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" Nature is never finished. "
Robert Smithson
Finished
Never
Nature
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" Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future. "
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" Language should be an ever developing procedure and not an isolated occurrence. "
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" Mistakes and dead-ends often mean more to these artists than any proven problem. "
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" From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline. "
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City
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" Artists are expected to fit into fraudulent categories. "
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" Visiting a museum is a matter of going from void to void. "
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" Parks are idealizations of nature, but nature in fact is not a condition of the ideal. "
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" When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us. "
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" Banal words function as a feeble phenomena that fall into their own mental bogs of meaning. "
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Banal
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Mental
" Art's development should be dialectical and not metaphysical. "
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Art
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Development
" Nature does not proceed in a straight line, it is rather a sprawling development. "
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Straight Line
Nature
Line
" The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality. "
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Past
Reality
Ground
" Words for mental processes are all derived from physical things. "
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Mental
Processes
Things
" Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art . "
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Landscapes
Parks
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" A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence. "
Robert Smithson
Lights
Going
Through
" Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time. "
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Art
Less
Faster
" I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation. "
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Effect
Day
Representation
" Artists themselves are not confined, but their output is. "
Robert Smithson
Themselves
Output
Artists
" A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world. "
Robert Smithson
Gallery
World
Work
" Questions about form seem as hopelessly inadequate as questions about content. "
Robert Smithson
Seem
Questions
Content
" Language operates between literal and metaphorical signification. "
Robert Smithson
Metaphorical
Language
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" Abstraction is everybody's zero but nobody's nought. "
Robert Smithson
Zero
Nobody
Everybody
" Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control. "
Robert Smithson
Result
Prison
Imagine
" The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye. "
Robert Smithson
Eye
Museum
Collection
" History is a facsimile of events held together by finally biographical information. "
Robert Smithson
History
Information
Together
" An emotion is suggested and demolished in one glance by certain words. "
Robert Smithson
Certain
Emotion
Glance
" The scenic ideals that surround even our national parks are carriers of a nostalgia for heavenly bliss and eternal calmness. "
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Even
Surround
Bliss
" Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits. "
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Asking
Place
Artist
" Language should find itself in the physical world, and not end up locked in an idea in somebody's head. "
Robert Smithson
Language
Head
Find
" Painting, sculpture and architecture are finished, but the art habit continues. "
Robert Smithson
Art
Architecture
Habit