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All Quotes by author - Denise Mina
" Because I write a book a year, I always want to do one other project every year that's stimulating in a different way. It means you can be working but not using up your prose juice, you know? "
Book
You
Know
" Because I write prose, when I sat down to write a comic, it feels like my brain's working differently. It actually feels like different bits of my head are springing into action. "
Brain
Action
Down
" Comics don't work if the story is all in the text and the images are illustrative. It's hard to have enough faith in the artists to allow them to do their job. "
Faith
Hard
Story
" Crime fiction is the fiction of social history. Societies get the crimes they deserve. "
Fiction
Deserve
Social
" Crime is a very hard genre to feminise. If you have a female protagonist she is going to be looking after her mum when she gets older; she is going to be worried about her brother and sister; she will be making a living while bringing up kids. "
Looking
Brother
You
" Even if people do wrong, we're social animals, so what can we do about stopping them doing the same things in future? Saying people are 'bad' or 'evil' is just an unwillingness to engage; an unwillingness to try to empathise. That sanctimonious attitude doesn't help anyone. "
Attitude
People
Future
" I always wanted to work at 'Take A Break' magazine, you know, just to inject a little bit of politics into their stories. I applied for a job there after I'd done my law degree and didn't even get an interview. I only wrote 'Garnethill' because I didn't get that job! "
Politics
You
Job
" I came from this very traditional background and I benefited hugely from feminism. I felt privileged going to university and doing a PhD. Most people of my background don't get to do that. "
Get
People
Feminism
" I'd read so much right-wing crime fiction where they find the evidence and shoot the bad guy - I thought there must be another approach. "
Crime
Bad
Guy
" If you went for a job interview in a Glasgow law firm, they used to ask you what school you went to. And that was a way of finding out what religion you were. "
You
Religion
Law
" I grew up in London under Thatcher and that really was disgusting. A feeding frenzy. "
Frenzy
Up
Disgusting
" I hate it when I'm reading a comic, and the dialogue looks like stickers stuck on top to explain what's going on. For me the best is when your eye goes in a certain point and moves through the composition and then springs out on the dialogue, or gets confused in the image and then goes to the dialogue for an explanation. "
Eye
Confused
Best
" I have had quite a few obsessive fans. They write to me and then they turn up at signings and look really sheepish. If I said 'boo' to them, they would run away. I think they maybe believe I could take over their lives and sort them out. If they saw the state of my kitchen they wouldn't think that. "
Look
Me
Believe
" I have two children. They are more fun than anything in the world, and it's more immediate fun than the hard slog of writing. "
Fun
Hard
Two
" I just got an honorary degree from Glasgow University, and I had to wear around very painful shoes so that I didn't laugh all the way through the ceremony because I felt like an outlaw. "
Shoes
Laugh
University
" I love bleak things. "
Bleak
Things
Love
" I love Mikhail Bulgakov. He is very original and takes the story to unexpected places. I didn't realise political writing could be so funny. "
Love
Funny
Story
" I'm always represented as a bit of a class warrior - a bit Down With Men and Down With Middle-Class People. Whereas I'm actually very fond of men and am middle-class. I even went to boarding school in Perthshire. "
School
People
Men
" I'm not much of a plotter. I start off with an inciting incident, and in classic crime fiction what happens is that all the action flows from that incident. It's very comfy when it all ties up and feels like a complete universe, but my stuff doesn't always work that way. "
Crime
Work
Action
" I'm terrified to get married. I'm not getting married till my gay friends can. "
Married
Getting Married
Friends
" In my heart I'm just a lucky waitress. "
Just
Heart
Waitress
" In prose, leaps of logic can be made while the protagonist thinks about things and arrives at conclusions. Even with voiceover, there's no real way of having an inner voice without it taking over the entire story. "
Logic
Over
Voice
" In the forensic science course I took at university they used photographs of dead bodies. For ballistics they showed us a guy lying on the floor, and his head had burst. "
University
Dead
Head
" In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents. "
Art
She
People
" I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted. "
Rules
Crime
Expect
" I think graphic novels are closer to prose than film, which is a really different form. "
Different
Film
I Think
" I think the class divide is going to change. I think a lot more working class people are going to get published. It is really class ridden, literature. "
Think
Literature
People
" I think the negative traits are what makes us love other human beings, the foibles and the flaws. "
Us
Love
Human
" It's all chaos and the house is occasionally filthy but I get to stand at the school gates. Writers are so lucky to have that flexibility. "
School
Chaos
Get
" It's very hard to be cut off in Glasgow because it's such a small city. You know, we have the highest rate of per-capita imprisonment, certainly in Britain, maybe in Europe. We have a very high murder rate here. So most people will know someone who's been to prison. "
Prison
Know
You
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