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" I have been a believer in the magic of language since, at a very early age, I discovered that some words got me into trouble and others got me out. "
Katherine Dunn
Age
Early
Me
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" What I think happens, and that you have to acknowledge though, is that a director uses a book as a launching pad for his own work and that's always very flattering. "
Katherine Dunn
Always
Book
Own
" My handwriting was nothing to write home about, and I had this idea that calligraphy was like taking Latin in high school: that it was one of the bricks, the building bricks, that you had to understand about the forms of writing. "
Katherine Dunn
School
Writing
Home
" But I think everybody should write. I think those people with stories who don't write should be stomped on. "
Katherine Dunn
Write
Think
Stories
" We're also far enough from the publishing power that we have no access to the politics of publishing, although there are interpersonal politics, of course. "
Katherine Dunn
Publishing
Power
Far
" But the animation has become very good, and I think that a movie is not a book, and a book is not a movie. "
Katherine Dunn
Good
Book
Animation
" In boxing, they say it's the punch you don't see coming that knocks you out. In the wider world, the reality we ignore or deny is the one that weakens our most impassioned efforts toward improvement. "
Katherine Dunn
Reality
You
World
" Every doorway, every intersection has a story. "
Katherine Dunn
Intersection
Every
Doorway
" We're living in a high-tech world. So much of our stimulus and entertainment comes from things that are quite abstract and disembodied. "
Katherine Dunn
Entertainment
World
Abstract
" I think that it's really important to go away and come back. "
Katherine Dunn
Go
Come
Back
" Prior to penicillin and medical research, death was an everyday occurrence. It was intimate. "
Katherine Dunn
Research
Death
Medical
" I think genetic research is a fascinating and fertile area. "
Katherine Dunn
Genetic
Think
Area
" I know if I were in your generation I would be really tired of seeing Sophia Loren as a sex object. "
Katherine Dunn
Seeing
Sex
Tired
" The metaphor of the subterranean is at work in a lot of Northwest writers and artists. Zooming in closer and closer and closer, then below, to the worms and the centipede. "
Katherine Dunn
Work
Northwest
Artists
" We came to Portland because there was a good alternative public school. Friends who lived there told me about it, and my son loved it. I left his dad and went to work slinging hash in a breakfast diner and working nights tending bar in a biker tavern. "
Katherine Dunn
Son
Work
School
" My lip curls in a snide reflex whenever I hear that a new novel is written from the point of view of a child or a monster, a lunatic or an animal. I immediately expect a nasty coyness of tone, cheesy artifice, the world through cardboard 3-D lenses. "
Katherine Dunn
World
New
Monster
" There are those whose own vulgar normality is so apparent and stultifying that they strive to escape it. They affect flamboyant behaviour and claim originality according to the fashionable eccentricities of their time. They claim brains or talent or indifference to mores in desperate attempts to deny their own mediocrity. "
Katherine Dunn
Mediocrity
Escape
Talent
" Let's just say, the American school of suburban angst is not my cup of tea. "
Katherine Dunn
Cup
Just
Say
" We live with a distinct double standard about male and female aggression. Women's aggression isn't considered real. It isn't dangerous; it's only cute. Or it's always self-defense or otherwise inspired by a man. In the rare case where a woman is seen as genuinely responsible, she is branded a monster - an 'unnatural' woman. "
Katherine Dunn
Live
Women
Woman
" At its heart, 'Fat City' is not about boxing. It is a universal story of grim realities and toxic delusions. It is awash with awareness of chances blown, dreams stymied, precious time wasted, and all future prospects scorched to ashes by the process. "
Katherine Dunn
Dreams
Story
Time
" The second is the structure and source of cults. They have always haunted me, and I wanted to explore the fundamental notion of giving up responsibility to an outside power. "
Katherine Dunn
Giving
Responsibility
Power
" But I went to high school in a Portland suburb and went to college here. "
Katherine Dunn
High
College
Here
" Well, it arose out of two long-term concerns - the first being the possibility of genetic manipulation, nature versus nurture, what constitutes how people get to be how they are. "
Katherine Dunn
People
First
Nature
" I come from a family of great readers and storytellers. "
Katherine Dunn
Come
Great
Storytellers
" Film is a different art form with its own demands and its own riches. "
Katherine Dunn
Different
Art
Riches