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" I think this idea of fighting the enemy within is sort of more interesting than fighting an external enemy. "

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" I think a writer's first job is to entertain, even in novels: to tell a compelling story that pulls the reader along toward an end. At the same time, the best stories are character-driven. "

" There's a degree to which music bypasses our rational brain and accesses our emotional core in a way that's really visceral and allows you to make a strong impression on people without necessary delivering information. "

" Making 'Fargo' for FX has been the highlight of my career. A writer can search his or her whole career for a network partner who truly understands and encourages their vision. For me, the search is over. "

" One of the things I've always loved about genre, comic books, science fiction and fantasy is that there's a certain level of playfulness to them, and pure imagination and creativity. "

" TV is all about learning to write in someone else's voice, so if you do it long enough without selling your own project, they assume you don't have your own voice; you're just a good mimic. "

" I pitched the idea to FX that there's this larger 'Fargo' universe where there's true crime in the upper Midwest, and I can tell stories from any era of that. Maybe they connect to the first season or the movie, or maybe they don't. It's just a style of storytelling. We're under the auspices of being a true story that isn't true. "

" There's a sense you get from the Coens' work, like 'No Country for Old Men,' where you put these characters in situations, and you just let this painful amount of time take place. Part of the tension is just how long it takes to get out of that scene. "

" We're used to a story in modern terms as an information delivery device. Certainly on television and even with the studio films, there's really only one note that you get, and that's clarity. And people will sacrifice everything for clarity. They'll sacrifice the joke. They'll sacrifice the moment, or the romance. "

" Let me be clear. 'The Good Father' isn't a handbook on how to assassinate the president. "

" I did some feature work, then tried TV. I was always very aware that the only power that you have is the power of options. If the film industry dries up, then you focus on the TV or the books. For me, it was always about what story do I want to tell next? "

" The great thing about 'Fargo' is that it's a more objective style of filmmaking: the camera moves in very classical ways, and the most interesting things normally are the characters. "

" The thing with making your art your business is: It's a business. You can't sit around waiting for the muse, especially when you run a show, and you're in production, and an outline is due, a script is due, and a reshoot is due. No. You look at the calendar, and you go, 'OK. I can write from 4 to 6.' So you write. "

" I'm Kubrick without the O.C.D. "

" There's this common sense idea that in order to appeal to the biggest number of people, you have to write something very general, but my experience is the more specific you make something, the more people respond to it, in a very odd way. "

" When I sold my first book, 'A Conspiracy of Tall Men,' it was part of a two-book deal. It wasn't hugely lucrative, but it was enough money for me to quit the paralegal job I had in San Francisco. "

" The idea was always going to be that each year is a stand-alone story, which did make it easier on some level. It also requires the network to have the creative imagination to say, 'This is also 'Fargo,' you know what I mean? "

" The first dumb idea was to do it at all - to take 'Fargo,' this beloved classic, and turn it into a television show. The second dumb idea, when you do it and it works, was to throw everything out and start again. "

" You've got to give an audience something to root for. The minute you get into more dystopian shows, where everything's really dark, and no one has any hope, and there's no positive goal we're working toward, it's a bummer. You run out of gas with them. Because you need to know, 'What am I in this for? What am I rooting for?' "

" 'Fargo' is a tragedy with a happy ending. So you need to have that tragic underpinning, that all of this could be avoidable, and that's what makes it tragic. It's about the use of violence, and the fact that the tension in anticipation of violence and the tension in anticipation of a laugh are sort of the same. "

" There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting. "

" I love the idea that the editing room is the final time you write. You should still be creatively solving problems even at that point. It's not really until you're locked that you can call it quits. "

" For some reason, I tend to take on the stuff that people are really passionate about. If you make a list of people you don't want to offend, it's Vonnegut readers, comic book fans, and Coen brothers enthusiasts. "

" I always feel like you can take a genre that has a familiar structure to it and then reinvent it as a character piece. Suddenly, what's old is new again. With 'Fargo,' I adapted a movie without any of the characters or the story. Yet somehow it feels like 'Fargo.' "

" I don't write these stories for the rewards that come back to me. I write them because I have to write them. It's a sickness on some level. It's a compulsion. "

" The best strategy for making people care about what happens is if they empathize with both sides. If you just have a Villain with a capital V, it becomes very two-dimensional. "

" People, they don't know how to bend; they just break. "

" It used to be for writers that that six seasons and a movie thing, that's the holy grail as writers - your series goes eight, 10 seasons, you're set for life. "

" The anthology format is completely normal to me. That's just how TV works in my experience. "

" I think for really good-hearted people, that idea of putting yourself in the shoes of a monster to figure out why they acted that way, that's a really frightening idea. "

" My goal is always to make something unpredictable that feels inevitable in the end. It's getting harder to do that. Audiences are so sophisticated and so smart. "