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" Language is me, in a way. Really, I feel it. "
Orhan Pamuk
Really
Me
Way
Related Quotes:
" For me, Westernization is not about consuming fanciful goods; it's about a system of free speech, democracy, egalitarianism and respect for the people's rights and dignity. "
Orhan Pamuk
Democracy
Respect
People
" To appropriate an invention, be it artistic or technical, you have to have at least a part of your spirit embracing it so radically that you somehow change. "
Orhan Pamuk
Your
Change
Invention
" When I was publishing my first books, the previous generation of authors was fading away, so I was welcomed because I was a new author. "
Orhan Pamuk
Away
New
Generation
" We should not judge Islam by terrorists. All civilizations and cultures produce terrorists. Every time there is a flag-burning, killing, or provocative films, I'm worried, not because something radical will happen, and this time, some people are killed. We're very sorry for that. "
Orhan Pamuk
Judge
People
Some People
" Museums are western inventions where the rich and the powerful or the government and the state tend to exhibit the signs and symbol and images of their culture. "
Orhan Pamuk
Culture
Powerful
Rich
" Istanbul is a vast place. There are very conservative neighbourhoods, there are places that are upper class, Westernised, consuming Western culture. "
Orhan Pamuk
Class
Culture
Place
" Being a fiction writer makes you someone who works with irresponsibility. "
Orhan Pamuk
Someone
Fiction
You
" There's been quite a clear upswing in nationalist sentiments. Everyone is talking about it, in Turkey as well. "
Orhan Pamuk
Everyone
Clear
Well
" The challenge is to lend conviction even to the voices which advocate views I find personally abhorrent, whether they are political Islamists or officers justifying a coup. "
Orhan Pamuk
Challenge
Political
Find
" I have been attacked in Turkey more for my interviews than for my books. Political polemicists and columnists do not read novels there. "
Orhan Pamuk
Books
Political
More
" I really don't want to portray the Islamists as simply evil, the way it's often done in the west. "
Orhan Pamuk
West
Done
Really
" I want to describe the psychological state of the people in a certain city. "
Orhan Pamuk
Certain
Want
People
" At the age of 60, I am less experimental and more mature. I want most of all to convey my understanding of life. "
Orhan Pamuk
Age
Want
Understanding
" We fall in love more deeply when we're unhappy. "
Orhan Pamuk
Unhappy
Deeply
Fall
" Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it. "
Orhan Pamuk
Think
Say
Me
" I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future. "
Orhan Pamuk
Future
Past
Name
" When I paint, I definitely live in the present, like someone in a shower whistling or singing. "
Orhan Pamuk
Live
Someone
Singing
" The habit of collecting, of attachment to things, is an essential human trait. But Western civilization put collecting on a pedestal by inventing museums. Museums are about representing power. It could be the king's power or, later, people's power. "
Orhan Pamuk
Habit
Civilization
People
" Just as good books give me the joys of being alive, bad novels depress me, and as I notice this sentiment coming from the pages, I stop. I also do not hesitate to walk out of a movie house if the film is bad. "
Orhan Pamuk
House
Good
Walk
" The hero of the book does long to experience God. But his conception of God is very western. "
Orhan Pamuk
Hero
Experience
God
" From a very young age, I suspected there was more to my world than I could see: somewhere in the streets of Istanbul, in a house resembling ours, there lived another Orhan so much like me he could pass for my twin, even my double. "
Orhan Pamuk
Me
World
Age
" When people read a novel 600 pages long, six months pass, and all they will remember are five pages. They don't remember the text - instead, they remember the sensations the text gives them. "
Orhan Pamuk
Text
Five
Will
" The secularists in Turkey haven't underestimated religion, they just made the mistake of believing they could control it with the power of the army alone. "
Orhan Pamuk
Mistake
Religion
Alone
" The fueling of anti-Turkish sentiment in Europe is resulting in an anti-European, indiscriminate nationalism in Turkey. "
Orhan Pamuk
Europe
Sentiment
Nationalism
" These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented. "
Orhan Pamuk
Political
People
Poverty
" I believe in a world where there are no heroes, and I've read and know humanity a lot. There are moments that I admire in a person courage, intellect, hard work. These are the qualities I admire in an intellectual, in a writer, and there are so many people who have these things. "
Orhan Pamuk
Courage
Hard Work
People
" I think novelists should be disciplined and self-imposed working hours. I work a lot, but I don't feel that I'm working. I always feel that there is a child in me, healthy, and I'm playing. "
Orhan Pamuk
Healthy
Child
Feel
" I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, 'Look, I'm interested in Ottoman things, and I'm not afraid of it, and I'm doing something creative.' "
Orhan Pamuk
Creative
Saying
Romantic
" Self-hatred is OK. I have self-hatred, too. It's OK. What's bad is if you don't know how to get out of it, don't know how to manage it. Self-hatred is, in fact, a good thing if you can clearly see the mechanism of it, because it helps you to understand others. "
Orhan Pamuk
Know
Understand
See
" Modernity means overabundance. We are living in the age of mass-produced objects, things that come without announcing themselves and end up on our tables, on our walls. We use them - most of us don't even notice them - and then they vanish without fanfare. "
Orhan Pamuk
Age
End
Walls