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" I had a magic kit. I never really followed through on it, but I had my phase of wanting to do it, sure. "
Steve Buscemi
Wanting
Magic
Never
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" I usually get freaked out if I'm in a situation where a lot of people recognise me at once. "
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" I always find that it's when a script is not detailed, then I have to do more work as an actor. "
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" To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me. "
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" I didn't think I'd ever be able to do movies. That was for serious actors. "
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Able
Serious
" I just like playing interesting, complex, complicated characters. I like films that also have an element of humor. "
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Interesting
Complicated
Humor
" In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene. "
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Independent
Question
Beginning
" All these directors, and I would include the Coen brothers and Quentin, have a very unique vision of what they want. They listen to ideas and make people feel like everyone is making the film. "
Steve Buscemi
People
Vision
Ideas
" The thrill of performing - that's something that hasn't changed for me. That simultaneous joy of creating something and sharing it with an audience - it's the same now as it was then, when it was just my cousins' birthday party. "
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Me
Joy
Sharing
" My real training as an actor was when I started doing theatre. "
Steve Buscemi
Theatre
Training
Actor
" I never know what I'm going to get. A 'Sopranos' fan is very different from a 'Big Lebowski' fan. "
Steve Buscemi
Going
Know
Never
" Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice. "
Steve Buscemi
Hard Work
Practice
Learning
" It's great working with Steve Carell and Jim Carrey. Those guys are really funny. "
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Great
Funny
Guys
" Shooting in sequence, I think it intensifies everybody's relationship, the crew, the actors. You have to be very focused, and shooting at night is a challenge because you get tired. I think it requires a special kind of concentration, but it's also exhilarating. "
Steve Buscemi
Relationship
Tired
Challenge
" With Animal Factory you'd think that because it's mostly interiors, you could shoot it anywhere. So we shot this in Philadelphia, and we had the cooperation of the prison system. "
Steve Buscemi
Animal
You
Think
" I think it's important to create an atmosphere where actors feel like they can try things out. It doesn't mean that I'll take every suggestion, but I want there to be some room for actors to grow. "
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Important
Think
Feel
" I've never had a grand plan. I've only just tried to keep open to many different possibilities, have fun and work with people who are passionate about what they do. "
Steve Buscemi
Work
Plan
People
" What was frustrating about Armageddon was the time I spent not doing anything. It was a big special effects film, and I wasn't crazy about pretending I was in outer space. It feels ridiculous. "
Steve Buscemi
Special
Crazy
Time
" Directing television is really hard - it's so fast. You shoot an hour show in seven days. "
Steve Buscemi
Television
Days
Fast
" It doesn't matter what part I play, I try and commit myself 100 percent. "
Steve Buscemi
Matter
Myself
Try
" To me, it doesn't really matter how big the part is as long as the part is important to the story. "
Steve Buscemi
Me
Matter
Story
" I think all comics borrow from each other. Only a few have an original voice, and I wasn't one of them. In the end, I couldn't figure out who to steal from, so I stopped doing it. "
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End
Doing
Original
" They're not supposed to show prison films in prison. Especially ones that are about escaping. "
Steve Buscemi
Escaping
Prison
Show
" I was really young, just playing with puppets a lot and doing all the voices and acting it out - normal kid stuff. But then I'd hear my mother talking about it to her relatives, marveling at it as if it was something unique. And it made me realize, 'Oh, maybe I do have a talent for something.' "
Steve Buscemi
Young
Doing
Me
" I'd say that the director I had most involvement with was Alex Rockwell in 'In the Soup'. It was one of my earliest leading roles, and he gave me a lot of responsibility as an actor. "
Steve Buscemi
Soup
Responsibility
Me
" I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York. "
Steve Buscemi
New
New York
Character
" I'm terrible at story and structure, but I'm not so bad at writing dialogue. "
Steve Buscemi
Writing
Structure
Story
" I've certainly worked with really great directors who haven't acted. "
Steve Buscemi
Great
Directors
Certainly
" When I was doing stand-up, I was about twenty, and I really think that that's a little too young. I didn't have a whole lot of life experience to draw on. "
Steve Buscemi
Life
Young
Think
" It wasn't until my senior year in high school that I started acting. "
Steve Buscemi
Senior Year
Acting
High School
" I like character-driven stuff. It doesn't matter, the size of the part. "
Steve Buscemi
Matter
Stuff
Size