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" Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel. "
Colson Whitehead
Horror
Growing
Growing Up
Related Quotes:
" I was inspired to become a writer by horror movies and science fiction. "
Colson Whitehead
Horror
Movies
Science
" In college, I wrote maybe three short stories. "
Colson Whitehead
Short
Maybe
College
" I was sort of a miserable teenager. "
Colson Whitehead
Miserable
Sort
Teenager
" Anytime an African-American writes an unconventional novel, the writer gets compared to Ellison. But that's O.K. I am working in the African-American literary tradition. That's my aim and what I see as my mission. "
Colson Whitehead
Mission
Aim
See
" 'Zone One' comes out of me trying to work through some of my ideas about why, for me personally, zombies are scary. "
Colson Whitehead
Me
Trying
Why
" If you're writing a detective novel or horror or sci-fi, you want to expand or reinvigorate the genre in your own little way. "
Colson Whitehead
Way
Horror
Own
" I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee. It's like writing in Paris, but there are fewer people speaking French. "
Colson Whitehead
People
Walking
Step
" In the 1930s, the government paid writers to interview 80- and 90-year-old former slaves, and I read those accounts. I came away realizing - not surprisingly - that many slave masters were sadists who spent a lot of time thinking up creative ways of hurting people. "
Colson Whitehead
Away
People
Thinking
" I'm always trying to switch voices and genres. "
Colson Whitehead
Trying
Voices
Genres
" I do write about race a lot, but I don't think writers - of any shade or background or whatever - have to write about certain subjects. "
Colson Whitehead
Whatever
Write
Lot
" I never actually went anywhere when I was a journalist. I was a critic, and I just sort of got stuff in the mail and chatted about it. "
Colson Whitehead
Just
Never
Mail
" I live in Brooklyn. I moved here 14 years ago for the cheap rent. It was a little embarrassing because I was raised in Manhattan, and so I was a bit of a snob about the other boroughs. "
Colson Whitehead
Rent
Years
Live
" I'm someone who just likes being in my cave and thinking up weird stuff. "
Colson Whitehead
Cave
Someone
Up
" I knew that a zombie book would not particularly appeal to some of my previous readers, but it was artistically compelling, and being able to do a short nonfiction book about poker was really fun and great. "
Colson Whitehead
Zombie
Poker
Book
" The contemporary casino is more than a gambling destination: it is a multifarious pleasure enclosure intended to satisfy every member of the family unit. "
Colson Whitehead
Gambling
Family
Destination
" What isn't said is as important as what is said. "
Colson Whitehead
Important
Said
" If you go to a big publishing house, editorial aside, it's completely white. "
Colson Whitehead
White
Publishing
Big
" In fifth grade, we did 10 minutes on slavery and 40 minutes on Abraham Lincoln, and in 10th grade you might do 10 minutes on the civil rights era and 40 minutes on Martin Luther King, and that's it. "
Colson Whitehead
King
You
Civil Rights
" I'm not a teacher; I'm not a historian. I'm trying to create a world for my characters. "
Colson Whitehead
Create
World
Trying
" I've always thought the Nat Turner story to be very interesting. "
Colson Whitehead
Interesting
Always
Thought
" Access to information, to music or any kind of culture, is getting faster and faster and more streamlined. At each juncture, people are thrown into tumult and have to adapt or die. "
Colson Whitehead
Information
Culture
People
" If you want to understand America, it's slavery. "
Colson Whitehead
America
Understand
Want
" The idea of sacrifice is integral to the John Henry myth. Heroic figures have to die in order for us to have our stories; we live and stand on their bones. "
Colson Whitehead
Die
Us
Stand
" Schools don't teach American history that well, especially a lot of black American history. "
Colson Whitehead
American
Well
Teach
" A lot of my books have started with an abstract premise. "
Colson Whitehead
Premise
Books
Abstract
" You can't rush inspiration. "
Colson Whitehead
You
Rush
Inspiration
" The terror of figuring out a new genre, of telling a new story, is what makes the job exciting, keeps me from getting bored, and I assume it keeps whoever follows my work from getting bored as well. "
Colson Whitehead
Job
Work
Bored
" I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves. "
Colson Whitehead
Story
New York
Ideas
" Zombies are a great rhetorical prop to talk about people and paranoia, and they are a good vehicle for my misanthropy. "
Colson Whitehead
Good
Paranoia
People
" I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published. "
Colson Whitehead
Me
Weird
American