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" I was on a path. I was going to become a principal dancer. I never let my mind rest. "
Misty Copeland
Principal
Path
Rest
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" Most ballerinas take their first ballet class when they are 5 or 6 years old. I was 13 when I took mine on the basketball court of the San Pedro Boys & Girls Club in California. "
Misty Copeland
Old
California
Class
" 'The Firebird' just symbolizes a lot for me and my career. It was one of the first really big principal roles that I was ever given an opportunity to dance with American Ballet Theatre, and it was a huge step for the African-American community, I think, within the classical ballet world. "
Misty Copeland
Dance
Step
Opportunity
" 40 years old is about the time a principal dancer would start to think about retirement, but some go on to dance a little bit longer than that. "
Misty Copeland
Dance
Time
Think
" Barack Obama being President of the United States doesn't mean racism has disappeared. It's all a process, and we have to be aware that the work never ends. "
Misty Copeland
Never
Mean
Work
" Depending on the level you're at in your company, the higher you go up in rank, usually the longer you can dance. "
Misty Copeland
Dance
You
Go
" All you can do is be your best self. I've always felt that I had to be that much more aware of how I present myself. I'm representing more than just me. I think every person should think that way. "
Misty Copeland
Self
Best
You
" My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet. I didn't know anything about it. "
Misty Copeland
Gym
Know
Trying
" Every time I step onto the stage, it's not only proving to the audience that I'm capable but to myself. "
Misty Copeland
Time
Myself
Stage
" I've always approached my career and my life, you know, one day at a time, as if this was the last day that I'm going, because you never know as an athlete and as a dancer. You never know what can happen today, tomorrow. "
Misty Copeland
Time
Know
Life
" Ballet was so structured. I'd been craving something that could guide me. "
Misty Copeland
Been
Me
Guide
" If the rhythm or beat of the music changes with a live orchestra, you have to think on your feet. If you feel like you are not on your leg, you have to make a decision to make it look as though nothing is going wrong. "
Misty Copeland
Decision
Feet
Live
" It's weird for minorities even just to buy tickets to the ballet. We feel like it's not a part of our lives and we're not a part of that world. "
Misty Copeland
Like
Ballet
Feel
" More often than we realize, people see in us what we don't see in ourselves. "
Misty Copeland
More
Us
See
" I don't feel like my life is that of a superstar! Every day I wake up, I take the train, I go to my ballet class. My everyday life is pretty normal. "
Misty Copeland
Day
Wake Up
Train
" Every time I dance, I'm trying to prove myself to myself. "
Misty Copeland
Prove
Time
Trying
" Whenever there was chaos in my house, whether it was arguing, being in a cramped space with all of us kids and screaming, I found an empty space where I could just put music on and move. "
Misty Copeland
Space
Music
Move
" My favorite role of all? Whatever I'm working on in the moment. "
Misty Copeland
Moment
Role
Whatever
" My family didn't have very much money, so ballet wasn't even on my radar; I just found it randomly when I was 13 at a Boys & Girls Club. We were practicing in a basketball court in gym clothes with some old socks on. Even though it terrified me at first, I found that I really liked it. "
Misty Copeland
Me
Money
Clothes
" There are no taking days off. There are no distractions. If I had that, I physically wouldn't be capable of going onstage and performing live theater. It's extremely demanding. I have to be in ballet class every day. "
Misty Copeland
Ballet
Off
Live
" I think American Ballet Theatre is setting that standard now for classical ballet, that you can dream big, and it doesn't matter what you look like, where you come from, what your background is. "
Misty Copeland
American
Theatre
Think
" I think all dancers are control freaks a bit. We just want to be in control of ourselves and our bodies. That's just what the ballet structure, I think, kind of puts inside of you. "
Misty Copeland
Kind
You
Want
" Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments. "
Misty Copeland
Jump
Moments
Energy
" I grew up poor in San Pedro, California, sleeping on the floor of shady motels with my five siblings and not always sure when or where I'd get my next meal. "
Misty Copeland
California
Meal
Sleeping
" I think most people think of ballerinas as kind of either as a fairytale, far-away thing that's really not attainable, something they can't grasp, or they think of them as European or Russian and kind of their nose up in the air. So, it's cool for me to, like, sit with them and for them to really see themselves as me. "
Misty Copeland
See
Me
Cool
" I think that the ideal physique and look of a ballerina is always changing with different eras. And it's continuing to change. "
Misty Copeland
Think
Change
Changing
" Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning. "
Misty Copeland
American
Humble
Day
" As a child, I had been told that I was exactly what a ballerina should be. "
Misty Copeland
Should
Exactly
Child
" It's hard to change someone's ideas when they might not even really consciously know that they're being racist, or have racist ideas, just because ballet has been this way for hundreds of years. "
Misty Copeland
Ideas
Know
Someone
" I think I'm pretty laid back. I like cooking, being at home, and going to concerts. And I love to shop! "
Misty Copeland
Back
Love
Home
" 'The Company' was interesting. I didn't love it, although it might be compelling to someone who isn't a dancer. There wasn't a lot of dialogue, and you were just kind of observing the creative process of choreography and in class. "
Misty Copeland
Love
Creative
Process