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" Elegance for one society is not elegance for another. It's in the eyes of the beholder. "
Louise Wilson
Beholder
Elegance
Eyes
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" We always want more, more, more. You see good work; you want it better. We push, push, push. "
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" My students are noticed by the people I respect from the quality of their work. "
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" In fashion, you're privileged because you're consistently working with a vanguard of youth. "
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" When you're responsible for leading a group of young people, you have to be positive. If you're not, you shouldn't be in your job, should you? "
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" The only thing with press attention is that it can be very draining on our energy store. "
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" I always thought I was going to be a professional horse rider because I rode horses competitively from zero to 17 years old. "
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" I try to stop my students doing random things on the Internet or putting work online. It doesn't get them jobs. This concept of being noticed, I don't know what it brings you. "
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" Show-offy, I could sometimes be accused of. "
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" There's a broad range of fashion: knitwear, textiles, journalism. "
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" What is good work? You just know it when you see it. You just can't explain it. "
Louise Wilson
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" As much as I might decry the students, as much as they're a nightmare, it's a privilege to be among youth. "
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" Most designers don't dress in fashion. They dress in an anonymous way so that people are just judging their work. "
Louise Wilson
Work
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" I can't imagine taking up running. "
Louise Wilson
Running
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Taking
" I don't see why you wouldn't cry when you're in an intense environment. "
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" I always say to students, 'You're never going to have all the skills, but you have to have a skill.' "
Louise Wilson
Never
Always
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" Fashion is an incredibly tough, unforgiving industry. "
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" Without art, you don't have society. It underpins so much. "
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" I still believe that education is about provoking some kind of original, creative thought. "
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" Now there is tons of information available online. 90% of students rarely look at magazines in their intended format because they're looking at them on a computer screen. They don't understand the layout, so when they come to putting their own portfolios together, they have no spatial awareness. "
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Look
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" The press always pick on British fashion, but I don't think that there are more successful young designers than in Paris or Milan. It's all a myth. "
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Paris
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" I believe intellect is needed in order to develop any creative output and that intellect alone is not enough! "
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" I was very successful at three-day events, point-to-points, Pony Club, and gymkhana. But then I went to college, and because I had really good horses, they weren't going to be left in the field, so they were sold. "
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Events
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" I had a fabulous childhood. Not many people have an outdoor tennis court that you're allowed to put your ponies on and pretend you're at Hickstead. "
Louise Wilson
Tennis
Fabulous
You
" There's lots of bad things about teaching, but the really good thing is that you get to be around young people - irritating as they are. "
Louise Wilson
You
Young
Bad
" I have no unhappy memories of my childhood. "
Louise Wilson
Memories
Unhappy
Childhood
" I never know what I want, but always know what I don't want. "
Louise Wilson
Always
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" I'm becoming the Simon Cowell of fashion. "
Louise Wilson
Fashion
Simon
Becoming
" I've always spent money on books. I've always enjoyed handling books - the size, the format. I feel very strongly about original ephemera. "
Louise Wilson
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" I always hate it when fashion is trivialised. "
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" At the end of the day, I'm a very boring academic, bogged down with academia and structure and delivering an education. "
Louise Wilson
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