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" As a minority, no sooner do you learn to polish and cherish one chip on your shoulder than it's taken off you and swapped for another. The jewellery of your struggles is forever on loan, like the Koh-i-Noor diamond in the crown jewels. "

Riz Ahmed

You

Learn

Crown

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" Multiculturalism isn't just a buzzword; it's not just something to debate - I am multiculturalism. "

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" Bandwagons roll through our lives. It's up to you whether you jump on them unquestioningly or jump on them to overturn them and subvert them. "

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" It's interesting - what are you willing to give up in terms of your privacy for access to other people? For access to things you think you desperately need. Ultimately, it's that old saying, isn't it? If the service is free, then the product is you. The thing being sold is you. There's a product for sale in you and your data. "

" Being South Asian in the U.K. is like being Latino in the U.S., I would guess. It's a bit more hood. You see things; things happen. I was bouncing between worlds. You're acting from a very early age, when you have to code-switch like that. I'm a hybrid, a mongrel. I think many people live that life. "

" No-one gets a job at 16 and stays in it until 60 any more; we're connected to more people simultaneously than ever before, whether online or on our phones. We wear so many different hats within one day, one week, a lifetime. "

" Whether you look at 'Glee' and its normalization of gay identity or you look at the work of Martin Scorsese and the Italian-American community, American culture is able to take these stories, which are seen as marginalized, and just turn them into American stories. And you don't think twice about it. "

" There's this assumption that as an actor, Hollywood is always the end point, but I never thought along those lines. "

" I remember, growing up, you didn't wear an England shirt. The English flag was very much - and still is, to some extent - associated with the far-right movements of the 1980s that I grew up around. "

" I'm an actor. Since I was a teenager, I have had to play different characters, negotiating the cultural expectations of a Pakistani family, Brit-Asian rudeboy culture, and a scholarship to private school. The fluidity of my own personal identity on any given day was further compounded by the changing labels assigned to Asians in general. "

" Sometimes when you're inside a story, it's almost better if you don't think too much about its wider cultural significance or if you don't think about how audiences might react to it. That takes you out of the reality of the situation you're committing to as you're telling the story. "

" I'm not trying to project any persona. Often people don't know where to put me. I don't fit comfortably under banners, and that's fine. I'm not worried about not making sense to people. That's probably my best asset. "

" I go to a lot of stand-up comedy. I find more inspiration from observational stuff than from rap. "

Riz Ahmed

Rap

Inspiration

" I'm used to doing U.K. indie films, like, six weeks of filming, tops. "

" Hollywood is an image. We project these fantasies on to it, but people are just people. "

" I'm not in a 'starry' position to be able to pick and choose, but I am interested in telling stories of substance with great directors - that's my only guiding principle. "

" The only people who have doubts about the sincerity of my music are people who come to it relatively late, off the back of having seen me in a film. Acting is about being other people, and music is about being myself. "

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" When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well. "

" I never thought acting would be a realistic job for me. Because, quite frankly, I didn't see people who looked like me doing it. I quickly realized, that's all the more reason to try. "

" The camera or the microphone in the booth is merciless. If you don't believe what you're saying, it hears it. If you don't believe it, it sees it in your eyes, it hears it in your voice that there isn't the conviction there. "

" Trajectories aren't linear. Life's just a roller coaster. If you're getting a chance to do cool stuff, and it's varied stuff, just enjoy it. I guess I'm a believer in the randomness of life rather than it being a linear trajectory or an arc, a consistent smooth arc, towards anything. "

" First, you have stereotypes, and that will be the black drug dealer, the east Asian kung fu master, the Middle Eastern terrorist in 'True Lies.' Then you have stuff that takes place on culturally specific terrain, that engages with it, but actually subverts assumptions. 'Smashes' stereotypes. That's where I've come into the game. "

" Maybe I don't ever fully switch off, but I think the way I offset that is by splitting my time between film and music. I always want to challenge myself and grow, fail, self-flagellate, and then try again. "

" I'm always trying to slip out of those labels everyone tries to put round your neck. We all have multiple selves. "

" I like the idea of being caught between things, always being a bit of an outsider, having an outside eye on things - almost like a Shakespearean fool. "

Riz Ahmed

Outside

Fool

" I don't think any of us like to be reduced to just one label. "

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Just One

" Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears. "

" Since the Greek myths, the greatest stories are premised on the idea of, 'A stranger arrives.' "

" The music I make and the process of acting, for me, are both about trying to understand people and get inside what makes us tick. That's the main thing that excites me. Our sense of who we really are and what drives us. "

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Music

Process

" Growing up in the mid-to-late '90s in London, you start seeing the explosion of drum'n'bass and then the birth of U.K. garage and grime. I decided to focus a lot of my energies as an aspiring MC. It was a very natural way to express yourself as a kid from a certain kind of neighborhood. "

" Anyone driving great social change, willingly or not, is going to be a fascinating contradictory mix of idealism and ego. "