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" I had to push exposition through dialogue, which is really, really hard for an actor do. "
Taylor Sheridan
Dialogue
Through
Push
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" As a filmmaker, you have to stand in front of what you did and make choices that you could do with a clear conscience. "
Taylor Sheridan
You
Clear
Choices
" The machine of awards season is very stressful. But this is the Oscars! It's your peers, your heroes, people you admire, the people who inspired you to get into this work in the first place. It's a pretty overwhelming feeling when you think about it. "
Taylor Sheridan
You
People
Place
" Some of the most fascinating scenes in 'Unforgiven,' for me, is that scene with Gene Hackman where he's talking about the Duke of Death that Richard Harris played, and he's basically demolishing this myth of this man very unwesternly - not what you expect in a western. "
Taylor Sheridan
Talking
Man
Expect
" In the late '90s, I spent a lot of time on reservations, and there was a level of poverty and injustice that I had not witnessed before. I was shocked by it. This is federally controlled land, and there was an insidious mix of apathy and exploitation. "
Taylor Sheridan
Poverty
Late
Apathy
" I look for absurdly simple plots so that I can simply focus on the characters. Having an understanding of what dialogue's easy to say and hard to say - I think that that's helpful, too. "
Taylor Sheridan
Say
Simple
Focus
" I had a one-year-old son. How will my failure or success limit what he becomes? I was trying to write screenplays. It doesn't pay very well until you sell one. I was poor. "
Taylor Sheridan
You
Failure
Son
" You've been entrusted with a lot of money and a lot of careers, and a lot of people put their faith in me, and every director goes through that every time. "
Taylor Sheridan
People
Me
Faith
" Plot is just not my gift. I'm fascinated with complex characters, and that doesn't mix well with complex plots. And by the way, when the plot is simple, you can move one piece around and make it feel fresh. 'Hell or High Water''s a good example: I don't tell you why the brothers are robbing the bank. "
Taylor Sheridan
You
Feel
Good
" You can really examine the suffering and consequences that happen when there's a loss in a family. "
Taylor Sheridan
Family
Suffering
Loss
" I thought of Jeff Bridges in 'Hell or High Water' and Ben Foster, and I kept trying very hard not to, because you're terrified you're going to write this thing that then feeds specifically to this one person that then won't do it. "
Taylor Sheridan
Hell
Hard
Thought
" Sometimes audiences want to see what we're doing to their world. It's our obligation sometimes to reflect it. "
Taylor Sheridan
See
Our
Sometimes
" I don't write tracking shots in my screenplays or any camera directions, but I do try to give a sense of how the action is moving. "
Taylor Sheridan
Camera
Moving
Give
" Don't try and make a movie for someone else. You have to make it for you and trust that you're not that unique. And that'll matter to other people as well. "
Taylor Sheridan
You
People
Someone
" Whether we can call 'Hell or High Water' this rogue buddy bank-heist movie, it's also a meditation on assimilation and failure and what happens when someone loses their purpose. "
Taylor Sheridan
Failure
Hell
Water
" 'Sicario' was successful, but it was successful because Denis and the producers were, you know, they were very lean. It was very lean filmmaking. "
Taylor Sheridan
Know
You
Successful
" I believe in the Constitution - and I believe in common sense. "
Taylor Sheridan
Believe
Constitution
Common Sense
" I broke a lot of conventions. Look, I spent a long time as an actor. I spent a lot of time playing pretty ordinary arcs. "
Taylor Sheridan
Long
Time
Lot
" I wanted 'Hell or High Water' to feel like a road movie and an exciting, fun film - until it's not. "
Taylor Sheridan
Water
Feel
Film
" I don't know if I've ever met anyone that's purely good or purely evil myself. I think most of us live with some varying degrees between the two. "
Taylor Sheridan
Evil
Live
Myself
" Sugarcoating doesn't do anybody any good. "
Taylor Sheridan
Good
Anybody
Any
" I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it. "
Taylor Sheridan
Flawed
Great
Human
" We can't assign beliefs to people who don't have a voice to express them. And we can't assume what someone thinks. "
Taylor Sheridan
Someone
Voice
People
" One of the major issues that's constantly batted around Hollywood and the media is my industry's responsibility toward the portrayal of violence. There's the irony of the films that glorify it and the individuals taking positions against it. It's a very confusing, confounding place. "
Taylor Sheridan
Violence
Responsibility
Place
" I watched a lot of old movies. Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived. "
Taylor Sheridan
Old Movies
Where
Old
" To me, a purely good individual or purely bad individual, that's a comic book - that's a fantasy - and I don't do fantasy. "
Taylor Sheridan
Individual
Bad
Book
" Every writer has written a spec. It's the first thing you write, and it basically stands as a means of, 'Here's an example of how I tell stories.' It's almost like a business card. "
Taylor Sheridan
First
You
Like
" With 'Wind River,' I became fascinated with the notion of how you overcome a tragedy - accepting it, making whatever peace you can with it - without ever knowing what really happened. "
Taylor Sheridan
River
Peace
You
" Part of our job as storytellers is to show people pockets of the world that they don't know. The more we understand, the more we don't judge. "
Taylor Sheridan
More
Judge
Job
" There's not a lot of pure evil in the world, but it's amazing how little it takes to do great damage. "
Taylor Sheridan
Evil
How
Pure
" I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.' "
Taylor Sheridan
You
Book
Camera