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" My first play, 'The Colored Museum,' was done in '86 at the Public Theater. "

George C. Wolfe

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" I came to New York to write and direct, and when I got here, a lot of my rage came out. "

George C. Wolfe

" The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show. "

George C. Wolfe

" Growing up in the South, I was raised to be a Negro boy. I was acutely aware how other people perceived me, and that informed my behavior. That worked for a period of time, but it could also be suffocating. "

George C. Wolfe

" One thing I tend to do is ask actors tons and tons of questions to try to get at what they're thinking but also to expose to them whatever box they've placed their characters in - to blow up that box so the journey can begin. "

George C. Wolfe

" A music serves truth up to you in a really interesting way that allows you to luxuriate in its beauty and, at the same time, to hopefully see yourself in its fragility. "

George C. Wolfe

" Something that can be so vital at one point can be inconsequential at another. I'm just intrigued by that phenomenon. "

George C. Wolfe

" When I was little, I remember rehearsing starving so that when I got to New York I would know how to do it. "

George C. Wolfe

" I love working with actors who will just go, 'Oh O.K., let's try it and see where it goes,' and 'Let's see what we can discover.' "

George C. Wolfe

" I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beautiful. "

George C. Wolfe

" Our lives are connected in ways we can't imagine. They're connected even before we know they're connected. "

George C. Wolfe

" When 'Jelly's' went out on tour, no one really wanted it. It was undersold. And I knew if I gave 'Noise' to someone else, they would sell it as 'Stomp' with little dancing black boys. "

George C. Wolfe

" In Los Angeles, wealth and poverty are separated by the freeways. In New York, they're next to each other. "

George C. Wolfe

" Producing has empowered me as an artist in a specific way. It's forced a certain kind of maturity. "

George C. Wolfe

" The best of any artist is in their art. "

George C. Wolfe

" AIDS is a shared truth - it's not selective in its wrath. "

George C. Wolfe

" I love and I'm intrigued by what history does to people and to subjects that matter. "

George C. Wolfe

" With actors, I have very close, intense working relationships with actors in theater. "

George C. Wolfe

" A lot of '20s musicals were a hodgepodge of melodrama, mixed with operetta and romance, and then some sense of modernism and some sense of irreverence. "

George C. Wolfe

" I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated. "

George C. Wolfe

" To want to come to New York, you have to have a sense of wonder about the world and a foolish sense of worth about yourself. And I, too, had both of those things. "

George C. Wolfe

" I think there's an aspect of my soul, of my personality, that's very suited to directing. I like being in the room with actors; I love creating a safe space and a chaotic space for the discovery to take place. I love creating a sense of community. "

George C. Wolfe

" Doing any kind of culture in America in which you are not trying to affirm a European aesthetic is war. "

George C. Wolfe

" If I hadn't told stories, I would've been a historian. "

George C. Wolfe

" 'You Gotta Have Heart' is one of the most ridiculously perfect, amazing musical comedy songs ever. "

George C. Wolfe

" On different projects, different pieces of you will show up. Sometimes it's surprising which piece shows up. "

George C. Wolfe

" The worst thing when you're working is to say, 'I have a question,' and the other person goes, 'No! This is what it is.' That kind of rigidity is very challenging because musicals are constantly mutating. "

George C. Wolfe

" Every single wave, when I was overwhelmed and poor and struggling in New York, there were these extraordinary people in New York who said, 'Come this way.' "

George C. Wolfe

" I don't go, like, 'Hmm, I'm now going to create something for the black community.' I just feel this compelling urge. I just feel myself drawn to stories that I feel have a potency and immediacy. "

George C. Wolfe

" The black experience, which has nothing to do with my play 'Angels in America,' allowed me to understand the Mormon character. He was the character that couldn't come out to his mother. It allowed me to understand emotional and closeted behavior, because you're so acutely aware of how you're perceived. "

George C. Wolfe

" As a person of color, I was trained from very early on to see 'Leave It to Beaver,' 'Gilligan's Island,' or 'Hamlet' and look beyond the specifics of it - whether it be silly white people on an island or a family living in Nowheres or a Danish person - to leap past the specifics and find the human truths that have to do with me. "

George C. Wolfe