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" It's hard to know which made me more aware of the impossibility of protecting children - having a child die or having had two live. "
Elizabeth McCracken
Child
Me
Know
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" I'm a higgledy-piggledy person in every way. On days that I work, I work for eight hours in a row, with my internet access entirely turned off, locked in my office. "
Elizabeth McCracken
Person
Work
Office
" There's a good chance that in 40 years, after the floods, people zipping by on scavenged jetpacks with their scavenged baseball caps on backwards, I will be in my rocking chair saying bitterly, 'I remember when 'all right' was two words.' "
Elizabeth McCracken
Baseball
Words
Saying
" When you've lost a baby, everyone around you expects you to be fine once the new baby is born, as though that somehow takes away the pain of losing the first child. I needed to express how wrong that was. "
Elizabeth McCracken
You
Pain
Child
" Tweeting about objects means I don't need to bid on them, which is a blessing. Buying something is a way of saying, 'Look at this!' So is tweeting. So, I guess, is writing fiction. "
Elizabeth McCracken
Look
Writing
Blessing
" Some graphic narrative art presses against the panel: you wrestle with it at the level of the paper. "
Elizabeth McCracken
Narrative
Against
Art
" I sort of don't believe in closure. In the sense that it doesn't make me feel better to think that something is over. "
Elizabeth McCracken
Feel
Over
Better
" I have a memory of my fourth-grade self wanting to be the first woman president of the United States, but I think that has a lot more to do with my love of world records and reference books than a love of serving my country. "
Elizabeth McCracken
Self
Think
World
" You believe in God or statistics or the way your narrative differs from other people. "
Elizabeth McCracken
You
Statistics
People
" In 'Property,' none of the characters are based on any real people, but the house is very much the house that I moved into in Saratoga Springs, N.Y. "
Elizabeth McCracken
Real
House
Much
" There are two MFA programs here at the University of Texas, and I read on the jury of both of them. And it's amazing to me how many really talented young writers seem to fear humor. "
Elizabeth McCracken
Young
Amazing
Fear
" There were a lot of things I loved about working in a library, but mostly I miss the library patrons. I love books, but books are everywhere. Library patrons are as various and oddball and democratic as library books. "
Elizabeth McCracken
Loved
Working
Library
" I have children, and this notion - that there might be a single book that introduces children to literature - terrifies me. But you could do worse than Mary Norton's 'The Borrowers.' I loved it as a kid, and my kids love it, too. "
Elizabeth McCracken
Children
You
Me
" When it comes to other people's writing, my older influences are more powerful than more recent ones, partially because I'm now more worried that I'll suddenly accidentally steal something from another writer. "
Elizabeth McCracken
People
Powerful
Writing
" When I was in college, I wrote poetry very seriously, and then once I had started writing short stories, I didn't go back to poetry, partially because I felt like I understood how incredibly difficult it was. "
Elizabeth McCracken
Back
College
Poetry
" Sadness was something I was thinking about in my life outside of writing, so it wormed itself into whatever I wrote. "
Elizabeth McCracken
Sadness
Life
Wrote
" Once I started writing novels, I understood how hard it was to write really good short stories. "
Elizabeth McCracken
Short
Hard
Good
" I always want the last line to be really good, which may sound silly, but I want it to be a last pleasing line. "
Elizabeth McCracken
Sound
Always
Good
" Short fiction is like low relief. And if your story has no humor in it, then you're trying to look at something in the pitch dark. With the light of humor, it throws what you're writing into relief so that you can actually see it. "
Elizabeth McCracken
Writing
Story
Short
" When I first met my husband, he was sculpting Vilnius out of clay - a sort of Vilnius, anyhow: a map of an imaginary European city based on the Lithuanian capital - to illustrate his second novel. "
Elizabeth McCracken
Out
Map
Husband
" I like seeing my physical progress through a volume, particularly if it's a big book. "
Elizabeth McCracken
Seeing
Through
Like
" Remember that a woman who has given birth to a dead child has given birth and is recovering physically, too. Don't be afraid of grieving parents. "
Elizabeth McCracken
Remember
Birth
Child
" Acknowledgment of grief - well, it makes feeling the grief easier, not harder. "
Elizabeth McCracken
Grief
Makes
Well
" In general, I think people are worried about saying the wrong thing to any grieving person. On a very basic level, I think they're frightened of touching off tears or sorrow, as though someone tearing up at the mention of unhappy news would be the mentioner's fault. "
Elizabeth McCracken
People
Unhappy
Think
" The thing that most interests me about writing - there are lots of things, but the thing I can't do without - is the hit of happiness a lovely sentence delivers. "
Elizabeth McCracken
Writing
Without
Me
" I own an e-reader, but I use it almost exclusively to read things that aren't books - student theses, unbound galleys. "
Elizabeth McCracken
Use
Almost
Books
" An iron lung looks like an enormous metal coffin or a 19th-century rocket ship: only its occupant's head is left outside, a tight seal around the neck. "
Elizabeth McCracken
Head
Ship
Rocket
" New Orleans is still the place where you find out that you have a doppelganger and feel lucky - but somehow unsurprised - to learn that his name is Mad Bottom. "
Elizabeth McCracken
Learn
Place
Name
" Humor reminds you, when you're flattened by sorrow, that you're still human. "
Elizabeth McCracken
Human
Sorrow
Still
" I used to be a writer with superstitions worthy of a professional baseball player: I needed a certain desk chair and a certain armchair and a certain desk arrangement, and I could only get really useful work done between 8 P.M. and 3 A.M. Then I started to move, and I couldn't bring my chairs with me. "
Elizabeth McCracken
Done
Baseball
Work
" Ordinarily, I'd claim that I'd never write directly about my children, but the opening conversation of 'Peter Elroy' is a verbatim conversation that my children had that I just loved: morbid, funny, passionate, and obsessed with the truth of things - all natural qualities of children that I'd like my work to contain. "
Elizabeth McCracken
Loved
Children
Funny