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" I had a very strong background in journalism, so it's my instinct to try to be as fair and accurate as possible. "
Peter Landesman
Possible
Journalism
Fair
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" I played football the whole time I was growing up, and through two years of college. I think it's a beautiful game in many respects, one that allows you to follow a player from boyhood through manhood. "
Peter Landesman
Game
College
Football
" When it came to 'Concussion,' I found myself with so many threads to weave. So integral to the whistle-blower's tale were spirituality, the cost of hero-worshipping, what it means to be an American, and just how dangerous the truth can be. "
Peter Landesman
Myself
Truth
American
" Our brains have this habit of quilting dreams from the fabrics of our lives. As a filmmaker, I get to do it for a living. "
Peter Landesman
Brains
Fabrics
Habit
" You have to find the movie in the editing room, and it can't be four hours; it has to be two hours. "
Peter Landesman
Find
Room
Two
" I don't actually see that much difference between telling stories in journalism and telling them on film. The tools are very different, but the basic idea is the same. "
Peter Landesman
Film
Tools
See
" Each year, tens of millions of museumgoers walk through the entrance of the Getty, or the Metropolitan or the Prado or the Hermitage, and never consider the possibility of having to arbitrate for themselves the authenticity of what they have come to see. "
Peter Landesman
See
Authenticity
Never
" Film is probably the medium best suited to reach the most people - the visual, the aural, the limbic, the intellectual: it captures all these parts of our mind and soul. No other art form comes close. "
Peter Landesman
Reach
People
Soul
" There will always been the prurient rubbernecking aspect to disasters: people who just can't get enough gore. "
Peter Landesman
Just
Will
People
" I love writing in compressed time periods because the act of survival in the midst of panic and fear, that's where true heroism comes. If you have a uniform, and you're expected to do things, it's a sort of incremental heroism. "
Peter Landesman
Survival
Fear
You
" My personal sources in the intelligence community and the military are very good. They're excellent. I have very high-up, in-depth sources. "
Peter Landesman
Community
Good
Intelligence
" Serious collectors and art experts, among the world's most educated, often cannot fathom the possibility of being rooked, and then once taken, cannot face the humiliation of admitting it. "
Peter Landesman
Serious
Art
Educated
" Like every other industry or institution, the journalism world is populated by the petty and fearful, in addition to the courageous and brilliant. "
Peter Landesman
Brilliant
World
Petty
" I was a painter before I was a writer, so I was always a visual artist. And my writing, to me, was always visual. "
Peter Landesman
Always
Artist
Me
" To me, film is the most complete method of storytelling. "
Peter Landesman
Complete
Storytelling
Most
" When you're researching something for a movie, you get a very different kind of reaction than when you're researching something for an article for 'The New York Times.' "
Peter Landesman
Kind
Than
You
" Even the two novels I've written were based on true stories. It's how I'm wired - real life is fascinating and fantastical enough. The kind of journalism I did unpeeled lids from cans otherwise sealed. "
Peter Landesman
Enough
True
Life
" Documentaries for me always felt kind of limiting. I wanted to go bigger. And I also love actors, and I love performance. So feature filmmaking was always the intent. "
Peter Landesman
Filmmaking
Performance
Me
" I've been writing screenplays for a long time, and a lot of it came out of the journalism I was doing. "
Peter Landesman
Long
Writing
Doing
" Life is itself an occupational hazard. Sometimes the things we love hurt us. Embracing and navigating around that contradiction is part of what it is to be alive. "
Peter Landesman
Us
Sometimes
Love
" As a filmmaker, it's not my intent to trigger or shape national discourse. My task is to make as powerful and understandable a film as I can. What happens next is what happens next. "
Peter Landesman
Discourse
Film
Task
" Refugees tend to avoid planes, airports and fake passports, even though flying may appear to be the most obvious way to flee. For one thing, security procedures at airports are far stricter than at land borders. "
Peter Landesman
Flying
Fake
Avoid
" A museum's meticulous presentation - exhaustive captions, hushed lighting, state-of-the-art armature - creates an institutional authority that is constructed to seem impregnable. "
Peter Landesman
Presentation
Museum
Authority
" I always spend a good deal of time with the people I write about. I try and smell the normalcy of their lives. I try to look at the normal rhythm of their life. "
Peter Landesman
People
Look
Life
" I can't worry about the consequences of what I do; that's not my job. "
Peter Landesman
About
Consequences
Job
" What interested me was the story of Bennet Omalu. You hear his narrative: Immigrant from Nigeria, landing in Pittsburgh, only to learn and tell the truth about this most American - and sacrosanct - cultural institution: the NFL. "
Peter Landesman
Story
Me
Learn
" The story of Bennet Omalu is a riveting story; it's just a riveting tale. I knew from the beginning if I stayed close to that kind of storytelling and focussed on the character, then the other stuff comes along with it, and the message becomes baked into the journey. "
Peter Landesman
Journey
Character
Beginning
" Life only has narrative when we frame it and edit it and call it certain things. "
Peter Landesman
Life
Frame
Things
" I was a war correspondent and journalist for a long time, and I was very near the towers on 9/11 and very shortly after in Afghanistan. "
Peter Landesman
War
Time
Long Time
" It's very dangerous for a storyteller to walk into a situation with a political agenda because you end up telling a story about issues instead of telling a story about people. "
Peter Landesman
People
End
Political
" Modern art, in particular, seems especially vulnerable to fraud. Its abstractions are sometimes difficult to understand or grasp, and a modern painting is often loved less because of its intrinsic quality - its beauty, as conventionally understood - than because of the identity of the painter, its mark of social status. "
Peter Landesman
Painting
Identity
Beauty