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All Quotes by author - Ken Burns
" By its very nature, no one person can ever be the center of jazz. "
Jazz
Ever
Center
" History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions. "
History
Light
Assumptions
" I am passionately interested in understanding how my country works. And if you want to know about this thing called the United States of America you have to know about the Civil War. "
Understanding
America
I Am
" I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films. "
Looking
Moment
Truth
" I don't use composers. I research music the way I research the photographs or the facts in my scripts. "
Way
Facts
Music
" I grew up certain for a while that I was going to be an anthropologist, until film turned my head. "
Going
Up
Head
" I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities. "
Look
Democracy
People
" I have made all my films for my children with the exception of my first film because my oldest daughter wasn't born when I was making the film about the Brooklyn Bridge. "
Bridge
Daughter
Film
" I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on. "
Jazz
Reading
New York
" I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance. "
Myself
You
Work
" I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it. "
Think
Music
Play
" I think we too often make choices based on the safety of cynicism, and what we're lead to is a life not fully lived. Cynicism is fear, and it's worse than fear - it's active disengagement. "
Safety
Fear
Think
" I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style. "
Work
Live
Music
" Jazz is a very accurate, curiously accurate accompaniment to 20th century America. "
America
Accurate
20th Century
" Like a layer on a pearl, you can't specifically identify the irritant, the moment of the irritant, but at the end of the day, you know you have a pearl. "
End
Moment
Know
" Louis Armstrong is quite simply the most important person in American music. He is to 20th century music (I did not say jazz) what Einstein is to physics. "
Important
Jazz
Music
" One of the things I really like about Ford's films is how there is always a focus on the way characters live, and not just the male heroes. "
Heroes
Always
Way
" The flame is not out, but it is flickering. "
Out
Flickering
Flame
" The genius of our country is improvisation, and jazz reflects that. It's our great contribution to the arts. "
Genius
Country
Jazz
" The stories from 1975 on are not finished and there is no resolve. I could spend 50 hours on the last 25 years of jazz and still not do it justice. "
Last
Years
Jazz
" When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad. "
Working
Bad
Film
" When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things. "
Editing
People
Falling
" You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living. "
History
Reading
Living
" You don't work on something for six years and be blind to the myriad of other approaches. "
Six
You
Years
" You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood. "
People
You
Rest
" You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time. "
Need
Only
Through
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