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" Part of me believes that the completed record is the final measure of a pop musician's accomplishment, just as the completed film is the final measure of a film artist's accomplishments. "
Jon Landau
Pop
Me
Artist
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" My ambition was to be a record producer, and I had started doing that in the late '60s with my work with the MC5 and my friend Livingston Taylor. "
Jon Landau
Had
Doing
Friend
" Often, equipment can as easily function as a security blanket for musicians unwilling or unable to risk anything personal in the studio. Whether one catches the feeling on a record is a subjective matter. How can you be sure? The machinery can hold out the promise of at least mechanical perfection. "
Jon Landau
Security
Musicians
Perfection
" The Faces do not, as some have recently alleged, play badly. They are more than competent, especially at creating a mid-Sixties Rolling Stones-styled groove, as their excellent version of 'Memphis' proves. "
Jon Landau
Play
Some
Memphis
" Elton John himself never seems pretentious but Bernie Taupin's lyrics often do - sometimes pretentious in a clever sort of way, but pretentious nonetheless. There is a conflict between Elton's and Bernie's personal styles, no doubt about it. "
Jon Landau
Sometimes
Way
Clever
" Since her landmark 'Tapestry,' Carole King has both oversimplified and over elaborated that masterful album's style until her music has become something more overtly but less effectively personal. "
Jon Landau
Style
Her
Over
" 'Band on the Run' is a carefully composed, intricately designed personal statement that will make it impossible for anyone to classify Paul McCartney as a mere stylist again. "
Jon Landau
Impossible
Will
Run
" When the Beatles cut old rock n' roll, they were recording music still in their performing repertoire, and besides, they never thought of the music as old. "
Jon Landau
Thought
Never
Old
" Carole King's second album, 'Tapestry,' has fulfilled the promise of her first and confirmed the fact that she is one of the most creative figures in all of pop music. It is an album of surpassing personal-intimacy and musical accomplishment and a work infused with a sense of artistic purpose. It is also easy to listen to and easy to enjoy. "
Jon Landau
Music
King
Work
" The Rolling Stones are constantly changing, but beneath the changes they remain the most formal of rock bands. Their successive releases have been continuous extensions of their approach, not radical redefinitions, as has so often been the case with the Beatles. "
Jon Landau
Radical
Changes
Changing
" There were many stars in Motown's firmament - among them, Stevie, Marvin Gaye, Smokey Robinson, Martha Reeves and Diana Ross - but I happen to have loved the Four Tops most of all. "
Jon Landau
Happen
Four
Stars
" While the Beatles always had George Martin around to clean up their act, the Rolling Stones had Andrew Loog Oldham to coarsen theirs. "
Jon Landau
Clean
Always
Act
" As long as Elton John can bring forth one performance per album on the order of 'Someone Saved My Life Tonight,' the chance remains that he will become something more than the great entertainer he already is and go on to make a lasting contribution to rock. "
Jon Landau
Great
Life
Long
" The only criticism heard with any frequency of Elton John's first American album, 'Elton John,' was that the production was too grandiose. The melodies were superb, and lyrics frequently very good, and the performances flawless. "
Jon Landau
American
Good
First
" 'Call Me' is not an exceptional Al Green album, but it is as solid as a rock at its center. "
Jon Landau
Solid
Green
Call
" In the end, the sign of Aretha Franklin's artistry is that she always leaves her mark - first, on the music, then on us. "
Jon Landau
First
Music
Her
" The early Bob Dylan was compulsively drawn to the conflict between stability and the search for immortality. "
Jon Landau
Immortality
Search
Conflict
" Ringo Starr may not have much of a voice, but when he sang a song on a Beatle album, it had its own special charm. "
Jon Landau
May
Song
Charm
" The Beatles production is often so 'perfect' that it sounds computerized. 'Sgt. Pepper' really does sound like it took four months to make. "
Jon Landau
Perfect
Like
Four
" I saw rock n' roll future and its name is Bruce Springsteen. "
Jon Landau
Rock
Future
Bruce
" The Rolling Stones are violence. Their music penetrates the raw nerve endings of their listeners and finds its way into the groove marked 'release of frustration.' "
Jon Landau
Music
Way
Violence
" What makes the Stones' arrogance so divine is that we all believe that long ago and far away they weren't rich and famous but poor and struggling, just like us. "
Jon Landau
Famous
Rich
Long
" Bob Dylan may be the Charlie Chaplin of rock n' roll. Both men are regarded as geniuses by their entire audience. Both were proclaimed revolutionaries for their early work and subjected to exhaustive attack when later works were thought to be inferior. Both developed their art without so much as a nodding glance toward their peers. "
Jon Landau
Art
Rock
Thought
" Atlantic's Jerry Wexler believes first-rate records are made by first-rate voices. He certainly has worked with enough of them: Clyde McPhatter, Joe Turner, La Vern Baker, Ray Charles, Otis Redding, Solomon Burke, Wilson Pickett and Aretha Franklin. "
Jon Landau
Records
Ray
Made
" Soul was the music made by and for black people. For most of the Sixties it was thoroughly divorced from white popular music, but by the end of the decade several artists with their roots firmly in both soul and R&B traditions had crossed over. "
Jon Landau
Soul
Black
End
" On first listening, Joni Mitchell's 'Court And Spark,' the first truly great pop album of 1974, sounds surprisingly light; by the third or fourth listening, it reveals its underlying tensions. "
Jon Landau
First
Spark
Great
" The Beatles never sounded intimidated by their idols. They never interpreted old rock; they simply played it as well and as joyfully as they knew how. On 'Rock 'n' Roll,' John Lennon does nothing but interpret old rock. "
Jon Landau
Rock
Idols
Never
" 'Sing It Again Rod' touches all the solo bases since Stewart's departure from the Jeff Beck Band, wherein he cut his teeth on American audiences for $75 a week plus expenses, and wisely ignores his generally inferior work with the Faces. "
Jon Landau
Teeth
Work
Solo
" Bob Dylan was the source of pop music's unpredictability in the Sixties. Never as big a record-seller as commonly imagined, his importance was first aesthetic and social, and then as an influence. "
Jon Landau
Never
Aesthetic
Big
" To her audience, Janis Joplin has remained a symbol, artifact and reminder of late Sixties youth culture. Her popularity never derived from her musical ability, but from her capacity to link her fantasies of freedom and immortality with ours. "
Jon Landau
Culture
Audience
Youth
" The Beatles did their best cover work on Little Richard's 'Long Tall Sally' and music influenced by Richard, such as Larry Williams's 'Dizzy Miss Lizzie.' "
Jon Landau
Long
Best
Work