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" Actors always start with the voice and language. That's wrong. They should start with the body. The body is an actor's most important resource. "
Robert Wilson
Important
Start
Language
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" I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face. "
Robert Wilson
Face
Book
Dinner
" I usually stay in on Sunday nights. I'm not much of a party person. "
Robert Wilson
Stay
Party
Much
" The French, not the Americans, commissioned 'Einstein on the Beach.' "
Robert Wilson
Commissioned
Beach
French
" All theater is dance. "
Robert Wilson
Dance
Theater
" Counterpoint is difficult. I have been doing it since the beginning of my career. But it is not just taking any opposite. It is finding the right opposite. "
Robert Wilson
Finding
Right
Beginning
" Yes, I've been in love, but I guess I'm too involved with myself and my work. I think I'm in love with my work, and I'm in love with the people I work with. "
Robert Wilson
Love
People
Myself
" I think people are looking for an alternative to the fast pace of everyday life and entertainment. "
Robert Wilson
Pace
Life
Looking
" I don't see anyone for the first hour and a half that I'm awake. I don't like to talk, and I don't like to hear any sounds. People know not to bother me! I use that time to read, and make lists and notes of things I have to do later in the day. "
Robert Wilson
Day
Me
People
" In my theater, I'm not trying to change the world. "
Robert Wilson
World
Trying
Change The World
" Increasingly, I find myself drawn to classic forms - to Euripides, Shakespeare and grand opera. "
Robert Wilson
Find
Opera
Myself
" The landscape of Texas is in all my work. It's that light; it's that sky. "
Robert Wilson
Work
Light
Sky
" I think that opera in Europe is 30 years ahead of America. There is a broader range of material presented to the public. They value contemporary opera. "
Robert Wilson
Value
Think
America
" Sometimes, when we're very, very still, we're more aware of movement than when we make a lot of movement outwardly. "
Robert Wilson
Still
Sometimes
Movement
" I try to present something that is full of time. Not timeless, but full of time. I never like a work where we try to update it, but it's still not interesting to see a work that is dated. If one is successful, then a work can be full of time. And time is very complex. "
Robert Wilson
Time
Interesting
Work
" I collect rocks from all over the world. I have a ring of stones that date to 3500 B.C. It's like a little Stonehenge. "
Robert Wilson
Little
Ring
World
" I'm an artist, not a philosopher. "
Robert Wilson
Artist
Philosopher
" One of the few things that will remain of this time is what artists are doing. They are the journal and the diary of our time. "
Robert Wilson
Diary
Will
Time
" My method is much like choreography. I don't sit at a table. I work in a room with people. "
Robert Wilson
Room
Work
People
" I'm supposed to be the guy who hates naturalism. "
Robert Wilson
Naturalism
Who
Supposed
" My work is formal, not based on psychology. "
Robert Wilson
Formal
Work
Psychology
" I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community. "
Robert Wilson
Town
Where
Up
" There hasn't been a great romance in my life. "
Robert Wilson
Great
My Life
Romance
" I learned loudness from working with Lou Reed. "
Robert Wilson
Learned
Reed
Working
" At the end of the 1960s, I was part of the downtown theatrical movement in New York that was making work in alleyways, garages, gyms, churches, non-traditional spaces. The idea was to get away from the illusion of the conventional theatre. But then I thought, what's wrong with illusion? "
Robert Wilson
Thought
End
Theatre
" The mind is a muscle. "
Robert Wilson
Muscle
Mind
" Christopher Knowles, Buechner, Heiner Mueller, Burroughs, Chekhov, Shakespeare - it's all one body of work. "
Robert Wilson
Body
Christopher
Work
" I start any work the same way. I start a rehearsal with silence. "
Robert Wilson
Work
Same
Way
" I met a 13-year-old black child, Raymond, who had never been to school and had never learnt any words, yet it seemed to me that he was intelligent. It became apparent after a short period that Raymond thought in terms of visual signs and movements. "
Robert Wilson
Short
Child
Me
" The first year I was in New York, I met Martha Graham. She said, 'Well, Mr. Wilson, what do you want to do in life?' I was 21 years old, and I said, 'I have no idea.' And she said, 'If you work long enough and hard enough, you'll find something.' "
Robert Wilson
You
Long
Work
" If you see the sunset, does it have to mean something? If you hear the birds singing does it have to have a message? "
Robert Wilson
See
Sunset
You