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" I believe that all forms of creativity are related. "
Issey Miyake
Believe
Creativity
I Believe
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" From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh. "
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" We have to keep a very tight check on quality. "
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" One of my assistants found this old German machine. It was originally used to make underwear. Like Chanel, who started with underwear fabric - jerseys - we used the machine that made underwear to make something else. "
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" Think of things that can be created, not destroyed, and that bring beauty and joy. "
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" Designers must be increasingly sensitive to our Earth's dwindling resources. It is our responsibility. "
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" I make clothing, and I don't care about trendy things. "
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" I love to be free to explore, research, and evolve. "
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" In the past, art was admired and revered from afar. Today, there is more of an interactive relationship between the art and the person who admires it. "
Issey Miyake
Past
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Relationship
" I'd rather look to the future than to the past. "
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Look
Future
Rather
" Our goals must be to find new, environmentally-friendly ways by which to continue the art of creation, to utilize our valuable human skills, and to make things that will bring joy. "
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" Many people repeat the past. I'm not interested. I prefer evolution. "
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Past
Many
Repeat
" Frank Gehry not only understood my sense of fun and adventure but also reciprocated it and translated that feeling into his work. "
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Adventure
Sense
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" In fashion, you need to present something new every six months, but it takes time to study things. Development is very important. "
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Fashion
Time
Present
" The joining of the Japanese with the French should make a new movement. I think it should be good for Paris. "
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Think
Paris
" My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form. "
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Body
Been
Element
" To be honest, I think we should find first the possibility to make it. Research is first - if you're not interested, you never can find something. Many things happen from forgotten machines - ones that are no longer used. "
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Things Happen
Research
You
" A great thing happening now in art is that artists are using the figure, the body, clothing, life. "
Issey Miyake
Now
Life
Art
" I tried never to be defined by my past. "
Issey Miyake
I Tried
Defined
Tried
" The combination of human skills with technology will always be at the root of any solution to the future of making clothes. "
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Future
Solution
Technology
" I feel it is urgently necessary to train people who are capable of tackling the various problems we face today in regards to environmental turmoil and the relevancy of clothing. "
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Face
People
Feel
" When I close my eyes, I still see things no one should ever experience: a bright red light, the black cloud soon after, people running in every direction trying desperately to escape - I remember it all. "
Issey Miyake
Eyes
Experience
Red
" I am always looking to the future of making things. "
Issey Miyake
Always
Looking
Things
" All of my work stems from the simplest of ideas that go back to the earliest civilizations: making clothing from one piece of cloth. It is my touchstone. "
Issey Miyake
Work
Back
Clothing
" I do not create a fashionable aesthetic... I create a style based on life. "
Issey Miyake
Aesthetic
Style
Life
" A-POC respects that there is a fine balance between the value of the human touch, which can be called artisanal, and the abilities of technology. I like to think of it as poesy and technology. "
Issey Miyake
Value
Touch
Think
" When I first began working in Japan, I had to confront the Japanese people's excessive worship for foreign goods and the fixed idea of what clothes ought to be. I wanted to change the rigid formula of clothing that the Japanese followed. "
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Clothes
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" Retire? Never! We are far too busy! "
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Too
Busy
Far
" The purpose - where I start - is the idea of use. It is not recycling, it's reuse. "
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Purpose
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" Paul Poiret did wonderful things because he was so influenced by motifs, but Vionnet really understood the kimono and took the geometric idea to construct her clothes - and that brought such freedom into European clothes in the 1920s. "
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1920s
Clothes
Freedom
" In the Eighties, Japanese fashion designers brought a new type of creativity; they brought something Europe didn't have. There was a bit of a shock effect, but it probably helped the Europeans wake up to a new value. "
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Fashion
Creativity
New