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" Clothes should fit comfortably - not too tightly - so that you have space to move in and think freely. "
Issey Miyake
You
Too
Space
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" Everything is an experiment. "
Issey Miyake
Everything
Experiment
" Many people will say, well, clothes should be worn; but I think people can look at them in public, like seeing a film. I think museum exhibitions are very important. "
Issey Miyake
People
Clothes
Think
" If you look back throughout history from the ancient Egyptians onwards, most cultures started making clothing from a very basic premise: a single piece of cloth. "
Issey Miyake
History
Back
Most
" I feel it is urgently necessary to train people who are capable of tackling the various problems we face today in regards to environmental turmoil and the relevancy of clothing. "
Issey Miyake
Face
People
Feel
" Of course there are many ways we can reuse something. We can dye it. We can cut it. We can change the buttons. Those are other ways to make it alive. But this is a new step to use anything - hats, socks, shirts. It's the first step in the process. "
Issey Miyake
Process
Step
Change
" In the Eighties, Japanese fashion designers brought a new type of creativity; they brought something Europe didn't have. There was a bit of a shock effect, but it probably helped the Europeans wake up to a new value. "
Issey Miyake
Fashion
Creativity
New
" Designers must be increasingly sensitive to our Earth's dwindling resources. It is our responsibility. "
Issey Miyake
Earth
Must
Resources
" My touchstone started out being - and is still - exploring the ways by which to make clothing from a single piece of cloth. "
Issey Miyake
Clothing
Exploring
Single
" I like women who have their own idea of life: the woman who is assured, comfortable with herself, strong inside, proud of herself - not in an arrogant way, not showing off. "
Issey Miyake
Life
Own
Women
" I have worked with several dance companies. "
Issey Miyake
Several
Companies
Dance
" Technology allows us to do many things, but it is always important to combine it with traditional handcrafts and, in fact, use technology to replicate dying arts so that they are not lost. "
Issey Miyake
Technology
Important
Dying
" I try to be free. The women also must be free. "
Issey Miyake
Women
Try
Must
" A-POC unleashes the freedom of imagination. It's for people who are curious, who have inner energy - the energy of life and living. "
Issey Miyake
Who
Imagination
Freedom
" By the way, Marilyn Monroe was a size 14. "
Issey Miyake
Size
Marilyn
Way
" The joining of the Japanese with the French should make a new movement. I think it should be good for Paris. "
Issey Miyake
Movement
Think
Paris
" My design is no design. "
Issey Miyake
Design
" I became a fashion designer to make clothes for the people, not to be a top couturier in the French tradition. "
Issey Miyake
People
Top
Clothes
" I am always looking to the future of making things. "
Issey Miyake
Always
Looking
Things
" The purpose - where I start - is the idea of use. It is not recycling, it's reuse. "
Issey Miyake
Purpose
Where
Recycling
" Clothing has been called intimate architecture. We want to go beyond that. "
Issey Miyake
Architecture
Beyond
Clothing
" When I close my eyes, I still see things no one should ever experience: a bright red light, the black cloud soon after, people running in every direction trying desperately to escape - I remember it all. "
Issey Miyake
Eyes
Experience
Red
" If Mr. Obama could walk across the Peace Bridge in Hiroshima - whose balustrades were designed by the Japanese-American sculptor Isamu Noguchi as a reminder both of his ties to East and West and of what humans do to one another out of hatred - it would be both a real and a symbolic step toward creating a world that knows no fear of nuclear threat. "
Issey Miyake
Peace
World
Walk
" In the past, art was admired and revered from afar. Today, there is more of an interactive relationship between the art and the person who admires it. "
Issey Miyake
Past
Today
Relationship
" I suppose there are many, but I cannot imagine ever having a more perfect collaboration than that which Penn-san and I shared. It was based upon mutual trust, respect, and a desire to have our own work pushed to new places. And it always resulted in delight. "
Issey Miyake
Work
Trust
Respect
" I respect men and women who age and are proud and don't lose energy. I think fashion forgot those people. "
Issey Miyake
Men
Women
Age
" I did not want to be labelled 'the designer who survived the atomic bomb,' and therefore I have always avoided questions about Hiroshima. "
Issey Miyake
Atomic Bomb
Want
Questions
" I'd rather look to the future than to the past. "
Issey Miyake
Look
Future
Rather
" I've never been involved in any kind of political movement. "
Issey Miyake
Kind
Political
Never
" Even when I work with computers, with high technology, I always try to put in the touch of the hand. "
Issey Miyake
Work
Try
Technology
" When I first began working in Japan, I had to confront the Japanese people's excessive worship for foreign goods and the fixed idea of what clothes ought to be. I wanted to change the rigid formula of clothing that the Japanese followed. "
Issey Miyake
Clothes
Change
Working