thinking about themselves as jazz musicians, but thinking about themselves as good human beings, striving to be a great person and maybe they'll become a great musician. "
Good
Thinking
Great
" I want to expand jazz; I don't want to keep the audience limited. I want to reach people who have never come to a jazz concert before. One way to do that is by making records that have a lot of different kinds of music on them. "
Audience
People
Reach
" James Cotton is a real blues guy, and he played with Muddy Waters, and it surprised me that they would want me to make a record with them, that he called me to do this record. I'd never done anything like that before. But I love blues, so I was very happy. "
Me
Blues
Cotton
" My family influenced me very deeply because my dad came from a musical background, from the hillbilly music part of it, and all that music came over from Scotland and Ireland and England in to the Appalachian Mountains and Ozark Mountains, where I was raised. "
Music
Over
Family
" Some tracks are with quartet and some tracks are with synthesizer. "
Synthesizer
Tracks
Quartet
" The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything. "
Kind
You
Drops
" There's like a special group of people that come from different parts of the planet to study with me. It's nice. I just gave a workshop in Boston at the New England Conservatory, which was really nice. "
Me
Boston
Group
" We're here to bring beauty to the world and make a difference in this planet. That's what art forms are about. "
Art
World
Beauty
" When I was four, we moved to a farm outside Springfield, Missouri. We had a radio show from that farmhouse. My dad always wanted a farm. We used to go out and milk the cows every morning and then do a radio show with a remote control from our living room. We'd start by singing 'Keep On The Sunny Side.' "
Living
Control
Singing
" When we first started playing we did a lot of rehearsing. We used to write out everything. In fact, that's the way everybody rehearses: we play the tunes and improvise. "
Way
Everything
Fact
" When you listen to a symphony orchestra, and the basses don't - there's no bass part, there's not that much depth. That's why I'm attracted to the instrument, the bass. It brings depth. It's like playing in a rainforest. "
Listen
Why
Orchestra
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