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" I have to be honest about this: I wouldn't tell a lot of kids to go and be writers. It's a tough, tough business. It's not a business. It's more like a tough road. It's a really tough road. "
Min Jin Lee
Go
Business
Honest
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" When my family was living in Tokyo, there was a year when we couldn't go back to the States for Thanksgiving, and we went to Seoul. Mandu is a highly satisfying substitute for turkey and trimmings. "
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" One thing that struck me in my study of history is how people are excluded. I don't mean just racial minorities or women. Pretty much all poor people who don't have documents are excluded from history and its records. People who were illiterate usually didn't leave any primary documents. "
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" I love most New England towns. "
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" I think that social migration to another economic class requires a kind of negotiating with yourself. And also, there's so much ambivalence in your heart about who you are and who you're really not. "
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" I have romantic ideas about home and what it should mean. "
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" I suffer from an enormous amount of self-doubt, so the fact that 'Pachinko' has been so kindly received has encouraged me not to give up, as I'm always telling myself that, 'Maybe this isn't a smart idea.' "
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" My father was born on Christmas Day in 1934. He grew up in what is now part of North Korea. When the Korean War began, my father was 16, and he found passage on an American refugee ship,thinking he'd be gone for just a few days, but he never saw his mother or his sister again. "
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" We need to recognize how difficult and important being a mother is. "
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" I think that if you're a writer and a woman, then you have to take humiliation very well. "
Min Jin Lee
Writer
Take
Think
" I think that what's bizarre to me about life is that sometimes you have to have everything taken away before you experience grace or before you actually recognize that grace can happen to you. "
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Think
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" I do have love for Japan. At the same time, I have a complex relationship with Japan because I'm Korean. But I think it shows the strength of a country when you can talk about the past transparently. "
Min Jin Lee
Love
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" We're so willing to dehumanize entire populations in order for us to conveniently go along with our lives. We know exactly one North Korean, for example. The rest of them, we don't know - but it makes it very easy to bomb North Korea if we pretend they're all one person. Literature makes it harder to dehumanize people in this way. "
Min Jin Lee
People
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" I've often felt like an outsider, not necessarily because I'm Korean, an immigrant, or female. I think writers are odd people. "
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Like
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People
" It's my belief that I was a writer - a very hardworking writer - well before I was published. I did care what others thought, and it was embarrassing when people asked me what I had published, so I didn't talk much about writing; rather, I just kept writing. "
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People
Writing
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" There's a lot of freedom in failure, and I can see that now. "
Min Jin Lee
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" For me, writing a historical novel was really hard. I love history as a subject and majored in it in college. I think, in a way, my training made it worse for me because I knew how important it was to focus on document-based analysis, and I really didn't want to get stuff wrong. "
Min Jin Lee
College
Training
Focus
" I like making things. I enjoy putting words and images on a blank space. There should be joy in the writing itself because parts of it are so challenging and lonesome. I take great pleasure in reading, researching, and interviewing. I enjoy forming my sentences and revising them to make them clean. "
Min Jin Lee
Joy
Reading
Great
" The omniscient narrator is a bizarre technique, when you think about it, and no one uses it much anymore. But for the novels I want to write, it's the only approach that makes sense to me. "
Min Jin Lee
You
Write
Want
" Pachinko, like all gambling, is rigged. The house always wins. It's a central metaphor of life. It's rigged, but you keep playing. "
Min Jin Lee
House
Gambling
Always
" I was very interested in history, but I also thought, you know, history is not that interesting sometimes, and it can feel a bit medicinal. "
Min Jin Lee
Thought
You
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" I have accepted the fact that I don't work very quickly, that I have been rejected a lot as a writer, and that what I do is unusual, so I just have to accept the terms and that it's going to take longer. It is what it is. "
Min Jin Lee
Work
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Accept
" As an artist, my wheelhouse is 19th-century literature. I want to write realist novels in a Victorian sense, and the writers I admire in that style tend to do omniscient narration. "
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Artist
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Literature
" Koreans are worried about the Japanese right-wing people, who tend to be against foreigners. But the Koreans in Japan aren't even foreigners. They are essentially culturally Japanese. If a family has lived in Japan for three generations, it's absurd to see them as foreigners. "
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" I got married when I was 24 and met my husband when I was 22, so what I know about men in a personal experience could literally fill an index card. "
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" Twenty-five million people who live in North Korea are denied freedom in every respect of their lives. In short, they are hostages. Imagine 25 million hostages. "
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Respect
" We all want to be affiliated with success. It's the impulse of people who have been excluded, and Koreans have been excluded from lots of parties. "
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People
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" I had thought that Tokyo would be like New York City, but it wasn't. I'd imagined that they'd be similar in their bustle and noise level, but, in fact, Tokyo is a very calm metropolis. The bright lights and hectic night-life images so often found in advertisements and Western media do not reflect every day Japan. "
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" I find being an adult very difficult. Being an adult artist, Asian American, incredibly difficult. Or trying, anyway. "
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" My husband is half Japanese and half white European-American, and our son is half Korean, quarter Japanese, and a quarter white European-American. "
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" We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer. "
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