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" I love trying to forge a contract between creator and audience in which we are able to meet halfway, each injecting a part of our own experiences into a story that's being told. "
Nate Powell
Story
Audience
Trying
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" There's nothing that compares with the time spent all by myself on a creation that is all my own. I still think of my solo work as my 'home planet' in comics, though I've learned to listen much more to editors and trusted friends for feedback. "
Nate Powell
Friends
Think
Time
" The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general. "
Nate Powell
Because
Storytelling
Urban
" My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work. "
Nate Powell
Work
Power
Politics
" As a visual storyteller, a lot is learning what to include so you're not being redundant between images and text. "
Nate Powell
Learning
You
Text
" The truth is, I don't sketch much at all. I have a very visual/spatial brain that retains a lot of information about maps, directions, positioning, and details, so I usually prefer working out those issues on the page itself. "
Nate Powell
Details
Brain
Page
" Doing representations of real people is not my strongpoint as a visual artist, and I know that. "
Nate Powell
Real
Doing
Know
" We all accept the visual shorthand used throughout comics: if something's farther away, it'll be drawn with a thinner, simpler line, eventually leaving out most visual information and becoming a gesture, a skeletal representation of a thing. "
Nate Powell
Used
Accept
Line
" Comics creators are generally screwed in life: Most of us who are fortunate enough to do comics full time - which is very few of us - will literally draw until we die because we have no employment structures intact for retirement, much less insurance! "
Nate Powell
Time
Retirement
Us
" Power, privilege, and violence are not, and never were, strictly Southern issues in America. "
Nate Powell
Privilege
America
Power
" My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters. "
Nate Powell
Style
Place
Kind
" I am filled with uncertainty and fear when thinking about how my two daughters will grow into this world as Hoosiers, as Americans, as women and free thinkers. "
Nate Powell
I Am
World
Women
" Kids have always play-fought, but I think my generation had a particularly privileged cultural fantasy surrounding military violence. "
Nate Powell
Fantasy
Violence
Generation
" The books that stuck with me most as a child were 'A Wrinkle In Time', 'Dracula', 'Hatchet', 'Bunnicula', 'White Fang', and this YA/kids' book called 'Nobody's Fault' where a kid drowns one weekend as friends play around a flooded ditch. "
Nate Powell
Time
Weekend
Friends
" There are constant challenges in the drawing process, especially in a period piece, and therein lay the fun. "
Nate Powell
Drawing
Piece
Process