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" Moving to Trinidad was a great experiment. I never knew what it would do to my work or even if it would be accepted by people and not be seen as me just falling off the edge of the earth. "

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" I'm aware that success can overwhelm you. The perception of you can be elevated to such a status that it's not you any more. "

Chris Ofili

Perception

You

" I don't think I met anyone posh until I went to London. "

" We all studied math, but we don't go around spewing numbers. Religion should be used in the appropriate way. "

Chris Ofili

Religion

Math

" I've always set out to embrace all that I am. "

Chris Ofili

Set

Always

" I wouldn't say even that I'm a broadly political person. But on occasion, I have felt that I have no choice but to paint something with a strong moral stance. "

" London was an exciting place to work at one point because, socially, it was very progressive - a catalyst. There were very interesting artists making all types of work, but it got to a point where the social aspect became claustrophobic. "

" Trinidad was an opportunity to start all over again, to have another stab at it. The mystery and atmosphere of the place have entered my palette a lot more than I thought they would. "

" The church is not made up of one person but a whole congregation, and they should be able to interact with art without being told what to think. "

" Doubt is important because it suggests progress. Total certainty can mean there's no assessment of things. Doubt, if you don't panic, can allow newness to come in and challenge something that's an established mode. "

" The studio is a laboratory, not a factory. An exhibition is the result of your experiments, but the process is never-ending. So an exhibition is not a conclusion. "

" The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time. "

Chris Ofili

Place

Time

" When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively. "

" I was listening to a lot of hip hop, music like Public Enemy that was about raising consciousness, and I realised I could feed that directly into my work, using images in a way that was a bit like sampling - taking images from diverse places, exploring the contradictions without trying to hide the seams. "

" A lot of what Trinidad is about is the feeling of the place, the atmosphere of the place, particularly at night, and the mystery of the forest. "

" Sometimes, as I feel a door or an exit point in my work is closing, I'll try to create an opening so as not to stifle the creative process, which I see as a process that's never-ending. "

" There's a magic that comes from playing entirely to who you are. I've got my specialist subject - in the Mastermind sense - and I wouldn't change it, or who I am. "

" I was brought up a Catholic and was an altar boy. "

Chris Ofili

Brought

Catholic

" When I left the Royal College, I decided I would only make paintings that I would want to look at myself, that felt close to my life. "

" Change is not indecision. "

Chris Ofili

Indecision

Change

" I believe in God, but I'm not dominated by it. "

" Often I think changes within my work have been seen as sudden changes or sharp changes, but for me they're not that sudden. They have been there in the studio, but not so much in public. "

" I was an altar boy and heard the Bible being read out repeatedly. The stories have stayed with me, although they're completely remixed in my head. And often, when I do further reading, I'm quite surprised by the difference between the real story and my memory of the story. "

" There was a point in time where the thought of people even talking about me made me anxious. Physically. "

Chris Ofili

Made

Talking