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All Quotes by author - Octavio Paz
" Abstract painting seeks to be a pure pictorial language, and thus attempts to escape the essential impurity of all languages: the recourse to signs or forms that have meanings shared by everyone. "
Painting
Pure
Language
" All of us, at some moment, have had a vision of our existence as something unique, untransferable and very precious. This revelation almost always takes place during adolescence. "
Precious
Moment
Place
" All poems say the same thing, and each poem is unique. Each part reproduces the others, and each part is different. "
Unique
Say
Others
" An understanding of Sor Juana's work must include an understanding of the prohibitions her work confronts. Her speech leads us to what cannot be said, what cannot be said to an orthodoxy, the orthodoxy to a tribunal, and the tribunal to a sentence. "
Work
Understanding
Speech
" An unread author is an author who is a victim of the worst kind of censorship, indifference - a censorship more effective than the Ecclesiastical Index. "
More
Censorship
Kind
" Any reflection about poetry should begin, or end, with this question: who and how many read poetry books? "
Question
Books
End
" Art for Duchamp, all the arts, obey the same law: meta-irony is inherent in their very spirit. It is an irony that destroys its own negation and, hence, returns in the affirmative. "
Irony
Arts
Art
" Art is an invention of aesthetics, which in turn is an invention of philosophers... What we call art is a game. "
Art
Call
Game
" As it defines itself, every society defines other societies. That definition almost always takes the form of a condemnation: the 'other' is the barbarian. "
Almost
Always
Society
" A society is defined as much by how it comes to terms with its past as by its attitude toward the future: its memories are no less revealing than its aims. "
Attitude
Memories
Past
" A work survives its readers; after a hundred or two hundred years, it is read by new readers who impose on it new modes of reading and interpretation. The work survives because of these interpretations, which are, in fact, resurrections: without them, there would be no work. "
Fact
New
Reading
" Changes in our aesthetic tastes have no value or meaning in and of themselves; what has value and meaning is the idea of change itself. Or, better stated: not change in and of itself, but change as an agent or inspiration of modern creations. "
Meaning
Better
Value
" Deserve your dream. "
Deserve
Motivational
Your
" Despite the often illusory nature of essays on the psychology of a nation, it seems to me there is something revealing in the insistence with which a people will question itself during certain periods of its growth. "
People
Nature
Growth
" Even though the society that Marx foresaw is far from being an historical reality, Marxism has penetrated so deeply in history that we are all Marxists, one way or another, even unknowingly. "
Reality
Far
History
" Fixity is always momentary. But how can it always be so? If it were, it would not be momentary - or would not be fixity. "
Momentary
How
Were
" For a man of my generation, our century has been a long intellectual and political struggle in favor of freedom. "
Political
Struggle
Long
" For the Chinese, the Greeks, the Mayans, or the Egyptians, nature was a living totality, a creative being. For this reason, art, according to Aristotle, is imitation; the poet imitates the creative gesture of nature. "
Nature
Art
Living
" Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement. "
Movement
Analysis
Painting
" Human writing reflects that of the universe; it is its translation, but also its metaphor: it says something totally different, and it says the same thing. "
Universe
Writing
Different
" If contemporary artists sincerely seek to be original, unique, and new, they should begin by disregarding the notions of originality, individuality, and innovation: they are the cliches of our time. "
Innovation
Time
Unique
" If we are a metaphor of the universe, the human couple is the metaphor par excellence, the point of intersection of all forces and the seed of all forms. The couple is time recaptured, the return to the time before time. "
Excellence
Human
Seed
" In antiquity, a woman might be an object of worship or desire, but never of love. "
Woman
Worship
Love
" In each verse, a decision awaits us, and we can't choose to close our eyes and let instinct work on its own. Poetic instinct consists of an alert tension. "
Own
Decision
Choose
" In order for sensation to accede to the objectivity of things, it must itself be changed into a thing. The agent of change is language: the sensations are turned into verbal objects. "
Objects
Change
Language
" In the United States, man does not feel that he has been torn from the center of creation and suspended between hostile forces. He has built his own world, and it is built in his own image: it is his mirror. But now he cannot recognize himself in his inhuman objects, nor in his fellows. "
Creation
Feel
Mirror
" In the works of Duchamp, space begins to walk and take on form; it becomes a machine that spins arguments and philosophizes; it resists movement with delay and delay with irony. "
Movement
Delay
Irony
" It has always surprised me that in a world of relations as hard as that of the United States, cordiality constantly springs out like water from an unstanchable fountain. "
Always
Fountain
Hard
" I think we all have our own personality, unique and distinctive, and at the same time, I think that our own unique and distinctive personality blends with the wind, with the footsteps in the street, with the noises around the corner, and with the silence of memory, which is the great producer of ghosts. "
Great
Personality
Silence
" It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life? "
Project
Way
Feelings
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