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All Quotes by author - Paolo Bacigalupi
" All the definitions people want to put on you in terms of what kind of writer you are come with hidden meanings. If you're writing science fiction, you're writing rocket ships. If you write dystopian fiction, it's inequity where The Man must be fought. "
Science
You
Writing
" As a kid, I always liked reading stories where I had a power-projection fantasy. I wanted to be inside of a story where I had power and influence, was going to rise to power, was going to somehow influence my society. "
Rise
Power
Influence
" As an author, you're really grateful for the people who are supporting you, but on some other level, that can be a dangerous echo chamber. "
You
Grateful
Level
" As a writer, you should care about reluctant readers. You want these kids to feel like books are amazing and cool and that they're an escape. "
Escape
You
Feel
" As far as 'Windup Girl' becoming a hit - none of us expected that. 'Night Shade' was just hoping not to lose their shirts, and I had grown up hearing from everyone that science fiction didn't sell, so all of our expectations were very low. "
Science
Expectations
Girl
" A wise human would have an understanding of the supply chain and how the pieces fit together. But it's against our nature to think about it. "
Human
Together
Nature
" Businesses that decide to be reality based and identify where they're vulnerable to climate impact, that start thinking about how to buffer against it, are going to be able to take advantage of shortages. When the water runs out, not everyone is in the same pickle. "
Impact
Water
Thinking
" By nature I'm sort of an introvert. "
Introvert
Sort
Nature
" Economies are embedded inside ecosystems. Companies dependent on tourism, for example, are affected by low rainfall - there's less snow for skiers, and forest fires are more intense. "
Tourism
Low
Inside
" Everyone in China knows The Topics. The television stations and newspapers run the same state-generated stories all across the country, and the Chinese form their opinions based on these somewhat controlled sources. "
Country
Television
Same
" Fiction is optimistic or unrealistic enough to demand that there should be a meaningful narrative. "
Narrative
Meaningful
Enough
" I am interested in agricultural corporations and how they function. The idea that they own the genetics of our food supply is a really compelling thing to me. "
Me
Own
Genetics
" I didn't think of myself as writing 'cli-fi,' but I'll take the label. I'll take any label that makes someone think they might be interested in my stories. "
Think
Someone
Stories
" I don't know why we choose to reach out to help another person, or why we decide that we can't, and withdraw and try to care only for ourselves, but I'm fascinated by that choice. "
Care
Choice
Choose
" I don't put a very clear label on my work. If anything, I write science fiction - looking at a moment now, in the present, and then extrapolating outward to think about what the future might look like if this particular trend goes on, or if this particular trend is the most dominant. That's a science fictional tool. "
Future
Moment
Science
" I focus a little more on pacing when I write books in the young adult category, and of course there's the great American fear of anything sexual, so that's somewhat backed off in YA. "
Fear
American
Off
" I have friends who are science journalists, and I'm seeing stories of theirs or talking with them about ideas that they're pitching. Certain kinds of science are around me all the time, like climate change and biology. "
Change
Ideas
Me
" I know people who have gone into career death spins, and that's something you're always aware of as a writer. "
People
You
Always
" I'm definitely writing my fears. It's almost therapeutic to at least voice a terror, to say, 'I'm worried that Lake Powell looks low and Lake Mead looks even lower.' "
Say
Low
Voice
" I'm interested in how we react when we're heavily pressed. When we're vulnerable and our survival is in question, how do we behave? "
React
How
Question
" I'm less crazy and unhappy when I'm writing. "
Crazy
Writing
Unhappy
" I'm not proud of it, but I'm a great liar when I travel. I smile and lie, and things are smooth. "
Liar
Lie
Proud
" I'm particularly interested in black swan events: unprecedented surprises that destroy the conventional wisdom about how the world works. "
Events
World
Wisdom
" I'm really interested in how conflicts arise and how they reach points of no return. I'm no pacifist. Sometimes force is necessary. But war is a choice. "
Return
Reach
Choice
" I say I write extrapolations. I look at data points and ask what the world could look like. "
Like
Look
Data
" I started really thinking a lot about where does a country go when we stop being able to speak to each other, when a nation stops being able to solve problems because its ideological differences become so deep that it just becomes dysfunctional. "
Problems
Country
Thinking
" I suspect that young adults crave stories of broken futures because they themselves are uneasily aware that their world is falling apart. "
Broken
Falling
Stories
" I think inherently, a little bit, I'm a bit of a pleaser, and I want people to like me and be nice, and to not ruffle feathers and just make everybody happy and stuff. It's a personality flaw. "
Happy
Think
Personality
" I think that we live in a highly specialized, technologically advanced society. Highly developed societies tend to have very remote understandings about what underlies our prosperity. "
Our
Society
Think
" I think that, when I think about the future that 'The Water Knife' represents, it's one where there's a lack of oversight, planning and organization. "
Future
Planning
Think
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