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" I think a painting is more like the real world if it's made out the real world. "
Robert Rauschenberg
More
World
Real
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" I really feel sorry for people who think things like soap dishes or mirrors or Coke bottles are ugly, because they're surrounded by things like that all day long, and it must make them miserable. "
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" I don't think any one person, whether artist or not, has been given permission by anyone to put the responsibility of the way things are on anyone else. "
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" I don't mess around with my subconscious. "
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" I think maybe chance works better in a situation like music because music exists over a period of time, and you don't maintain constantly the you can't refer back from one area to another area. "
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" People ask me, 'Don't you ever run out of ideas?' Well, on the first place, I don't use ideas. Every time I have an idea, it's too limiting and usually turns out to be a disappointment. But I haven't run out of curiosity. "
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" So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design. "
Robert Rauschenberg
Shape
Years
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" I usually work in a direction until I know how to do it, then I stop. At the time that I am bored or understand - I use those words interchangeably - another appetite has formed. A lot of people try to think up ideas. I'm not one. I'd rather accept the irresistible possibilities of what I can't ignore. "
Robert Rauschenberg
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" If you don't have trouble paying the rent, you have trouble doing something else; one needs just a certain amount of trouble. "
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Needs
Doing
Just
" You begin with the possibilities of the material. "
Robert Rauschenberg
You
Material
Possibilities
" Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the following well, this is where I moved to uptown and I've been here for four years and this is 1965. "
Robert Rauschenberg
Down
Lived
Like
" Oracle was I had started it I guess two and a half years ago, maybe even longer than that, closer to three. "
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Three
Started
Two
" Pollock also... wanted one to be wrapped in the painting. "
Robert Rauschenberg
Also
Wanted
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" Screwing things up is a virtue. Being correct is never the point. I have an almost fanatically correct assistant, and by the time she re-spells my words and corrects my punctuation, I can't read what I wrote. Being right can stop all the momentum of a very interesting idea. "
Robert Rauschenberg
Time
Interesting
Momentum
" I got so I was really just sick of sculpture. "
Robert Rauschenberg
Got
Just
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" The artist's job is to be a witness to his time in history. "
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Art
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Job
" If you're going to paint extremely, you need a big piece of canvas. "
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Going
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" And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary. "
Robert Rauschenberg
Today
Quality
Place
" One can see that a canvas is six feet by eight feet, say, quite accurately. But you can spend two minutes and think it's five, or thirty seconds and it's just a different bed for activities there. "
Robert Rauschenberg
Feet
Bed
Say
" But I was in awe of the painters; I mean I was new in New York, and I thought the painting that was going on here was just unbelievable. "
Robert Rauschenberg
Painting
New York
New
" Photography has always been a major part of my vision: my excuse for meddling with what the world looks like. "
Robert Rauschenberg
Photography
World
Vision
" Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it. "
Robert Rauschenberg
Familiar
Without
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" Steichen bought my first photographs that I ever sold. He recognized the style from the school of Black Mountain. After that, it was about twenty years before I sold another photograph. "
Robert Rauschenberg
Style
Years
Black
" And also the new excitement and variety of ways that the abstract expressionists were applying paint. You could put it on as though it were colored air and it would be painting. "
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" I wouldn't use the same color in a picture in more than one place. "
Robert Rauschenberg
Color
Picture
Same
" There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain. "
Robert Rauschenberg
Relationship
Pain
Myself
" I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested. "
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Out
Want
Reason
" Anything you do will be an abuse of somebody else's aesthetics. I think you're born an artist or not. I couldn't have learned it. And I hope I never do because knowing more only encourages your limitations. "
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Hope
Artist
Knowing
" I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings. "
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Possibilities
Painting
Know
" Every time I've moved, my work has changed radically. "
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Changed
Time
Work
" I did a twenty foot print and John Cage is involved in that because he was the only person I knew in New York who had a car and who would be willing to do this. "
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New York
New
Cage