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" Horror is often about how we live in the liminal, whether we want to or not. "
Paul G. Tremblay
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" Independent horror movies have really stepped up the game, and hopefully mainstream Hollywood will follow suit. "
Paul G. Tremblay
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" In the early 2000s, I started selling some short stories to horror markets. I joined the Horror Writers Association. "
Paul G. Tremblay
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" I'm certainly no hardcore backpacker, but I do enjoy being out in the woods for a few hours. "
Paul G. Tremblay
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" The response to 'A Head Full of Ghosts' has been amazing and thrilling. I'd be lying if I said I don't feel a little extra pressure trying to follow it up. "
Paul G. Tremblay
Trying
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Feel
" Marshmallows are kind of weird. I'm not a huge fan. I mean, they're fun when they get molten and melty at the end of a stick, but I always burn my mouth because I'm not all that smart or patient. "
Paul G. Tremblay
Weird
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End
" When you trust your subconscious enough to put something in a story and then figure out why it really needed to be there later, when that works out, aye, that's the stuff. "
Paul G. Tremblay
Why
You
Your
" Math was always my best subject growing up. "
Paul G. Tremblay
Math
Growing Up
Growing
" I became a reader - never mind a writer - because of Stephen King. "
Paul G. Tremblay
King
Writer
Never
" There are great and terrible consequences to any act of violence, and they reverberate beyond the act itself. "
Paul G. Tremblay
Beyond
Violence
Great
" I have to admit to being a music snob. I think, in a parallel universe, I pretty easily could have been Jack Black's character from 'High Fidelity,' working in a record store and snidely commenting on everyone's purchases. "
Paul G. Tremblay
Universe
Character
Black
" I'm a daydreamer - a purposeful one when I'm writing fiction. "
Paul G. Tremblay
Purposeful
Writing
Fiction
" 'The Cabin at the End of the World' is my riff on the 'home invasion' subgenre of horror/suspense. Hopefully it's a big, loud, dark riff. "
Paul G. Tremblay
Home
End Of The World
End
" Chance, choice, and consequence are fundamental parts of existence and perfect fodder for a horror story - or any story, for that matter, that asks, 'How do you live through this? How does anyone live through this?' "
Paul G. Tremblay
Choice
Perfect
Live
" Ambiguity is our permanent state, isn't it? We don't like it being so. Most of us crave order and routine, and yet yawning before us is our future, as frightening as it is thrilling. "
Paul G. Tremblay
Future
Like
Routine
" Ambiguity and the horror of possibility play a part in so many of my favorite horror stories: Shirley Jackson's 'We Will Always Live in the Castle,' Mark Danielewski's 'House of Leaves,' Victor LaValle's 'Big Machine,' Charlotte Perkins Gilman's 'The Yellow Wallpaper,' Stewart O'Nan's 'The Speed Queen,' and so many more. "
Paul G. Tremblay
Horror
Yellow
Speed
" Getting into graduate school was pure luck. "
Paul G. Tremblay
School
Luck
Graduate School
" The closer a horror story gets to the truth of things, the more affective it is going to be. "
Paul G. Tremblay
Story
Truth
Gets
" I always wanted to write a book that would have people talking, theorizing, arguing. "
Paul G. Tremblay
Book
People
Always
" While being a parent has been the most fulfilling experience of my life, it comes with a price. Besides the onslaught of worries and fears that can be paralyzing, more personally there is a struggle with identity, or the fear of loss or usurpsion of identity, if that makes sense. "
Paul G. Tremblay
Loss
Experience
Fear
" How children attempt to deal with everyday comedies and tragedies, and mortality, is universal and ultimately such a large part of what it means to be human. "
Paul G. Tremblay
Children
Everyday
Human
" My first two novels were quirky detective stories followed by a couple of SF/Fantasy novels. "
Paul G. Tremblay
First
Stories
Detective
" The feeling of having no choice or no say is a fear of mine, partly because the idea of loosening oneself from the burden and responsibility of choice and consequence is so intoxicating. "
Paul G. Tremblay
Feeling
Responsibility
Choice
" 'A Head Full of Ghosts' was my first full horror novel, and that felt like coming home as a writer. "
Paul G. Tremblay
Home
Ghosts
Coming Home
" Ambiguity is a big part of this post-truth world we're living in. "
Paul G. Tremblay
Part
Living
Big
" My first book deal was for two Mark Genevich novels. I hadn't planned on writing a second Genevich novel, but I was contracted to do so, and so there I was being introduced as a crime writer. "
Paul G. Tremblay
Planned
Crime
Writing
" There are many talented and worthy writers engaging horror in new, imaginative, and yes, terrifying ways. "
Paul G. Tremblay
Worthy
Ways
New
" After my debut didn't go very well with Holt, I needed to be in a healthier head space. I was happy to emerge from there. You will always have those negative thoughts as a writer, but you can't let them take over. If you let them take over, those are the real page killers. "
Paul G. Tremblay
Happy
Space
Negative
" I don't consciously sit down thinking I'm blurring genre lines, for the most part. I try to stay focused solely on serving the needs of the particular story on which I'm working. "
Paul G. Tremblay
Thinking
Down
Stay Focused
" When it comes to actually writing the book/story, I work on a computer. I wish I could write longhand, but I can't. "
Paul G. Tremblay
Work
Write
I Wish
" I was definitely a child of the '80s. Cable TV was new. I watched a ton of movies and a ton of TV. HBO would show the same movies over and over again, so I'd watch the same movies over and over again. "
Paul G. Tremblay
Movies
Watch
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