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" Honours seem to be the nature of British life. It's horrible. Maybe I'm mad, but the older I get, the less I want to have honours loaded on me. "
Tony Harrison
Life
Horrible
Want
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" I hate the anglicanisation of culture, the idea that culture is genteel. It's not genteel. "
Tony Harrison
Hate
Culture
Idea
" I hate being called poet/dramatist/translator/director. 'Poet' covers it all for me. "
Tony Harrison
Covers
Hate
Me
" I've realised darkness and light are inter-dependent, just as death is an enhancer of life. "
Tony Harrison
Just
Death
Life
" I often find myself quoting from Victor Hugo after one of my theatrical ventures. 'Now that my play is a failure,' he once said, 'I find I love it all the more.' I first quoted that after 'Square Rounds' at the Olivier in 1992. "
Tony Harrison
Find
Failure
Said
" You get early inoculation against the idea of success if you're a poet. When I published my first collection of sonnets, I sold about five copies; now kids study them for A level. Wanting to be successful in that other world of money or fame is not interesting. Poetry isn't like that, and it never has been. "
Tony Harrison
Fame
You
World
" The ear will surrender even at those times when the eye wants to close, when the eye doesn't want to watch. "
Tony Harrison
Surrender
Watch
Want
" Theatre has to be theatrical. It has to draw attention to itself, like poetry. "
Tony Harrison
Attention
Poetry
Theatre
" I'd rather climb Everest than go for a walk in the park. "
Tony Harrison
Park
Go
Everest
" For me, there is a paradox in poetry, which is like the paradox in tragedy. You have the most terrible subject, but it's in a form that is so sensually gratifying that it connects the surviving heart to the despairing intellect. "
Tony Harrison
Poetry
Heart
Like
" I'm not the sort of person who reads much about himself. "
Tony Harrison
Much
Who
Sort
" You can make poems out of anger as well as tenderness. You can make poetry out of anything. It can be the ugliest of emotions. It doesn't have to be sweetness and light. "
Tony Harrison
Emotions
Poetry
Out
" I wanted to learn Latin and Greek and become a poet and acquire power over language. I only understand this clearly in retrospect, that my ability to study came from a hunger to learn all the resources of articulation. "
Tony Harrison
Over
Language
Learn
" I really admire the great Japanese artists who could change their name three times in a lifetime. You could get rid of one and renew yourself. "
Tony Harrison
Yourself
Change
Great
" The first thing you see in my hallway is a large 18th-century bust of Milton, who stares at me as I watch TV and reminds me of the grave and committed role of the poet. Although he was blind, Milton had one of the most unswerving gazes of all English poets. "
Tony Harrison
Me
See
Watch
" There's a kind of despair about whether art can really do anything, but you have to incorporate that despair into the way you work. I try to soak my work in my sense of futility and fury. "
Tony Harrison
Art
You
Work
" One of the important things about familiar form and metricality is that it draws attention to the physical nature of language: the spell-binding nature of it and the ceremony of articulation. "
Tony Harrison
Language
Important
Nature
" I like a direct relationship between actor and audience. "
Tony Harrison
Audience
Like
Actor
" Why shouldn't poetry address what happened yesterday and be published in the newspaper? "
Tony Harrison
Yesterday
Why
Poetry
" Yes, I've got inwardness and tenderness, but I also get angry and vituperative, and you have to honour that as well. "
Tony Harrison
Yes
Angry
Got
" I think it's the tendency to want to create gods and monotheistic absolutes and absolute certainties that is the continual temptation in human thought - that's the great danger. Every time we create a god, we diminish humanity. "
Tony Harrison
Time
God
Thought
" Poetry is all I write, whether for books or readings or for the National Theatre or for the opera house and concert hall or even for TV. "
Tony Harrison
Concert
Books
House
" I've always had the wish, the need, and the obsession to become a public poet. "
Tony Harrison
Need
Always
Become
" I think that, as you get older, you want to be freer rather than more bound. "
Tony Harrison
Rather
Want
You
" A poem, once it's written, is meant to be read with the inner voice of the person who reads it. "
Tony Harrison
Person
Inner
Meant To Be
" A lot of my activity in the theatre, and even in writing poems, was a kind of retrospective aggro on the English teacher who wouldn't allow me to read poetry aloud. "
Tony Harrison
Me
Poetry
Writing
" I believe more in the power of drama than in the power of religion. "
Tony Harrison
Believe
Drama
Power
" Of course you have to provide for the vulnerable and the children, but also, the vulnerable and the children need art in some form or another. You need spiritual experiences that, I think, forms of art give best. "
Tony Harrison
Children
Spiritual
Best
" The Greek tragic mask is one of my main metaphors for the role of the poet. The eyes of the tragic mask are always open to witness even the worst, and the mouth is always open to make poetry from it. Neither ever close. "
Tony Harrison
Mask
Eyes
Poetry
" I love being on the road with others, with a camera, but also being alone writing poetry. "
Tony Harrison
Being Alone
Alone
Love
" I was brought up on music hall, and at the same time, I was studying Greek at the age of 12. "
Tony Harrison
Age
Up
Time