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" I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.' "
Tony Kushner
Kind
Writing
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" I go into any movie that's historical fiction thinking, 'OK, I'm here to watch a work of art, something delivering a series of opinions, and if it's a good work of art, these opinions become so deeply embedded in complexity and richness that I won't even be bothered by the opinions. I'll make my own mind up.' "
Tony Kushner
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" I love reading; it's a great way to avoid writing. "
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" But I still read Shaw on a regular basis. What I love is the nakedness of the polemic and the irresistible good humour. For me, 'Major Barbara' is the greatest of all the plays in that it starts from the rational and proceeds to the ecstatic in a spectacular way, and leaves you very confused if you cling to Euclidean logic. "
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" In a way, film and television are in the same sort of traumatic trance that print journalism is. The technology has outpaced our comprehension of its implications. "
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" I tend to be sort of quiet and shy and awkward in social situations. "
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" I had a dream, in 1985, I believe, when a friend I'd gone to school with was sick - one of the first people I knew who'd gotten the AIDS virus. I had a dream of him in his bedroom with an angel crashing through the ceiling. I wrote a poem called 'Angels in America.' I've never looked at the poem since the day I wrote it. "
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" The act of thinking and interpreting is so central to Judaism that it makes more sense that we've become people like Woody Allen - thinkers and talkers and drafters of law. "
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" As much as I hate his movies, Oliver Stone has an aspiration I admire, and that is that he wants his art to be part of what makes and changes public policy and cultural practice. "
Tony Kushner
Changes
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Movies
" You don't go to the movies to do historical research, unless it's historical research about the movies. "
Tony Kushner
Research
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" If you have value as an artist it's probably going to be in your capacity to let things inside you get past things that are placed there to keep you from telling the truth. The more you see things as clearly and coldly as you can, the more value you're going to have. "
Tony Kushner
Value
See
Artist
" You have a strange relationship with calamity when you're a writer: you write about it; as an artist, you objectify and fetishize it. You render life into material, and that's a creepy thing to do. "
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Life
" A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.' "
Tony Kushner
Impact
Uncle
History
" I don't feel, finally, that my politics are entirely determined by the fact that I'm a gay man. "
Tony Kushner
Finally
Fact
Feel
" If you know that life is basically going to be horrendously difficult, at best, and all but unlivable at worst, or possibly even unlivable, do you go on? And the choice to go on is the only thing that I think can be called hope. Because if hope isn't forced to encounter the worst possibility, then it's a lie. "
Tony Kushner
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" The kind of theater that I do is sort of 'narrative realism,' which I think in the broadest sense is legitimate to say is mainstream. I mean, in a certain sense, Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist. "
Tony Kushner
Kind
Mean
Say
" I'm a sort of political person, and I feel that there's a kind of ineradicably political dimension to theater, to all theater, whether it's overtly political or not. "
Tony Kushner
Feel
I Feel
Kind
" You have to have hope. It's irresponsible to give false hope, which I think a lot of playwrights are guilty of. But I also think it's irresponsible to simply be a nihilist, which quite a lot of playwrights, especially playwrights younger than me, have become guilty of. "
Tony Kushner
Think
Hope
Guilty
" A play should have barely been rescued from the mess it might just as easily have been. "
Tony Kushner
Been
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" When I teach writing, I always tell my students you should assume that the audience you're writing for is smarter than you. You can't write if you don't think they're on your side, because then you start to yell at them or preach down to them. "
Tony Kushner
You
Down
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" And 'Queer Eye' is fascinating. It has a pinch-me-I'm-dreaming quality. It's very bourgeois, of course, and much more about the liberation of the consumer than the liberation of the democratic citizen. "
Tony Kushner
Consumer
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" The way you give love is the most profoundly human part of you. When people say it's ugly or a perversion or an abomination, they're attacking the center of your being. "
Tony Kushner
Say
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" My back went out and I gained 40 pounds while sweating over 'Perestroika.' It was incredibly hard, the hardest thing I had to do before the screenplay to 'Lincoln.' "
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Out
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Hardest
" People shouldn't trust artists and they shouldn't trust art. Part of the fun of art is that it invites you to interpret it. "
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You
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Art
" I'm happy that I feel a little less out of place in filmmaking than I once was - but it's almost impossible for a playwright in the U.S. to make a living. You can have a play, like I did with 'Angels,' and it still generates income for me, but it's not enough for me to live on and have health insurance. "
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Happy
Health
Me
" Accuracy is paramount in every detail of a work of history. Here's my rule: Ask yourself, 'Did this thing happen?' If the answer is yes, then it's historical. Then ask, 'Did this thing happen precisely this way?' If the answer is yes, then it's history; if the answer is no, not precisely this way, then it's historical drama. "
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History
Yourself
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" There's a way in which 'The Illusion' is a play about the theater. "
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" When I'm writing a new play, there's a period where I know I shouldn't be out in public much. I imagine most people who create go through something like this. You willfully loosen some of the inner straps that hold your core together. "
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" There's a kind of a fundamental irresponsibility in playwriting, and the strength of playwriting comes from that irresponsibility. "
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" I grew up in a small Southern town, and there were white people and black people. Coming to New York to go to Columbia, every time I went into the subway I was absolutely astounded because you see people from all over the world who actually live here - who aren't just here as tourists. "
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You
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" Artists know that diligence counts as much, if not more, as inspiration; in art, as in politics, patience counts as much as revolution. "
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