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All Quotes by author - Peter Marino
" All bronzes are made to be touched. Bronze is a sensual 'living' material. The sweat and oil of your palms adds to the patination. "
Sensual
Made
Your
" Anytime I see an unusual combination of colors or patterns or texture, I buy it. "
See
Colors
I See
" Architects have big egos. We like to think we're creating the pyramids and they're going to be around for thousands of years. And it's a joke because they're not even going to last our lifetime. I built a home for umpteen gazillion dollars on a gorgeous piece of property in Palm Beach, and 11 years later somebody else bought it and knocked it down. "
Last
Down
Beach
" Creating work for the time that one lives in means no retro thinking. It can and hopefully does mean timelessness. "
Work
Creating
Mean
" Design-wise, I look at everything. If I don't personally design it, I'll review it. I'm kind of creative director of the firm. "
Look
Kind
Director
" Ginza! Where I've done two Chanel towers and Louis Vuitton and Dior stores. I just feel at home there. "
Where
Home
Just
" I always look for inspiration, and the creativity of artists is an essential element to my life, my work, and my happiness. "
Look
Creativity
Happiness
" I am very happy working for my European brands. My legacy isn't going to be a museum. Yet I would be very good at it. It's so painful. It's like everything - the same old guys - Herzog & de Meuron, Frank Gehry, Renzo Piano - they don't pick original people. "
Legacy
I Am
Happy
" I believe that women would crawl across broken glass to get a cool pair of shoes. "
Women
Believe
Shoes
" I collect art like other people eat pizza. I can't get enough of it. I need a constant source of inspiration. "
Need
Eat
Art
" I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look. "
Myself
Artist
Art
" I don't talk about myself in the third person. When I start doing that, you'll know I'm having an out-of-body experience. "
Experience
Know
Start
" I do really modern with materials that are so luxurious that they're, like, baroque. "
Luxurious
Baroque
Like
" If I need a pair of tennis shorts, I'll buy them online. I don't really care. Not going to go and try on a pair and see how my bum looks. Who cares? But for things that you care about - I mean, a jacket and a pair of trousers, you've got to try them on. "
Care
See
Try
" If something's a high-margin product, I understand its importance to the store. "
Importance
Understand
Store
" If you want to come up with a really original design idea, and you want to capture a whole new design direction, perhaps the best way to arrive at that is not by acting and thinking and doing like everybody else. That's all. "
Design
Best
You
" I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?' "
Beginning
Architecture
Myself
" I have this 'Alice in Wonderland' idea in my head that a garden should be a place of wonderment. "
Idea
Place
Should
" I like more the fact that I like to think out of the box. Thinking out of the box goes along with dressing out of the box and living out of the box. "
More
Thinking
Think
" I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that's very pop. I don't want to discuss abstract transparencies with a bunch of kooks. "
Want
Intellectual
Love
" I'm really a fighter against modernism equaling brutalism. "
Modernism
Against
Really
" In 1991, if someone came in with a $1 million budget for a boutique, I would have fainted. Nobody spent even half that. But now, the bar has risen very high. "
Half
Now
Someone
" I simply loathe the crude 1960s distinctions between commerce and art. For me, Warhol and pop obliterated all of those separations - that was the whole point of the Brillo Boxes and Campbell's Soup Cans. And believe it or not, in 2009, moronic journalists are still saying to me, 'Your work is so commercial.' "
Me
Art
Believe
" It's a good marriage because each of us is what we are, allows the other one to be themselves, and appreciates each other for the right reason. You know, it's rare that you'll find two people who don't try to change the other person and let everyone be what they are. "
Good
Change
People
" I've benefited enormously from an arts education and a music education in New York. When they cut the programs for funding, I was devastated. "
New
Education
Arts
" I want to be the first person to animate bags - everything done for handbags bores me to tears - I want to make it more playful. "
Person
Me
Want
" I work 12 hours a day, seven days a week - and I love it. I'm creative. I feel fulfilled. I'm from a solidly lower-middle-class background; I'm not from the world that I'm in now. So I appreciate it a lot. I've really got a rich, full life. "
Work
Day
Creative
" Koishikawa Korakuen Garden - one of Tokyo's oldest Japanese gardens, and one of the best spots for viewing the cherry blossoms. "
Cherry
Best
Tokyo
" Motorcycle garb is the way I looked to Warhol. Then came the Armani suits. "
Way
Then
Suits
" My father's house was on East 55th Street on 1st and 2nd Avenues. I'm fifth-generation Marino in the East 50s - I live on 57th Street. I can't be more East 50s. "
Street
Live
More
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