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" I couldn't find an actor to play Freddy Krueger with the sense of ferocity I was seeking. Everyone was too quiet, too compassionate towards children. Then Robert Englund auditioned. "
Wes Craven
Quiet
Play
Children
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" I like to think I'm making films in the film business where movies are making enough numbers for the studios to let me keep working, but you also want those films to have content that makes you proud you made the film. That's not easy, but it's a fun puzzle to figure out. "
Wes Craven
Business
Fun
Me
" I can see that I give my audience something. I can see it in their eyes, and they say 'Thank you' a lot. You realize you are doing something that means something to people. "
Wes Craven
People
You
Thank You
" That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation. "
Wes Craven
Experience
Fear
Together
" I've done a few interviews where I realized that 9/11 was the ultimate home invasion, not to be glib about it. You know, where the place that you think is safe and the people that you think are safe and far from evil are suddenly just slaughtered by it, and you have no control over it. "
Wes Craven
Control
People
Know
" I was anathema in polite society after I made 'Last House.' People literally would grab their children and run from the room. "
Wes Craven
Children
Society
Run
" You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative. "
Wes Craven
You
Afraid
Dealt
" My brother and I both used to worry about dying at 40 because our father died at 40. That probably wasn't terribly rational, since my father led a rather unhealthy lifestyle, shall we say. "
Wes Craven
Brother
Dying
Worry
" 'Last House' offended a lot of people. The results in the theaters, even in Boston, reminded me a bit of things from when I was studying Theater of the Absurd, and the rise and the appearance of Ionesco plays, and things like that. "
Wes Craven
Boston
Appearance
Me
" Looking back now, if I went to film school, it probably would have helped knowing what the best of the best of foreign films were, but that wasn't the case. In some ways, I think that led to my originality, because I hadn't seen anybody else. "
Wes Craven
Best
Back
Think
" I came from a very strict background. "
Wes Craven
Strict
Came
Background
" I was always told that films were evil and such, but I started to realise what a load of crap it was that something this good should be forbidden. I had been allowed to read as much as I wanted when I was younger, so I recognised great art when I saw it; I just didn't realise it would be at the cinema as well. "
Wes Craven
Evil
Great
Good
" Stories and narratives are one of the most powerful things in humanity. They're devices for dealing with the chaotic danger of existence. "
Wes Craven
Humanity
Existence
Danger
" I remember going to a funeral at a very fundamentalist church, and I just had to get out of there. I went out in the parking lot and just sobbed. I think there was a sense of loss of that little boy not knowing if he was right or wrong. Everything I grew up with I had to walk away from. "
Wes Craven
Boy
Remember
Loss
" I'm the kind of director, at any given moment, an idea occurs to me, I'll just do it. "
Wes Craven
Kind
Just Do It
Me
" At this point in my career, 'Scream' is one of the longest running stories I've told. It's fascinating to still have actors who are very much into continuing their roles and have great chemistry. "
Wes Craven
Running
Chemistry
Great
" In the '60s, I was teaching humanities at a college in upstate New York and trying to publish a novel I'd written in graduate school. But nothing was happening. So I moved to New York City and got a job as a messenger at a place that made movies. "
Wes Craven
New York
City
College
" In 'Scream,' there is very real drama that would be in almost any drama. "
Wes Craven
Drama
Would
Very
" How can you have 'Scream' without Ghostface? It's like 'Friday the 13th' without Jason. "
Wes Craven
Friday
You
Without
" Basically, I've found that if you have two films that don't perform well, it doesn't matter that you've had a bunch of successful ones. The phone stops ringing, and after 'Deadly Blessing' and 'Swamp Thing,' that's what happened. "
Wes Craven
Successful
You
Matter
" The whole business is changing dramatically, and the way fans follow and participate in movies, and make their own movies to emulate those movies, is profoundly different. "
Wes Craven
Fans
Business
Way
" 'Nightmare on Elm Street' wasn't that big. Over a long period of time it did very well, but this was different. 'Scream' didn't have a strong first weekend, and it went down the second, but then it kept going up. "
Wes Craven
Weekend
Time
Long
" I think I wrote the first draft of 'Nightmare on Elm Street' in '79. No one wanted to buy it. Nobody. I felt very strongly about it, so I stayed with it and kept paying my assistant and everything. At a certain point, I was literally flat broke. "
Wes Craven
Think
Street
Nobody
" I think the experience of going to a theater and seeing a movie with a lot of people is still part of the transformational power of the film, and it's equivalent to the old shaman telling a story by the campfire to a bunch of people. "
Wes Craven
People
Experience
Story
" Some people ask why people would go into a dark room to be scared. I say they are already scared, and they need to have that fear manipulated and massaged. I think of horror movies as the disturbed dreams of a society. "
Wes Craven
Think
Society
People
" The first monster you have to scare the audience with is yourself. "
Wes Craven
First
Monster
Yourself
" There was a period around Columbine when horror films were being kind of assailed by the government. The studios got very afraid that they were going to be sued, and studios at about that time were all being taken over by corporations. "
Wes Craven
Time
Kind
Afraid
" Hawks is great, 'The Treasure of Sierra Madre,' 'The Big Sleep'... He could do the Salt-of-the-Earth very well. He was a very smooth director; a very good film architect in terms of his storytelling. "
Wes Craven
Good
Director
Treasure
" It's not an easy place to be - to write a horror film. You go down the stairs to the dark to find these characters. It's not a place anyone can go, and sometimes it's not a place that you want to go. "
Wes Craven
Stairs
Dark
Easy
" You learn a lot more from those bumps than from when things are going great. "
Wes Craven
Learn
Great
Things
" I didn't even know what a horror film was. I kind of made it up as I went along. "
Wes Craven
Along
Kind
Know