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" It's been hard for me to nail visual language and personal style because I like so many different things. "
Kelela
Personal
Language
Me
Related Quotes:
" I've grown up feeling very American but being constantly bothered by people - there's internalized racism and feeling weird about being second-generation. "
Kelela
American
Feeling
People
" The act of me just being robust in the world is so radical - it's so radical for a black woman to think she's going to be a star, because it takes so much to get there. It's still a battle every day, but I feel happy because I feel like I cracked the code and figured out how to work through it. Now I want to give the map to other women. "
Kelela
Think
Day
Happy
" I am not carefree. I'm just not. I experience an immense amount of joy, a crazy amount of joy through sadness and so much struggle. There's something problematic about 'carefree black girl.' "
Kelela
Girl
I Am
Struggle
" I do like things the way that I like them. But I'm trying not to be - I don't wanna be that way. I'm not a control freak; I wanna protect my agency. It's a weird question as a black woman. "
Kelela
Black
Control
Trying
" I've talked about that with friends, about what genre makes sense to choose for each record and the strategy around that... Sometimes it's more about the moment of time, and other times it's more about the sound of the song. Sometimes it's about what's going on in larger life, in politics. "
Kelela
Politics
Moment
Life
" Sounding like I have agency in a song is important to me. I want to feel empowered by the music. "
Kelela
Important
Feel
Me
" I think the Internet is more layered and complex than just hating it or liking it. I find it to be more purposeful to talk about the way that it's conducive for relationships and making connections. "
Kelela
Think
Connections
Talk
" My first reaction to being pigeonholed or pushed into certain confines is to be like, 'No, I'm the opposite,' you know? Like, don't put me in a stereotypical black-girl category, because I'm not like that; I'm doing this thing over here. "
Kelela
Me
You
Over
" I know deep down I'm a star. "
Kelela
Down
Deep Down
Know
" I just want to live in a world where I can tell a guy, 'This is the deal: I really want this. I really want you. But it's also not that deep.' "
Kelela
Want
Live
I Can
" After it became clear that I was not going to graduate, I had this moment where I was like, 'I need to not sulk. I need to pursue - at least try - to pursue music. But if I don't try, I'm going to be a really bitter middle-aged lady working in a cubicle.' "
Kelela
Lady
Working
Try
" Fog and one blue light is all I need in life at the club. Just a dark room and loud music. I'm into that. "
Kelela
Music
Blue
Dark
" Growing up, Missy Elliot and Janet Jackson were definitely major references. "
Kelela
Growing
Major
Up
" In Maryland, I didn't grow up around poor white people. Where I grew up, the white people were middle class or upper-middle class. It's interesting how screwed up it is in reality, because most people who receive assistance from the government are white, but not in my head or in my experience. "
Kelela
Reality
Government
Experience
" How much closer can I get to the common ear, the mainstream, and how much it can still be from this other world, this other place? That's the line I keep trying to tread but have my wings extend more on both sides. "
Kelela
Wings
Trying
Both Sides
" A lot of people of color in the music industry are still more interested in embracing things that are considered white canon, and looking radical. Like when people point to punk in the indie world: If you point to the history of punk as what you see as your legacy, that's more prized and praised. "
Kelela
Music
People
History
" I was in school studying International Studies and Sociology. I was really into what was going on in school. I was affected by the ideas and engaged as a student, but not disciplined or motivated enough to do the work. That was a fear of mine for a while, that nothing was motivating. "
Kelela
Ideas
Enough
School
" I'm quite scrutinous when it comes to who I put myself in the room with. "
Kelela
Quite
Room
Myself
" I'm pushing back against the white, misogynistic, heterosexual establishment in the music industry. Like, literally, in all its forms. "
Kelela
Against
Music
Like
" I would say there is a zone of R&B that hadn't been quite innovative. "
Kelela
Quite
Would
Zone
" In the music industry, you can't create success without having to engage a white man. It's just not possible. Whether it's executives, A&Rs, and the people that hold the key to your paper, inevitably, you'll be met with whiteness. "
Kelela
Man
Create
Music
" When I was growing up... I'm not going to say I listened to everything, but when it comes to vocals, I was really adamant about imitating all kinds of voices. "
Kelela
Up
Growing
Everything
" Popular music was this abstraction - an abstraction that I was relating to immensely but was ultimately far away. "
Kelela
Music
Popular
Far
" The most rewarding thing for someone like me is for someone else to find solace through my music. "
Kelela
Someone
Through
Me
" Anyone who understands anti-racist work, a white person specifically, understands that it is not black people's responsibility, or any person of color's responsibility, to dismantle the structures that keep white people in positions of power. We do our job to thrive, to survive. To protect ourselves, to sit together and feel better and to heal. "
Kelela
People
Job
Responsibility
" To me, the best writing points to something literal or common but is also nuanced: The moment when somebody is telling you they love you while simultaneously disappointing you. Everybody's experienced that. "
Kelela
Love
Best
Moment
" I would say Tracy Chapman was the first time I obsessed over an entire record. I knew every song; I knew the exact amount of seconds between each song. That's the level of obsession that I had. "
Kelela
Time
First Time
Obsession
" 'Seat at the Table' has expressed real adversity, struggle, and also triumph and joy. "
Kelela
Struggle
Triumph
Real
" Innovating something that is familiar. That's the general approach, and that's what I want to do with the melody as well. It should ring true - you should like every melody sequence without knowing what's happening next. "
Kelela
Ring
Knowing
You
" Growing up in an Ethiopian household allowed me to feel like I had an audience before I had an audience. "
Kelela
Feel
Me
Growing Up