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" My own physicality, not an abstract idea, makes me a choreographer. "
Twyla Tharp
Me
Makes
My Own
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" I grew up in a drive-in theater, from the time I was 8, working in a snack bar watching four features every week. It was silent theater in the sense that this was a drive-in, which meant that I often saw the films going with no sound. But I learned to tell stories through action. "
Twyla Tharp
Week
Time
Sound
" I was privileged to be able to study a year with Martha Graham, the last year she was teaching. "
Twyla Tharp
Teaching
Year
She
" I had always seen myself as a star; I wanted to be a galaxy. "
Twyla Tharp
Galaxy
Had
Myself
" It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.' "
Twyla Tharp
Man
Theatre
Organization
" What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement. "
Twyla Tharp
Mother
Music
Remember
" Dance has never been a particularly easy life, and everybody knows that. "
Twyla Tharp
Never
Life
Been
" Proust writes, he remembers, physically. He depends on his body to give him the information that will bring him to the past. His book is called 'In Search of Lost Time,' and he does it through the senses. He does it through smell. He does it through feeling. He does it through texture. It is all physically driven, that language. "
Twyla Tharp
Lost
Book
Language
" The rewards of dancing are very different from choreographing. "
Twyla Tharp
Dancing
Very
Rewards
" These days, I think we could all agree that having a just-friend is not a bad thing. "
Twyla Tharp
Bad
Agree
I Think
" Work is work; wherever I'm working, I do the best I can. If the actual dollars come from investors as opposed to taxpayers and patrons, what's the difference? "
Twyla Tharp
Difference
Best
I Can
" Optimism with some experience behind it is much more energizing than plain old experience with a certain degree of cynicism. "
Twyla Tharp
Old
Behind
Experience
" I always find that the best collaborations are when you work with people that know what they're doing, and you leave them alone to do it. "
Twyla Tharp
You
Work
People
" The ultimate point of a piece for me is that it drives the next one. Does it open new doors? That's the success of a piece. "
Twyla Tharp
Success
Point
Me
" I've always found it necessity to strip away everything but the most fundamental ways to work - the rest is style. "
Twyla Tharp
Everything
Rest
Style
" I started formal piano training when I was 4. From there I had little violas, and I had dancing lessons of every sort and description, and painting lessons. I had German. And shorthand. "
Twyla Tharp
Training
Sort
Piano
" I'm not interested in seeing dance die. It's not to my advantage. Nor is it to our culture's advantage or anybody else's. "
Twyla Tharp
Dance
Seeing
Culture
" Art is the only way to run away without leaving home. "
Twyla Tharp
Run
Home
Way
" It's very important to work myself physically as hard as I can. "
Twyla Tharp
Hard
Myself
Work
" No artist is well served in thinking what will happen to their works. The best one can hope is that they'll enter the mainstream, and people will pull bits and pieces from them. "
Twyla Tharp
Best
Thinking
People
" Any comic is a tragic soul. Comedy is one of the things that allows one to survive. Particularly if one has been in the process of separating off the emotions, it's one place you can process them. "
Twyla Tharp
Process
Soul
You
" The only thing I fear more than change is no change. The business of being static makes me nuts. "
Twyla Tharp
Change
Fear
Business
" My dancers expect me to deliver because my choreography represents their livelihood. "
Twyla Tharp
Expect
Dancers
Me
" Things change all the time, so why do people make such a philosophical to-do that things are constantly in transition? "
Twyla Tharp
Change
People
Time
" When I started thinking seriously about learning the rules of narrative, I thought, 'You've learned the rules of dancing from the ballet; what's the matter with learning the laws of theater from the people who know how to do it?' "
Twyla Tharp
Thought
You
Learning
" I would have to challenge the term, modern dance. I don't really use that term in relation to my work. I simply think of it as dancing. I think of it as moving. "
Twyla Tharp
Dance
Challenge
Think
" Everyone has a talent. It's simply a question of good discipline, of the good fortune to have an education that meshes with that talent, and a lot of luck. "
Twyla Tharp
Talent
Discipline
Education
" 'The Creative Habit' is basically about how you work alone, how you survive as a solitary artist. 'The Collaborative Habit' is obviously about surviving with other people. "
Twyla Tharp
Creative
Habit
Alone
" I am still pushing the edge of what my body can do. "
Twyla Tharp
Still
Edge
Body
" Nobody worked harder than Mozart. By the time he was twenty-eight years old, his hands were deformed because of all the hours he had spent practicing, performing, and gripping a quill pen to compose. That's the missing element in the popular portrait of Mozart. "
Twyla Tharp
Old
Nobody
Pen
" Who a dancer is physically feeds into character for me. Always has. "
Twyla Tharp
Physically
Who
Always