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All Quotes by author - Ennio Morricone
" Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I don't understand why this happens in the movie industry. "
Why
Write
Happens
" De Palma is delicious! He respects music; he respects composers. For 'The Untouchables,' everything I proposed to him was fine, but then he wanted a piece that I didn't like at all, and of course we didn't have an agreement on that. It was something I didn't want to write - a triumphal piece for the police. "
Him
Police
Music
" Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go before my wife, I will leave her alone, and vice versa. The ideal would be to die together. "
Alone
Scared
Together
" I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie. "
You
Say
Bad
" I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly, it has to be listened to by the public. "
Beginning
Write
Only
" I come from a background of experimental music which mingled real sounds together with musical sounds. "
Music
Together
Real
" I dislike cats. I like horses, some monkeys, and sweet dogs that aren't too aggressive. I used to have a wonderful, big cat, and one day I came into the kitchen and it was on the table, ruining all the food we were about to eat. I was so annoyed that I took it to a friend's house in the country. "
Sweet
Kitchen
Friend
" I don't know the names of any pop musicians. Pop music is standardised; it's made to please the largest audience possible. I also compose to please a large audience, but when you listen to my music, you understand that I have studied and applied the whole history of composition. "
You
History
Know
" If you scroll through all the movies I've worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So in other words, I'm no specialist, because I've done everything. I'm a specialist in music. "
Political
Action
Music
" I have to see a definitive cut of the film before I even start thinking about the music, I tell the director what my feelings are and what I would like to do. He accepts what I say or discusses it or destroys it. Eventually, we have to find a compromise. "
Start
Music
Thinking
" I like composing music, but I love being with my family. "
Like
Composing
Family
" I like to feel and understand people's contentment with what I've done. "
Like
People
Understand
" I never watch the dailies. What I usually do is have a look at the rough or final cut, and I just get something from the story. Sometimes I start composing even before the director has shot anything. The dailies don't help me at all. "
Help
Look
Me
" In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault. "
You
Reality
Way
" In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different. "
Story
Thought
Strange
" I often use the same harmonies as pop music because the complexity of what I do is elsewhere. "
Use
Complexity
Because
" I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie. "
Life
Own
Music
" It could have been extremely boring to write musical scores for only westerns of horror films. It was really exciting for me to work in all these various genres. "
Boring
Write
Work
" It had a very good arrangement by Herbie Hancock, but it used existing pieces. "
Very
Used
Pieces
" I want people to know about all the kinds of music that I write. Some believe I just write film scores, which is not true. "
People
Want
Believe
" I was born in 1928, so in 1943, 1944, we had the war in Rome. There were a lot of hardships, a lack of food, many shortages. So when I worked with the Americans, the English, and the Canadians soon after the war, when I played with them, they paid me with food. That will give you an idea how widespread poverty was at that time. "
Time
Food
Me
" I was offered a free villa in Hollywood, but I said no thank you, I prefer to live in Italy. "
Said
Live
You
" Music needs room to breathe. "
Breathe
Room
Needs
" My favourite type of pizza is a Napoletana: tomatoes, mozzarella, and very few anchovies. It must have a thin base. "
Pizza
Favourite
Few
" My more risky or avant garde music is not that well known to a wider audience, but I wish it was. "
Music
More
I Wish
" Some movies work really well with music from Bach or Mahler that existed long before the film, so music has its own autonomy. "
Work
Film
Long
" There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score. "
Film
Think
Success
" The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem. "
Respect
Power
Come
" There was a theft! But, of course, if it was up to me, every two years I would win an Oscar. "
Theft
Me
Years
" They're all my children... every score I've done. "
Children
Done
Every
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