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" Break a vase, and the love that reassembles the fragments is stronger than that love which took its symmetry for granted when it was whole. "
Derek Walcott
Love
Stronger
Symmetry
Related Quotes:
" I am not defined as a black writer in the Caribbean, but as soon as I go to America or the U.K., my place becomes black theatre. It's a little ridiculous. "
Derek Walcott
Place
Theatre
Go
" There is a force of exultation, a celebration of luck, when a writer finds himself a witness to the early morning of a culture that is defining itself, branch by branch, leaf by leaf, in that self-defining dawn, which is why, especially at the edge of the sea, it is good to make a ritual of the sunrise. "
Derek Walcott
Culture
Good
Morning
" What is taught in schools generally in the West Indies is that if something is your thing, it's better than anybody else's because it's yours. It's extremely provincial and also damaging. You prevent people from learning things. The biggest absurdity would be, 'Don't read Shakespeare because he was white.' "
Derek Walcott
You
People
White
" Look at Allen Ginsberg. In poems like 'Kaddish' and 'Howl,' you can hear a cantor between the lines. It's fully alive, and I think that's what's missing in modern poetry. It's too dry and cerebral. "
Derek Walcott
Missing
Alive
Look
" There is a restless identity in the New World. The New World needs an identity without guilt or blame. "
Derek Walcott
Identity
New
Blame
" My relationship to Britain is of no consequence. "
Derek Walcott
Relationship
Consequence
Britain
" The painter I really thought I could learn from was Cezanne - some sort of resemblance to oranges and greens and browns of the dry season in St. Lucia. "
Derek Walcott
Learn
Dry
Thought
" The sigh of History rises over ruins, not over landscapes, and in the Antilles there are few ruins to sigh over, apart from the ruins of sugar estates and abandoned forts. "
Derek Walcott
Ruins
Over
Sugar
" The number of people who read a poem is not as important as how the poem affects those who read it. "
Derek Walcott
Who
Important
Number
" There's a ritualistic element to tragedy that everyone shares; there's something curiously glorious in terms of the most horrible kind of events that happen. "
Derek Walcott
Everyone
Tragedy
Kind
" The headmaster asked to read one of my poems at some celebration or other when I was about 10. When I look back, that is phenomenal encouragement. "
Derek Walcott
Encouragement
Celebration
Back
" The myth of Naipaul... has long been a farce. "
Derek Walcott
Long
Been
Farce
" Where I come from, we sing poetry. "
Derek Walcott
Poetry
Where
Sing
" Any serious attempt to try to do something worthwhile is ritualistic. "
Derek Walcott
Something
Any
Serious
" I grew up in a place in which, if you learned poetry, you shouted it out. Boys would scream it out and perform it and do it and flourish it. "
Derek Walcott
Scream
You
Poetry
" I am primarily, absolutely a Caribbean writer. "
Derek Walcott
Writer
I Am
Absolutely
" In painting, you don't have to go through a process of opinion; it speaks directly, and either it works, or it doesn't. "
Derek Walcott
You
Opinion
Go
" What makes a poem is the discipline inherent in making a poem: trying to fit feelings in the requisite number of syllables and lines, disciplining one's feelings. "
Derek Walcott
Trying
Discipline
Feelings
" My mother taught Shakespeare and used to act. "
Derek Walcott
Taught
Used
Shakespeare
" I'd rather have just one person who reads and feels my work deeply than hundreds of thousands who read it but don't really care about. "
Derek Walcott
Just One
Just
Care
" I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing. "
Derek Walcott
Home
Beach
My Life
" Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next. "
Derek Walcott
Not Knowing
Ignorance
Process
" I think I would have been a totally different kind of writer if I'd gone to England. I might have developed a cynicism about my origins, a belittling of them, or an excessive nostalgia for them. "
Derek Walcott
Gone
Nostalgia
Think
" Modesty is not possible in performance in the Caribbean - and that's wonderful. "
Derek Walcott
Performance
Possible
Wonderful
" If music goes out of language, then you are in bad trouble. "
Derek Walcott
Trouble
Language
Music
" Because that is what such a city is, in the New World, a writer's heaven. "
Derek Walcott
City
Because
New
" I always have difficulty with the Greek tragic plays. I think the difficulty one has - which is a serious problem - is the question of belief. Do you believe in the myth that the play expresses? Do you believe in it as myth or as reality? With any play, you have to believe in it as reality. You can't act a myth. "
Derek Walcott
Reality
Believe
Problem
" My generation produced some terrific writers from all over, and the great thing about it is that they were all mixed in race. "
Derek Walcott
Generation
Race
Over
" I write plays and poetry at the same time, and I'm always refining, but I'm not obsessive about it. It's what I like to do, what I've always wanted to do. "
Derek Walcott
Write
Same
Always
" My delight in things is definitely Caribbean. It has to do with landscape and food. The fact that my language may have a metrical direction is because that's the shape of the language. I didn't make that shape. "
Derek Walcott
Landscape
Language
Direction