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" I discovered that I could do whatever I wanted with a negative in a darkroom and an enlarger. "
William Klein
Darkroom
Whatever
Wanted
Related Quotes:
" I think it's obscene. I don't know how you support the monarchy. How can you do that? "
William Klein
Know
Monarchy
Support
" Leger was not only the first artist I ever met but also the first pop artist, and he blew our minds. "
William Klein
Minds
Only
Our
" I thought it would be a good idea to look at New York with this half-European, half-native eye and really do something to get back at this city that I thought really gave me a hard time when I grew up. "
William Klein
New York
Good
Eye
" People didn't object to me taking their photo. It was something everybody thought was their due: to be King for a Day, win the lottery and be photographed. "
William Klein
Thought
Day
King
" I find it satisfying that what I've done in photography has had so much influence in how people take photographs and what they look at and how they look at things. "
William Klein
Influence
Photography
People
" This is supposed to be the Big Apple, with neighborhoods where the houses are all good-looking and the skyscrapers and everything. But to me, New York is kind of shoddy and uncomfortable. "
William Klein
Uncomfortable
New York
Kind
" My way of living and working is that I'll do my thing. I went from one thing to another. That annoyed people. They didn't know how to categorize me. "
William Klein
Way
Me
People
" I was a very clumsy Jewish kid. "
William Klein
Clumsy
Very
Jewish
" I always thought I was going to be an artist. I used to draw, and I would read Russian novels until 3 or 4 in the morning. "
William Klein
Artist
Going
Thought
" I always dreamt of becoming an artist in Paris. Thanks to the Army, it happened. "
William Klein
Thanks
Army
Paris
" I wasn't part of any movement. I was working alone, following my instinct. "
William Klein
Working
Movement
Instinct
" When I was a kid in New York, long before saturation sports coverage, the world heavyweight championship was, with the baseball World Series, the great national event. "
William Klein
World
Sports
New York
" When you use film, you use accidents, but there aren't any accidents with digital photography. I don't mind that it's easy. But I do mind that there is a sort of consensus with the camera and the subject and the light, and you look at something, and you photograph it, and you get what you see. "
William Klein
Look
Light
Camera
" I like festivals of all kinds: in 1969, I made a film about the first Pan-African festival in Algiers, which celebrated the countries that had been liberated 10 years earlier. There was a tremendous feeling of kinship. "
William Klein
Film
Feeling
Festivals
" I'm an outsider, I guess. "
William Klein
Outsider
Guess
" When I made 'Polly Maggoo,' it was more or less the end of this collaboration with 'Vogue' because I made a caricature of the editor-in-chief and the fashion people, so they didn't really adore me. "
William Klein
Fashion
Me
People
" I was 24 years old at the time. I had no real notion of what photography was about. I had no training. By accident, I put a negative in an enlarger, and you can do many things with that negative. "
William Klein
Photography
Training
Negative
" French photography was basically poetic, and mine was vulgar and brash and violent, except that there's never any violence in the photographs: it's only in the photographic style. "
William Klein
Never
Violence
Photography
" I did a film on Muhammad Ali before he was champion. I was there when he became champion in 1964. I was happy to be able to document the development of a real American hero. "
William Klein
American
Happy
Hero
" Most of the other soldiers were older than me and sent money back to their families, so they were more prudent. "
William Klein
Money
Back
More
" Fashion had no interest for me. I would take photographs in the studio. I would go back home, and my wife would say, 'What is the fashion like for this season?' And I would say, 'I have no idea.' "
William Klein
Say
Back
Fashion
" The English are very exotic to me. "
William Klein
Me
Very
Exotic
" Memories. That's the thing about photography. I look at the contact sheet, and it brings back everything: whether I was tired, whether I was full of beans. "
William Klein
Tired
Look
Photography
" Being an expatriate doesn't go down well in America. "
William Klein
Being
America
Down
" I grew up in Manhattan. For Manhattanites, Brooklyn was the sticks, a second-rate civilization. My friends and I, we were so snobby. Living in the Bronx or Brooklyn was incredible... for me, that was like a foreign country. "
William Klein
Brooklyn
Country
Friends
" In fashion, you have assistants, flashes; you can make sets. There are people running around doing things for you. But I can take it or leave it. "
William Klein
Doing
Fashion
You
" My father was convinced that America was the greatest place in the world. I'm afraid I didn't have the family I would have dreamed of. "
William Klein
America
World
Place
" I always dreamed of working in Paris, of going to the Coupole and slapping Picasso or Giacometti on the shoulder. "
William Klein
Working
Going
Paris
" I was making a film on Muhammad Ali in 1964, and I went to Miami to film everything around the fight for the world championship with Sonny Liston. I had the good luck of flying down to Miami, and there was one empty seat, and the guy sitting next to this empty seat was Malcolm X. "
William Klein
Miami
World
Good
" In the late Fifties and early Sixties, I used to think that most of these fashion creators weren't that great, and if the photograph was good, it was mostly thanks to the photographer. "
William Klein
Think
Early
Late