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" I think there is a poem out there for everyone, to be an entrance into the poetry and a relationship with it. "

Natasha Trethewey

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" Writing 'Native Guard,' I didn't know I was working on a single book. I began writing that book because I was interested in the lesser-known history of these black soldiers stationed off the coast of my hometown. "

Natasha Trethewey

" Isolated and unincorporated, North Gulfport lacked a basic infrastructure: flooding and contaminated drinking water were frequent problems. Although finally incorporated in 1994 - not long after the arrival of the first casino - many of North Gulfport's streets still lack curbs, sidewalks, and gutters. "

Natasha Trethewey

" It took me years of attempts and failed drafts before I finally wrote the elegies I needed to write. "

Natasha Trethewey

" When kids look at broccoli, they call it 'little trees,' because they see it not just for the word 'broccoli.' They see it for what it looks like, the image. We, as adults, forget to think like that. We forget to think figuratively and have to be reminded. "

Natasha Trethewey

" When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax. "

Natasha Trethewey

" I think poetry's always a kind of faith. It is the kind that I have. "

Natasha Trethewey

" For a long time, I've been interested in cultural memory and historical erasure. "

Natasha Trethewey

" On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building. "

Natasha Trethewey

" One of two historically African American communities that sprang up along the Mississippi Gulf Coast after emancipation, North Gulfport has always been a place where residents have had fewer civic resources than those extended to other outlying communities. "

Natasha Trethewey

" I am interested in 18th century natural philosophy, science, particularly botany, the study of hybridity in plants and animals, which, of course, then allows me to consider the hybridity of language. "

Natasha Trethewey

" When I was born here in Gulfport in 1966, my parents' interracial marriage was still illegal, and it was very hard to drive around town with my parents, to be out in public with my parents. "

Natasha Trethewey

" Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before. "

Natasha Trethewey

" I find myself frequently introducing myself to someone, saying that, you know, I've grown up black and biracial in the United States. "

Natasha Trethewey

" My parents had to go to Ohio to get married in 1965 because it was still illegal in Mississippi. My white father and black mother. "

Natasha Trethewey

" I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different. "

Natasha Trethewey

" I think the biggest thing that I have to do is to remind people that poetry is there for us to turn to not only to remind us that we're not alone - for example, if we are grieving the loss of someone - but also to help us celebrate our joys. That's why so many people I know who've gotten married will have a poem read at the wedding. "

Natasha Trethewey

" I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that. "

Natasha Trethewey

" People always want to be on the right side of history; it is a lot easier to say, 'What an atrocity that was' then it is to say, 'What an atrocity this is.' "

Natasha Trethewey

" Growing up, my birthday was always Confederate Memorial Day. It helped to create this profound sense of awareness about the Civil War and the 100 years between the Civil War and the civil rights movement and my parents' then-illegal and interracial marriage. "

Natasha Trethewey

" My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood. "

Natasha Trethewey

" A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history. "

Natasha Trethewey

" I think I felt at some point that I couldn't understand poetry or that it was beyond me or it didn't speak to my experience. I think that was because I hadn't yet found the right poems to invite me in. "

Natasha Trethewey

" My mother and my father divorced during the time that my father was getting his Ph.D. at Tulane. "

Natasha Trethewey

" In my own life, I believe it was an early education in poetical metaphor that helped me to grapple with and make sense of all the difficult and traumatic things that were to come. "

Natasha Trethewey

" It's so necessary to try and record the cultural memory of people. To set it down for generations to come. To better understand where we are headed. The problem is, a good portion of what we choose to remember is about willed forgetting. Which we all do, I believe, to protect ourselves from what is too difficult. "

Natasha Trethewey

" I've been most happy to be an advocate for the kinds of grassroots things that people are doing who care about poetry. "

Natasha Trethewey

" The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about. "

Natasha Trethewey

" I started out in graduate school to be a fiction writer. I thought I wanted to write short stories. I started writing poems at that point only because a friend of mine dared me to write a poem. And I took the dare because I was convinced that I couldn't write a good poem... And then it actually wasn't so bad. "

Natasha Trethewey

" I think often people don't realize the great diversity of Southern writing because in their minds, if you're not from the South, it can seem regional and small, and of course that's not the case at all when you start to read the work. "

Natasha Trethewey

" As much as we love each other, there is some growing difficulty in my adult relationship with my father. Because we're both writers, we're having a very intimate conversation in a very public forum. "

Natasha Trethewey