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" People need meeting places. You need places where ideas get exchanged and you see each other's faces once in a while. "
Debra Granik
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" In documentary, you are sometimes burdened, or you feel very responsible for dealing with - I want to say - more complicated themes. Fiction allows for greater distillation. "
Debra Granik
" The process of starting up a new film is one of looking through a lot of material and trying to find something you really like. And it does sometimes take a minute. "
Debra Granik
" Humour is the be-all and end-all medicine of human existence. "
Debra Granik
" I swing with a lot of torque from non-fiction to fiction, and I really like that place in between. "
Debra Granik
" Films set in 90210 are ten a penny. But there's rarely room to make films about a different postal code, to show the lives of ordinary Americans who have to live with very limited material resources. "
Debra Granik
" We just started filming 'Stray Dog' really close to the finishing of 'Winter's Bone,' down in Southern Missouri. "
Debra Granik
" For whole swaths of people, that map of, 'Come along this way, come to college, do this and that,' isn't offered. "
Debra Granik
" A role is never just a ready-made thing. "
Debra Granik
" Action films don't speak to me, because that's not my skill set. I also have a lot of stipulations about stories I don't want to perpetuate, ones that bring me down or make me feel like life's not worth living. "
Debra Granik
" In Hollywood, only a female who's massively damaged is interesting. "
Debra Granik
" The questions that loom can be intimidating. 'What kind of moves is she gonna make? What is she gonna do?' There is this pressure that you're supposed to keep impressing. "
Debra Granik
" There are documentaries that will just save your life and be the conduit to the art form you started out loving. "
Debra Granik
" 'Winter's Bone' really suited having a lower budget. It would be so hard rolling into a rural setting, a place where people are poor, and to be thinking you've got $10 million to make a piece of entertainment. "
Debra Granik
" It's risky to show poor Americans. People see it as a downer. But I really wanted to make a tightly wound piece of storytelling that also happened to explode the myth of American affluence. "
Debra Granik
" Social realism takes research. "
Debra Granik
" There's all these costs of war, and they're huge and long-lasting. It's not just the numbers CNN broadcasts. And we never want to pay the VA bill; we never want to pay the bill to take care of these warriors after we applaud their sacrifice. "
Debra Granik
" History has shown that there needs to be some agora, or public spaces, and I think that we already live a lot of our life on a laptop, or even smaller devices that we hold in our hands. "
Debra Granik
" I have, obviously, a very complex relationship with the more industrial side of filmmaking and the machinery that can take an actor or an actress and create something so bamboozling and monumental and fathomless in terms of publicity hits. "
Debra Granik
" I will always face the conundrum that the subjects I'm attracted to aren't essentially commercial. "
Debra Granik
" We're always on the search for a novel or a source or an existing screenplay, or writing something ourselves that turns us on. But because films cost a lot of money to make and a huge amount of effort to get the people to rally, you have to really like it; you can't just semi-like it. Getting to 'really like' is the part that takes the minute. "
Debra Granik
" My first camera job was filming workplace safety videos, which involved months of watching and videotaping people doing their jobs. I was hooked - from there, I wanted to know where they lived and the rest of their habits and desires. "
Debra Granik
" In documentary, mostly, people are going to say untoward things; people are going to have gnarly beliefs. People aren't perfect. "
Debra Granik
" It's kind of a test when you read a novel thinking about its potential for the screen: How does it play on your mind's screen? "
Debra Granik
" There are so many American experiences that we can't know about unless we venture out to create a dialogue, to observe, ask questions, and stay there for a while. "
Debra Granik
" I would fail if I had to work with stars. And I also can't afford to work that way. I can't afford to have special circumstances for rarified individuals. So, I work with actors who have given me a sign that they're willing to work in these more humble circumstances, in real-life locations. "
Debra Granik
" #TimesUp is you can't hold it in anymore: Time's up! The doors have to give way. It can't be that every 27-year-old born into a male body is a designated genius. It can't be that the language used to review male and female films is different. "
Debra Granik
" Time's up on cheesy, lesser, boring roles for females in the stories that we try to tell. "
Debra Granik
" I don't want to make fictional characters who are perfect - that's a vanilla situation - but the fact is you are allowed to more carefully select and curate what it is you're going to explore. "
Debra Granik
" I'd love to do a comedy - something where a character has to use humor to navigate the absurdities of life. "
Debra Granik
" I'm always searching to learn more about our large and diverse country. "
Debra Granik