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" Piano is unique in that way: it can be both percussive and haunting. "
Miguel Sapochnik
Piano
Unique
Both
Related Quotes:
" Making movies is all about compromise, negotiation, and sacrifice, but the process helps you distill what's really important to you, and once you have identified what those these things are for any particular sequence, you hold onto them and don't let them go. "
Miguel Sapochnik
Go
Movies
Process
" The shift for me, after spending a long time trying to take existing projects and bring them to fruition as a director for hire, is going back to where I started as a self-generating director. After trying and failing to get so many things made, I have decided that you've just got to do something you really, really love. "
Miguel Sapochnik
Love
Time
You
" I have a tendency to feel a bit embarrassed when approached, but it's such a thrill to know that you did something that people enjoyed so much. It's an even bigger thrill when they talk to you about ideas that you worked so hard to get in there, and they single them out as reasons they enjoyed it so much. "
Miguel Sapochnik
Know
You
Talk
" I try to just focus on what feels right to me when I am conceiving it, conceptualizing, designing, etc. and then talk it through with the team and listen to what they have to say. This kind of thing is a team effort, and working with a great team is the most important part of filmmaking for me. "
Miguel Sapochnik
Me
I Am
Effort
" Music is my second love. "
Miguel Sapochnik
Love
Second
Music
" Sometimes you fixate on something so much that everything else fades away. "
Miguel Sapochnik
Everything
You
Away
" I've learned more about directing from five years of television than I could have in ten years of film. "
Miguel Sapochnik
Television
More
Film
" I really, really liked shooting and doing the scene with Emilia Clarke and Peter Dinklage at the end of 'Winds of Winter,' when she gives him the Hand of the Queen. Because we shot it very simply. We felt like we had managed to do something that was visual but really was a very intimate scene between two people. "
Miguel Sapochnik
She
End
Doing
" I think it's my job to fight. The studio makes you question your idea, and you have to prove it. "
Miguel Sapochnik
Question
Fight
Job
" I must admit, I don't try to put my stamp on anything; it just happens. I don't really know how to think another way. "
Miguel Sapochnik
Try
Think
Know
" In a nutshell, directing 'The Gift' was all about understanding how the complex machine that is 'Game of Thrones' works. "
Miguel Sapochnik
Gift
Game
How
" I had this total obsession that I would have my first movie at the Empire when I was 24, so it was a big disappointment that it didn't happen. "
Miguel Sapochnik
Disappointment
Obsession
First
" I try to approach all episodic work the same. No matter the content. I look for a dramatic or emotional spine to the story I'm telling, something that stands out to me thematically about the episode and its relationship to the rest of the season/series. "
Miguel Sapochnik
Relationship
Work
Try
" I realized I loved working in television as well as film. Besides, if I hadn't been forced to look for work in TV, I'd never have gotten to work on 'Game of Thrones.' "
Miguel Sapochnik
Television
Loved
Game
" I think that as television is evolving, the line between TV and film is becoming more and more blurred. This is both a good and bad thing. "
Miguel Sapochnik
Think
Good
Line
" Whatever project I sign up for, I try to familiarize myself with the material as much as possible before I start. "
Miguel Sapochnik
Possible
Try
Start
" While most episodes have a beginning, middle, and an ending, finales on 'Game of Thrones' are just one ending after another after another, as each of the storylines needs to wrapped up or at least attended to in some way. "
Miguel Sapochnik
Up
Ending
Beginning
" Each creative choice you make has 'x' many impacts on budgetary choices, which in turn have 'y' many impacts on your subsequent creative choices. They feed each other. "
Miguel Sapochnik
You
Turn
Creative
" When I was coming onto 'Thrones,' I was looking for, 'What's the formula here?' There was a very David Lean kind of approach to it. It was traditional, in a way, and it was naturalistic in some respects, even though it was fantasy. "
Miguel Sapochnik
Looking
Way
Some
" Once you have a blueprint down, you start talking to all the other heads of department to see if and how they can help to execute what you've imagined, and so things change and evolve. And then you have to make it work within the budget and time frame, so things change even more. "
Miguel Sapochnik
Time
Work
You
" When you're younger, you want to project an image of yourself through your work, but now, I just want to make something honest. "
Miguel Sapochnik
You
Honest
Now
" One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room. "
Miguel Sapochnik
Saying
Time
Camera
" Sci-fi works for me as a way of getting across a social conceit couched as entertainment. Social realist movies lost their way because they are just not that entertaining. "
Miguel Sapochnik
Way
Lost
Entertainment
" I think that being a Wildling is essentially about surviving the cold, and in that department, the extras on our shoot excelled and needed no help from us. "
Miguel Sapochnik
Think
Shoot
Help