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" I feel no terror when I'm acting. There's no tension. It's just a part. "
Sydney Pollack
I Feel
Feel
Acting
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" We talked about Tootsie, the idea in Tootsie is that a man becomes a better man for having been a woman. "
Sydney Pollack
Better Man
Woman
Been
" You have to go by your instincts in casting. "
Sydney Pollack
Your
You
Instincts
" The terrible tragedy for every director is to watch an actor do what you want and not have the camera rolling - and never get it back again. So I always try to roll the camera before anybody's really ready. "
Sydney Pollack
Camera
You
Want
" You can't stop traffic on Times Square. "
Sydney Pollack
You
Square
Stop
" I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way. "
Sydney Pollack
Dance
Art
Architecture
" There isn't a studio in the world that wouldn't burn half its soundstages to get a Tom Cruise movie. "
Sydney Pollack
World
Half
Get
" I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life. "
Sydney Pollack
My Own
Real Life
Night
" Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not. "
Sydney Pollack
Enough
Decisions
You
" People sense when you're pretending, when you're worried about your own ego. "
Sydney Pollack
Sense
People
Pretending
" Well, there's no question that a good script is an absolutely essential, maybe the essential thing for a movie. "
Sydney Pollack
Maybe
Movie
Question
" Even in 'Victor/Victoria,' there was talk about what it means to be a woman, what it means to be a man. You didn't get that in the old days, in 'Charley's Aunt' or 'Some Like It Hot.' "
Sydney Pollack
Talk
Woman
Aunt
" Even with 'Three Days of the Condor,' I wanted to do a thriller. But I was still concentrating on the Faye Dunaway-Robert Redford relationship in that film. "
Sydney Pollack
Days
Film
Relationship
" Well, I was born and raised in the Midwest, in Indiana specifically, and my childhood was full of weekend movies, you know, the Saturday and Sunday popcorn movies. "
Sydney Pollack
Sunday
Childhood
Weekend
" I mean, I don't know anything else that I would try to do, but it's a very frustrating thing to do, because you are trying to take what's a fantasy in your head and make it live through the minds of 200 people. "
Sydney Pollack
People
Minds
You
" I will not ever say that it's good to start with too little preparation, because that's patently not true. But I don't rehearse the way a lot of directors do, to stage a scene in terms of manners and attitudes and lock them in. "
Sydney Pollack
True
Start
Say
" This thing called chemistry, which I can't define and wouldn't know how to, either works or it doesn't. Sometimes a love story can involve very talented actors, but we are not invested emotionally in whether they end up together. "
Sydney Pollack
End
Love
Know
" The very reasons sometimes that you make a film are the reasons for its failure. "
Sydney Pollack
Sometimes
Reasons
Film
" There will be people who are sensitive about seeing the American point of view presented as less than sympathetic. "
Sydney Pollack
View
Point Of View
People
" If I want to make people moved or cry in a film, I figure out what the room looks like, what the people are wearing, what time of day it is, what the light is, how to photograph it, where to put the camera. It involves optics and costume design and set design and architecture. "
Sydney Pollack
Light
People
Time
" Even if it's a thriller or a comedy, it's always a love story for me, and that's what I concentrate on, because the love stories are my surrogates for the argument: two people in conflict that see life differently. "
Sydney Pollack
Love
Me
Life
" All the movies I've made are essentially character-driven movies about people that I'm interested in. "
Sydney Pollack
Interested
People
Movies
" I like thrillers a lot. There's a lot of discipline connected to them. You can't be as freewheeling as you are with character pieces. "
Sydney Pollack
Character
You
Discipline
" It was a different time in the 1970s. Movies didn't have to make as much money. "
Sydney Pollack
Different
Movies
Money
" I remembered myself as an unpopular and rather sad kid. "
Sydney Pollack
Remembered
Myself
Kid
" It's hard for me to fall in love with a piece of material enough to want to direct it. "
Sydney Pollack
Hard
Enough
Love
" I guess all my films are about resolving conflicts - and they're all love stories. If they weren't, I couldn't make them. "
Sydney Pollack
Make
About
Guess
" I'm not a writer myself, so I'm forced to try to get what's a sort of an odour or a colour or something I feel in my head from a writer, and that's a... I don't have a recipe for that process. I don't know what it is... it's different every time. "
Sydney Pollack
Process
Myself
Feel
" When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character. "
Sydney Pollack
Mind
You
Play
" When you're shooting a feature that costs $200,000 a day with a crew of 250, you don't want accidents; you want to know exactly what's going to happen. But with a documentary, you don't, so you have to be sensitive to accidents because that is where the gold is. "
Sydney Pollack
Day
Know
Want
" I try not to get depressed about stuff I can't do anything about. "
Sydney Pollack
Depressed
Anything
Get