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All Quotes by author - Morris Gleitzman
" Although my stories are all very different on the surface, I like to write stories about characters struggling with big problems. I'm always reminded, no matter how different from me one of my characters is from me on the surface, how we're all pretty much the same underneath. "
Me
Always
Matter
" At around nine or 10 years of age, young people start to decide for themselves what's moral or not, and that's why I like writing for that age group so much. "
People
Writing
Moral
" Because kids are physically smaller, there's an assumption by people who haven't read a kids' book for a long time that their ideas and themes and problems and ambitions must be commensurately smaller and less important. I would venture that sometimes the opposite is true. "
Ideas
Problems
Time
" Because of my poor writing posture, I started walking in the forest every day, and I found it a potent place to be creatively. It changed me in that it was a new way of doing my creative process, and I realised how much I liked being among tall trees. "
Day
Creative
Writing
" Boys, particularly, like stories where they can have images in their imagination, where they can go to scary places and experiment with what can happen. "
Like
Imagination
Places
" Children have limited power to shape their own lives, but when they can experiment with possibilities through books, their optimism can be recharged and kept alive. "
Optimism
Children
Power
" Children know when they are being sold a sanitised version of the world, and I think that's a betrayal of the relationship between author and reader. "
Children
World
Think
" Halfway through primary school, I realised that I was not as physically strong or fearless as many kids. So, in situations of conflict, I quickly learned that it worked better for me to get out of situations or maybe kind of, you know, prevail in a conflict situation by using humour than by trying to punch somebody out. "
Conflict
Fearless
Me
" I discovered you can get closer to a character's thoughts and feelings in a book than in a film. "
Feelings
Thoughts
You
" If we get caught up in a story, it's because we've started to care about the characters, and that can only happen if we've moved beneath the surface. "
Care
Happen
Only
" I like the idea of young readers using my stories as a sort of moral gym, where they can flex and develop their newly developed moral muscle. "
Muscle
Stories
Gym
" I like to write stories where young people have a strong feeling about something being fair or unfair, right or wrong, cruel or kind, and they act on the basis of that - often in the face of the prevailing limits of behaviour. "
Strong
Feeling
Limits
" In 1969, we emigrated to Australia. It was a big change. The heat, the flies, and the completely different tinned meats. The shock was so great, I stopped reading books for nearly a year. "
Heat
Reading
Australia
" In all of my books, I'm taking them on an emotionally challenging and sometimes physically dangerous process with a bit of fun and anarchy along the way. With the power comes responsibility. "
Fun
Way
Power
" I prefer watching people on a screen, and I've had the most pleasurable people-watching experiences at the Palace Cinema in Balwyn. "
Watching
Experiences
People
" I think probably you can either write for kids, or you can't. That ability to imaginatively be a child and see the world as a child and feel and think like a child - you either have that ability or you don't. "
Think
Feel
Child
" I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write. "
Day
Friends
Short
" I think, to be a successful author, you've got to be part recluse and part show-off. "
Successful
Got
Think
" It's our potential for good stuff I'm most interested in exploring, but that has most meaning when juxtaposed with things that can go wrong. "
Go
Good
Exploring
" I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it or have the problem whack him between the eyes. "
Eyes
Character
Know
" I've always been aware that to be named after someone from the past carries with it all kinds of bittersweetness. "
Always
Aware
Been
" I've always been interested in setting my stories against a big event, the importance of which my younger readers are slowly becoming aware of as they move into their teens. "
Stories
Against
Always
" I want to help children develop strengths that allow them to feel they don't have to push things away mentally... If we 'cotton-ball' kids, it produces adults who are too scared to think for themselves and are easily manipulated. "
Children
Push
Think
" I was named after my Jewish grandfather who left Poland early in the 20th century. What I knew from an early age was that he had lived most of his life in England, his Jewish wife had died, and he married a non-Jewish woman who was my grandmother. "
Lived
Early
Age
" I would never write stories with only despair and defeat and the dark side of life. "
Life
Despair
Defeat
" I wrote stories as a kid just for myself. One day, some of the kids in my class found some of my stories in my bag, and I was deeply embarrassed until I realised they enjoyed reading them. "
Reading
Bag
Class
" Kids aren't political, but around 10 years old, they are beginning to develop the moral grounding that might later, in their teens, develop into their first real political perspectives. "
Beginning
Moral
Political
" Kid's culture is often dismissed as superficial, like high fibre McDonald's, but it's so much more important than that. "
McDonald
Kid
Important
" Kids who are nine, 10 and 11 are pretty sophisticated readers; they know that there isn't always a good outcome every time and that problems don't always have solutions. "
Always
Good
Kids
" Melbourne is my type of city, much more so than Sydney. "
Sydney
More
City
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