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All Quotes by author - Wynton Marsalis
" A musician's whole life is to listen. "
Life
Listen
Musician
" As a jazz musician, you have individual power to create the sound. You also have a responsibility to function in the context of other people who have that power also. "
People
Responsibility
Power
" Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition. "
American
Jazz
Music
" Don't settle for style. Succeed in substance. "
Substance
Succeed
Style
" Don't wish for someone else to do later what you can do now. "
Someone
Now
Later
" Don't worry about what others say about your music. Pursue whatever you are hearing... but if everybody really hates your music maybe you could try some different approaches. "
You
Say
Try
" Duke Ellington always had a style: original, clean with interesting color combinations. He had an artist's eye. "
Style
Color
Eye
" Ethics are more important than laws. "
More
Than
Laws
" Even in these times, there are still neighbors that will turn their backs on neighbors. "
Turn
Neighbors
Even
" Everything comes out in blues music: joy, pain, struggle. Blues is affirmation with absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements. "
Woman
Man
Struggle
" Generally, when I wake up in the morning I set out a series of problems for myself and I write them down, and when I'm sleeping, my mind solves the problems. When I wake up in the morning, I have more clarity on the issue. "
Morning
Problems
Wake Up
" I almost never watch TV, except for '60 Minutes' and pro football. I love Drew Brees, the Manning brothers and the Steelers' linebackers. "
Watch
Never
TV
" I always read all these books about the slaves. My mother is very educated. My father would talk to us like we were grown men. We never knew what he was talking about half the time. "
Father
Time
Talking
" I became a man in New York. New York made me the musician that I am and the person that I am, so it's impossible for me to say I regret having lived there. "
Impossible
I Am
Man
" I believed in studying just because I knew education was a privilege. It was the discipline of study, to get into the habit of doing something that you don't want to do. "
Discipline
Habit
Education
" I believe in professionalism, but playing is not like a job. You have to be grateful to have the opportunity to play. "
Believe
You
Opportunity
" I didn't have a philosophical understanding of music until I came to New York. I didn't understand how it applied to my kind and my generation. I thought it was just old people talking. "
New York
Kind
Thought
" I didn't want to get that ring around my lips from practicing the trumpet, because I thought the girls wouldn't like me. So I never practiced. "
Never
Lips
Me
" I dress up a certain way because I respect the music. "
Music
Respect
Up
" I feel like a lot of the fundamental material, I've assimilated. So now the question is: Am I going to really get into my spiritual inheritance of music and really develop my abilities? "
Question
Music
Spiritual
" I feel that for years of teaching in the country and reading criticism in books, I feel like the things most needed in our culture are the understanding of the meanings of our music. We haven't done that good of job teaching our kids what our music means or how we developed our taste in music that reminds us and teaches us who we are. "
Reading
Culture
Feel
" If you are serious about American culture and you are serious about Afro-American culture, you are in a lot of pain. You are not - you are not smiling about it. "
You
Culture
Pain
" I generally work right up to when I have to do something - I'm always doing a lot. "
Doing
Lot
Up
" I got my first trumpet when I was six years old, from Al Hirt. My father was playing in Al Hirt's band at that time. "
Time
Father
Band
" I grew up in the South, and our way of dealing with each other was teasing, ribbing, making fun and scrapping in the street. Criticism doesn't bother me so much. It actually made me, when I was younger, more aggressive. But you get into middle age, and you lose interest in that stuff. It's not serious. "
You
Fun
Criticism
" I grew up in the South, in New Orleans, where guys torture you all the time. So I didn't really grow up on the self-esteem campaign. When you were lousy at something, they told you you were lousy, and they told you how to fix it. "
Self-Esteem
Grow Up
Grow
" I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay. "
Me
Jazz
Time
" I have absolutely no idea what my generation did to enrich our democracy. We dropped the ball. We entered a period of complacency and closed our eyes to the public corruption of our democracy. "
Democracy
Complacency
Corruption
" I have friends who will critique me much harder than any review. "
Friends
Will
Who
" I'm just lucky to have the type of friends and musicians and people dedicated to my music that I do. "
People
Musicians
Music
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