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All Quotes by author - David Maisel
" I live in the 20th century. I have copper rivets on my jeans. "
Copper
Live
20th Century
" I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette. "
Black And White
Work
Time
" I still shoot film. I like what film does, how it renders things, Also, when I'm shooting from the air, I want to have as large a negative as I can. "
Want
Negative
Like
" I think the feeling of being kind of overwhelmed is almost part of the aesthetic of the work. "
Feeling
Think
Kind
" It was only after a while, after photographing mines and clear-cutting of forests in Maine, that I realized I was looking at the components of photography itself. Photography uses paper made from trees, water, metals, and chemistry. In a way, I was looking at all these things that feed into photography. "
Way
Photography
Water
" That experience of being at Mt. St. Helen's was really formative. I don't even know if I'd be a photographer. It was an essential moment for me. "
Even
Moment
Me
" The active and abandoned tailings ponds I have photographed, for example, are strangely beautiful - yet they are also chock full of cyanide, which is used in the recovery of microscopic particles of gold from the waste tailings of copper mines. "
Gold
Recovery
Abandoned
" The resulting prints of 'History's Shadow' make the invisible visible and express through photographic means the shape-shifting nature of time itself and the continuous presence of the past contained within us. "
Us
Time
Nature
" The thing that struck me most about the Mount St. Helens project was not the devastation of the eruption, but the logging industry - the earth transformed on that scale by humans. "
Industry
Me
Most
" With the mining sites, I found a subject matter that carried forth my fascination with the undoing of the landscape, in terms of both its formal beauty and its environmental politics. "
Environmental
Matter
Politics
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