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" Paule Marshall does not let the black women in her fiction lose. While they lose friends, lovers, husbands, homes, or jobs, they always find themselves. "

Darryl Pinckney

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" Identity is made up of lots of different things now. Different colors and patterns stand out at different times. Different instruments in the symphony of being are more distinct than others at different times. "

Darryl Pinckney

" Frederick Douglass had charged the air with rebellion and redemption, and these in turn had supported him in the heat of abolitionism. But the atmosphere changed to one of repression after the Civil Rights Act of 1875. "

Darryl Pinckney

" Harlem exists in retrospect, in the memory of grandparents or elderly cousins, those 'old-timers' ever ready with their geysers of remembered scenes. The legends of 'Black Mecca' are preserved in the glossy musicals of Times Square and in texts of virtually every kind. "

Darryl Pinckney

" Eventually, I gave up my sublet in Berlin and stayed in England for a long time - for about 20 years. "

Darryl Pinckney

" The demise of Reconstruction had made it hard for blacks to acquire capital or to pass on property to their children. As blacks were driven from all but the most limited spheres of business and political life, the prestige of the professional rose in the black community. "

Darryl Pinckney

" The history of blacks is complicated, fragmented, disturbing to contemplate - not a neat trail of challenges met or of felled trees blocking the path to the mountain top. "

Darryl Pinckney

" For a long time, Nella Larsen was the mystery woman of the Harlem Renaissance. In the late 1920s, she published two sophisticated novels, 'Quicksand' and 'Passing,' and then her writing life came to an end. She died in obscurity in 1964. "

Darryl Pinckney

" Harlem's streets lead backward, into history, straight to a work such as 'This Was Harlem.' "

Darryl Pinckney

" I'd waste a holiday trying to set a story in this new place I'd visit, whereas I would never write a story about Indianapolis. "

Darryl Pinckney

" The nameless loser in Jay McInerney's 'Bright Lights, Big City' is going to the dogs like a gentleman. He is too smart to blame anyone for the impasse he has come to, hip enough to know he does not know enough, too sophisticated to masquerade as an anti-hero. "

Darryl Pinckney

" I know black kids who don't even know any other black kids except their cousins. And that's enough. You wouldn't look at these kids and say that they are Uncle Toms or self-hating or fleeing or trying to be white, given the culture in which they live, which is very natural to them as kids. "

Darryl Pinckney

" I had a lot of notes and fragments and observations that never amounted to anything. After the Wall had gone down, so many people were writing about Berlin, I didn't have the same urgency or feel enough authority. "

Darryl Pinckney

" If the sensitive washout has no taste for extreme gestures, total self-destruction, then his hope for singularity rests in his voice. Tone is everything. "

Darryl Pinckney

" In the years after World War I, blacks began to migrate to the North and its imagined freedoms in great numbers - 'Russian' came to mean a black who had rushed from the South. "

Darryl Pinckney

" The city - as the theater of experience, the refuge, the hiding place - has, in turn, been replaced by an abstraction, the fast lane. In the fast lane, the passive observer reduces everything - streets, people, rock lyrics, headlines - to landscape. Every night holds magical promises of renewal. But burnout is inevitable, like some law of physics. "

Darryl Pinckney

" After Reconstruction, black newspapers evolved from being a propaganda arm into a kind of opposition press, because even the friends of former slaves had their fears. "

Darryl Pinckney

" I wrote 'Black Deutschland' very quickly one summer, probably because I had a lot of it in pieces and fragments sitting around over the years as false starts or notes. "

Darryl Pinckney

" When writing on black life, whites have often been unwelcome, usually called upon to give witness or hauled in as the accused. "

Darryl Pinckney

" Jean Toomer is a phantom of the Harlem Renaissance. Pick up any general study of the literature written by Afro-Americans, and there is the name of Jean Toomer. In biographies and memoirs of Harlem Renaissance figures, his name is invoked as if he had been one of the sights along Lenox Avenue. "

Darryl Pinckney

" Tone is everything. "

Darryl Pinckney

" History is a sly boots, and for a generation of blacks that cannot identify with the frustrations of Jim Crow, and for whites who cannot understand the hard deal that faces working-class blacks, it is difficult to reconcile Hughes's reputation as a poet-hero with his topical verse and uncomplicated prose. "

Darryl Pinckney

" Novels set in distant places give us expectations not unlike those we have of travel writing, and often the distinctions are blurred, as in, say, the way the low life of Tokyo's Shinjuku Ward is depicted in John David Morley's recent 'Pictures from the Water Trade.' "

Darryl Pinckney

" Once upon a time, I was morbidly sensitive about the impertinence born of sociology. Taxi drivers would not stop for me after dark; white girls jogged to keep ahead of my shadow thrown at their heels by the amber street lamps. Part of me didn't blame them, but most of me was hurt. "

Darryl Pinckney