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" Faulkner came from my region and taught me how you could write about a place. "
Ron Rash
Place
Me
How
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" I learnt how to hunt rattlesnakes with an eagle for 'Serena.' "
Ron Rash
Eagle
How
Hunt
" I think that's what I love about writing, is the ability to try to, in a sense, take a vacation from yourself and try to enter the sensibility of another time, another character, another place. "
Ron Rash
Love
Character
Vacation
" Short fiction is the medium I love the most, because it requires that I bring everything I've learned about poetry - the concision, the ability to say something as vividly as possible - but also the ability to create a narrative that, though lacking a novel's length, satisfies the reader. "
Ron Rash
Bring
Create
Short
" Furthermore, even if ideas were gettable - say, stacked in a secluded cave like the Dead Sea scrolls - I wouldn't go there. An 'idea,' especially one adhered to from start to finish, can be disastrous for a compelling piece of fiction. "
Ron Rash
Finish
Dead
Ideas
" On the last drafts, I focus on the words themselves, including the rub of vowels and consonants, stressed and unstressed syllables. Yet even at this stage I'm often surprised. A different ending or a new character shows up and I'm back to where I began, letting the story happen, just trying to stay out of the way. "
Ron Rash
Character
Words
Focus
" What I've become convinced makes a writer are the days you hate it, the days you'd rather stick those pencils in your eyes. Sometimes I almost punish myself - if I'm not going be able to write, I'm not going be able to do anything else. I just sit there and wait. "
Ron Rash
Eyes
Hate
Myself
" I think I had a particular moment when I was 15 years old. I read 'Crime and Punishment,' and that book just, I think, more than any other book made me want to be a writer, 'cause it was the first time that I hadn't just entered a book, but a book had entered me. "
Ron Rash
Book
Crime
Think
" I think writing a poem is like being a greyhound. Writing a novel is like being a mule. You go up one long row, then down another, and try not to look up too often to see how far you still have to go. "
Ron Rash
Down
Long
Writing
" I wouldn't mind being a track and field coach. "
Ron Rash
Field
Coach
Being
" I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue. "
Ron Rash
Story
Dialogue
Decisions
" As I get older I find myself thinking it all begins with Shakespeare. "
Ron Rash
Thinking
Begins
Find
" I love learning about different dialects and I own all sorts of regional and time-period slang dictionaries. I often browse through relevant ones while writing a story. I also read a lot of diaries and oral histories. "
Ron Rash
Writing
Lot
Learning
" One of my goals is to allow readers to see my characters and the world they inhabit as vividly as possible. "
Ron Rash
World
Characters
Goals
" Sometimes I know what my characters are moving away from or toward; more often I just wait and see. For instance, though I knew Sinkler in 'The Trusty' was going for water, I did not know that he would meet a fetching young farm wife until I got him into her front yard. "
Ron Rash
Water
Farm
Know