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" Our lives are politically wound. "
Sarah Hall
Politically
Our
Our Lives
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" The beauty of interdisciplinary conversation is that the mode of expression is essentially different for each practitioner, even if ideas are shared. "
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" I was brought up in Cumbria where I saw all these fierce agricultural women. "
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" The short story is very good at looking at shadow psychologies and how the system breaks down underneath. "
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" Revisiting much-loved childhood novels is never easy. "
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" In my early 20s, connecting with fiction was a difficult process. There seemed to be little rhyme or reason to what was meaningful, what convinced, and what made sense. "
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" One of the things I try to do with my writing is try to evoke the spirit of the place. I think these things imprint on the landscape and the culture. "
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" Swimming in the cold and the dark of British autumn is not for the faint-hearted. "
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" I was useless at science. I was never going to be an astrophysicist. "
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" Apex predators are good for an environment in terms of biodiversity and trophic cascade - we have very few. But realistically, only a few areas could sustain free-roaming wolves in Britain, mostly in Scotland. "
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" I am a feminist, although I always worry saying that because you then get people asking you about the 1970s. "
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People
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" My work is of me; it's not me. I want it to be far more extraordinary than I am. "
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" Various books revolutionised what I think about novels and showed me that they're not strict, formulaic things. 'Coming Through Slaughter' by Michael Ondaatje was one of them. "
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" For every prescriptive idea about the craft of fiction, there's at least one writer who makes a virtue of the contrary. "
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" Nightmares of a capital city overwhelmed by tsunami, war or plague transfix us, but catastrophe is first felt locally, and there are many homes outside the city. "
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" I like extreme situations: people pushed out of their comfort zones; the civil veneer stripped off. "
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" There's nothing like the vast, dark Atlantic to remind you of your mortality. But terror can also be exhilarating. "
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" I studied the short story as part of my creative writing course at university but then set off as a novelist. Generally, there is a sense that even if you want to write short stories, you need to do a novel first. "
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Writing
You
Story
" Dystopian novels, such as Orwell's 'Nineteen Eighty-Four,' often tend to site their despotised or deformed civilisations in urban environments. "
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Often
Site
Urban
" I wander around the house and write in bed, at the kitchen table, by the window, in the yard. "
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Window
Bed
House
" I'm very aware of modern countryside issues, such as rewilding: how, as science progresses, we begin to understand that a healthy ecosystem is multiform. "
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Science
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" Show, don't tell, is a mantra repeated by tutors of creative writing courses the world over. As advice for amateurs, it is sound and helps avoid character profiling, unactivated scenes, and broken narrative frames. "
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" I don't reckon there are many writers who start out really expecting writing to be an attainable occupation. Well, I didn't. It was a pipe dream. "
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Dream
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" I was the feral, mud-bathing, tree-climbing variety of child. Why would I want to read about pirates when I could build a raft and terrorise sheep along the riverbanks? "
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Variety
Sheep
Child
" Swimming in the U.K. is not really about enjoying a sultry experience. It's about cold, clear acts of purification, and constitutional durability. It's about invigoration and bravado. "
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Clear
Cold
Experience
" I don't think practitioners should necessarily be advertising their work. "
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Should
Work
Think
" For its speculations to be taken seriously, dystopian fiction must be part of a discussion of contemporary society, a projection of ongoing political failures perhaps, or the wringing of present jeopardy for future disaster. "
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Present
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Future
" Art history became an A-level option at my school the year I started sixth form. This happened because another student and I cajoled and bullied the head of the art department into arranging it with the examination board. "
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Head
Student
School
" Set in a nameless colonial country, in an unspecified era, Katie Kitamura's second novel tracks the fortunes of a landowning family during the first waves of civil unrest. "
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Colonial
Waves
First
" I write in the mornings or afternoons - I'm not a night owl and can write for only four or five hours maximum. "
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" I don't like novels that tie everything up in a plot-y way. I always think that's not really true of life, particularly of people in power. "
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