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" Any good movie is filled with secrets. "
Mike Nichols
Good
Any
Secrets
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" The producers want us to sell, sell, sell. That's my little joke. That's what we do by day; by night, we're artists. "
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" When we talk about reviews, what we are really talking about is just a market report - it's like reading about the new Lexus. You have to know what the guy writing the review cares about to understand his take. Does he like sports cars, or does he like Bentleys? "
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" I'm an enormous fan of 'The West Wing.' It was one of the very few shows I would watch every week. "
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" If you want to be a legend, God help you, it's so easy. You just do one thing. You can be the master of suspense, say. But if you want to be as invisible as is practical, then it's fun to do a lot of different things. "
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Fun
Easy
You
" Plays, especially great plays, yield their secrets over a long period of time. You can't read it three times and say, 'OK, I got it. I know what's happening.' "
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Know
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" Very often when a story really holds us, it gets pushed away because it's too close for comfort. "
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" I'm anything but confident. "
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" I asked a shrink: 'Everything is so great. Why am I still so angry?' He said, 'Anger doesn't go away.' I always thought it was kind of a good engine. "
Mike Nichols
Great
Good
Angry
" I keep coming back to it, over and over - adultery and cheating. It's the most interesting problem in the theater. How else do you get Oedipus? That's the first cheating in the theater. "
Mike Nichols
Interesting
You
Cheating
" It's not a film-maker's job to explain his technique, but to tell his story the best way he can. "
Mike Nichols
Best
Explain
Job
" Most great plays of the past lose their grip on immediacy; on application to our lives right now. "
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Past
Now
Most
" American society to me and my brother was thrilling because, first of all, the food made noise. We were so excited about Rice Krispies and Coca-Cola. We had only silent food in our country, and we loved listening to our lunch and breakfast. "
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Food
Brother
Me
" You can always tell gifted and highly intelligent people as they always turn to the past. Any young person who knows anything that happened before 1980, or 1990, or 2000 for that matter, is immediately someone who is intelligent, probably creative, maybe a writer. Nobody who is drawn to the past and learning about the past is not gifted. "
Mike Nichols
People
Creative
Learning
" You want to make money, remake 'Cinderella.' You want to move people, remake the Hippolytus and Phaedra myth. "
Mike Nichols
You
Myth
Move
" I've learned that many of the worst things lead to the best things, that no great thing is achieved without a couple of bad, bad things on the way to them, and that the bad things that happen to you bring, in some cases, the good things. "
Mike Nichols
Good
Good Things
You
" I used to say that winning the Oscar means being back at the Beverly Hills Hotel at 1 A.M. feeling empty. It's the industry voting. It doesn't come from God. It doesn't change your life, really. "
Mike Nichols
Life
Say
Winning
" It took me forever, learning improvisation, because I had studied with Lee Strasberg - I dropped out of Chicago and went to his classes in New York for a couple of years, once or twice a week. What I didn't realize was I was learning directing because he wasn't all that good about acting, not for me. "
Mike Nichols
New York
Me
Good
" I think the main thing about comedy and humor is that it's impossible and always was impossible to define. "
Mike Nichols
Comedy
Think
Impossible
" The reason that most British actors are better than most American actors in the end is that they don't make any money. At the very end of their lives, they get into a space movie and they make a lot of money, but until that happens, basically, they don't have bank accounts. They live from day to day. "
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Money
Space
End
" I don't expect anything from reviews. Sometimes I am bemused by them. "
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I Am
Expect
Sometimes
" I'm in the theater because of two plays: 'A Streetcar Named Desire' and 'Death of a Salesman.' "
Mike Nichols
Desire
Two
Salesman
" The greatest thrill is that moment when a thousand people are sitting in the dark, looking at the same scene, and they are all apprehending something that has not been spoken. That's the thrill of it, the miracle - that's what holds us to movies forever. It's what we wish we could do in real life. "
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Looking
People
Moment
" I loved all movies, literally. I certainly loved 'Shane' and 'Roxie Hart.' Later on, when I was less of a kid, I loved 'L'Avventura' and 'Persona' and all Fellini movies and like everybody else I loved John Ford. Then and now, I loved Preston Sturges, maybe above anyone. "
Mike Nichols
Now
Above
Kid
" Improvisation has to do with exploring something like two brothers in a room together. You find out things about situations by discovering the things that they aren't saying. It's a way to explore scenes. Sometimes it's more useful than others, but it's always there to see if there's anything that you might improve. "
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Together
Find
Saying
" Never let people see what you want, because they will not let you have it. Never let anybody see what you feel, because it gives them too much power. You're probably better off not showing weakness whenever you can avoid it, because they'll go for you. "
Mike Nichols
Power
Better
People
" The whole point about laughter is it's like mercury: you can't catch it, you can't catch what motivates it - that's why it's funny. "
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Like
Point
You
" In a weird way, when I was looking back, I didn't know I was going to be a director until I was. "
Mike Nichols
Back
Know
Looking Back
" 'Streetcar' is no longer about the moment at all. There is no Blanche DuBois anywhere; south, north, east or west. We don't have Blanche DuBois at the moment. But we have Willy Loman; everywhere we look we see Willy Loman. We are Willy Loman. We're on Facebook; we need to be known; we're selling all the time. "
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Need
Look
Moment
" Chicago is not a very fashion-driven place. Nobody says, 'Oh, you've got to come see these fabulous people!' Nobody cares. "
Mike Nichols
You
Nobody
People
" The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head. "
Mike Nichols
See
Story
Alone